Hit Singles 1958–1977

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Matrix 1 3 81909 SRC-03 Matrix 2 M3S12 (barely visible) From disc ID K0yJcbzAcf0Uk8FFj4Ec7AcmXy4

Anmerkung zuletzt geändert am 2020-02-16 19:28 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Splish Splash
Produzent(in):
Herb Abramson und Ahmet Ertegun (US American Songwriter, producer)
recording of:
Splish Splash
Verfasser(in):
Bobby Darin und Jean Murray
publisher:
Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. und Oirt Music Inc.
Bobby Darin32:15
2Mack the Knife
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 40) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:06
3Deep Purple
Techniker(in):
Dave Wiechman
conductor:
Jimmie Haskell
arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1963)
cover recording of:
Deep Purple
Texter:
Mitchell Parish (in 1938)
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Nino Tempo & April Stevens2:44
4Good Lovin’
Produzent(in):
Tom Dowd, Arif Mardin und The Young Rascals (US soul & rock group, formerly known as The Young Rascals)
Gitarre:
Gene Cornish (am 1966-02-01)
Orgel:
Felix Cavaliere (American singer, songwriter, record producer, and musician) (am 1966-02-01)
Perkussion:
Eddie Brigati (am 1966-02-01)
Schlagzeug:
Dino Danelli (am 1966-02-01)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1966-02-01)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 325)
cover recording of:
Good Lovin’ (am 1966-02-01)
Verfasser(in):
Rudy Clark (US songwriter) und Arthur Resnick (songwriter, producer)
publisher:
Alley Music Corp., Carlin Music Corporation, Hudson Bay Music und Trio Music Company
The Rascals42:31
5Groovin’
Produzent(in):
The Rascals (US soul & rock group, formerly known as The Young Rascals)
Hintergrundgesang:
David Brigati
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Groovin’
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Rascals2:33
6The Beat Goes On
Techniker(in):
Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Sonny Bono
conductor:
Harold Battiste
phonographisches Urheberrecht (℗) von:
ATCO Records (in 1967)
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Beat Goes On (in 1967)
Texter und Komponist(in):
Sonny Bono
publisher:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher4.253:29
7For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:40
8People Got to Be Free
recording of:
People Got to Be Free
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Eddie Brigati Music, EMI April Music Inc., EMI Jamaxal Music Inc., Huna Music und Slacsar Pub. Co. Ltd.
The Rascals3:02
9Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:30
10Ride Captain Ride
Produzent(in):
Richard Podolor
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 32)
recording of:
Ride Captain Ride
Texter:
Frank “Skip” Konte (US keyboardist)
Komponist(in):
Mike Pinera
publisher:
Atlantic (Warner Music imprint) und ATM Music
Blues Image4.53:45
11Love the One You’re With
Techniker(in):
Andy Johns
Produzent(in):
Bill Halverson und Stephen Stills
Bass:
Calvin Samuels (in 1970-03)
Conga:
Jeff Whittaker (in 1970-03)
Gitarre, Orgel, Perkussion und Sologesang:
Stephen Stills (in 1970-03)
Steel Pan:
Stephen Stills
Hintergrundgesang:
Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (American folk, rock and pop singer) (in 1970-03) und John Sebastian (in 1970-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970-03)
recording of:
Love the One You’re With (in 1970-03)
Texter und Komponist(in):
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
Stephen Stills3.53:07
12The Lion Sleeps Tonight
cover recording of:
The Lion Sleeps Tonight
Texter:
George David Weiss (in 1961)
Verfasser(in):
Luigi Creatore, Hugo Peretti und Albert Stanton (pseudonym for Al Brackman)
Komponist(in):
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) und Memory Lane Music Ltd.
basiert auf:
Mbube
basiert auf:
Wimoweh
Version von:
Wimoweh
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (2019 film soundtrack)
Robert John52:37
13Smokin’ in the Boys Room
Techniker(in):
Michael Delugg
Produzent(in):
Doug Morris (record executive) und Eric Stevens (producer active in the 1970s)
phonographisches Urheberrecht (℗) von:
Big Tree Records (1970s/80s US) (in 1973) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Smokin’ in the Boys Room
Verfasser(in):
Cub Koda und Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing und Walden Music, Inc.
Brownsville Station53:00
14Pick Up the Pieces
Produzent(in):
Arif Mardin
Horn arranger:
Roger Ball
arranger:
AWB
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974, in 1975)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Pick Up the Pieces
Verfasser(in):
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. und Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band4.054:02
15I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:41
16Angel in Your Arms
recording of:
Angel in Your Arms
Verfasser(in):
Tom Brasfield, Clayton Ivey (American producer, pianist, keyboardist and composer) und Terry Woodford (American songwriter, producer, music publisher, recording engineer)
publisher:
Careers–BMG Music Publishing, Inc. und New Envoy Music, Inc.
Hot2:58