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#TitoloArtistaValutazioneDurata
1Keyboard Sonata in B-Flat Major, Wq. 62/1, H. 2: I. Presto
Carl Philipp Emanuel Bach2:24
2Keyboard Sonata in B-Flat Major, Wq. 62/1, H. 2: II. Andante
Carl Philipp Emanuel Bach3:11
3Keyboard Sonata in B-Flat Major, Wq. 62/1, H. 2: III. Allegro assai
Carl Philipp Emanuel Bach2:19
4Keyboard Sonata in G Major, Wq. 62/2, H. 20: I. Allegro
Carl Philipp Emanuel Bach3:05
5Keyboard Sonata in G Major, Wq. 62/2, H. 20: II. Andante
Carl Philipp Emanuel Bach2:19
6Keyboard Sonata in G Major, Wq. 62/2, H. 20: III. Cantabile
Carl Philipp Emanuel Bach1:31
7Keyboard Sonata in D Major, Wq. 62/3, H. 22: I. Allegro
Carl Philipp Emanuel Bach5:11
8Keyboard Sonata in D Major, Wq. 62/3, H. 22: II. Andante
Carl Philipp Emanuel Bach2:16
9Keyboard Sonata in D Major, Wq. 62/3, H. 22: III. Allegro
Carl Philipp Emanuel Bach2:27
10Keyboard Sonata in D Minor, Wq. 62/4, H. 38: I. Allegretto
Carl Philipp Emanuel Bach4:53
11Keyboard Sonata in D Minor, Wq. 62/4, H. 38: II. Andante sostenuto
Carl Philipp Emanuel Bach3:11
12Keyboard Sonata in D Minor, Wq. 62/4, H. 38: III. Presto
Carl Philipp Emanuel Bach4:08
13Keyboard Sonata in E Major, Wq. 62/5, H. 39: I. Allegro
Carl Philipp Emanuel Bach3:43
14Keyboard Sonata in E Major, Wq. 62/5, H. 39: II. Andantino
Carl Philipp Emanuel Bach4:31
15Keyboard Sonata in E Major, Wq. 62/5, H. 39: III. Vivace di molto
Carl Philipp Emanuel Bach3:45
16Keyboard Sonata in F Minor, Wq. 62/6, H. 40: I. Allegro
Carl Philipp Emanuel Bach3:52
17Keyboard Sonata in F Minor, Wq. 62/6, H. 40: II. Andante
Carl Philipp Emanuel Bach2:50
18Keyboard Sonata in F Minor, Wq. 62/6, H. 40: III. Presto spirituoso e staccato
Carl Philipp Emanuel Bach3:52
19Keyboard Sonata in C Major, Wq. 62/7, H. 41: I. Allegro assai
Carl Philipp Emanuel Bach4:49
20Keyboard Sonata in C Major, Wq. 62/7, H. 41: II. Andantino
Carl Philipp Emanuel Bach2:36
21Keyboard Sonata in C Major, Wq. 62/7, H. 41: III. Allegretto
Carl Philipp Emanuel Bach4:09
22March in D Major, H. 1/1
registrazione di:
Marche in D major, BWV Anh. 122, H. 1/1
compositore:
Carl Philipp Emanuel Bach (German classical composer)
precedentemente attribuito a:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (numero: H. 1/1), Notebook for Anna Magdalena Bach (1725) (numero: 16) e Bach-Werke-Verzeichnis (numero: BWV Anh. 122)
Carl Philipp Emanuel Bach1:01
23Polonoise in G Minor, H. 1/2
registrazione di:
Polonaise in G minor, BWV Anh. 123, H. 1/2
compositore:
Carl Philipp Emanuel Bach (German classical composer)
precedentemente attribuito a:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Bach-Repertorium Carl Philipp Emanuel Bach (BR‑CPEB) (numero: BR‑CPEB A‑Juv 3), Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (numero: H. 1/2), Notebook for Anna Magdalena Bach (1725) (numero: 17), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (numero: BWV Anh. II 123 / Anh. III 183‑>) e Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (numero: BWV Anh. 123)
Carl Philipp Emanuel Bach1:28
24March in G Major, H. 1/3
registrazione di:
Marche in G major, BWV Anh. 124, H. 1/3
compositore:
Carl Philipp Emanuel Bach (German classical composer)
precedentemente attribuito a:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (numero: H. 1/3), Notebook for Anna Magdalena Bach (1725) (numero: 18) e Bach-Werke-Verzeichnis (numero: BWV Anh. 124)
Carl Philipp Emanuel Bach1:13
25Polonoise in G Minor, H. 1/4
registrazione di:
Polonaise in G minor, BWV Anh. 125, H. 1/4
compositore:
Carl Philipp Emanuel Bach (German classical composer)
precedentemente attribuito a:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (numero: H. 1/4), Notebook for Anna Magdalena Bach (1725) (numero: 19) e Bach-Werke-Verzeichnis (numero: BWV Anh. 125)
Carl Philipp Emanuel Bach1:48
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