| # | Title | Artist | Rating | Length |
|---|
| 1 | 5‐4‐3‐2‐1 | Manfred Mann | 4.5 | 1:57 |
| 2 | Glad All Over | The Dave Clark Five | | 2:42 |
| 3 | My Generation | The Who | | 3:16 |
| 4 | Dancing in the Street- producer:
- William Stevenson
- baritone saxophone:
- Thomas Bowles (on 1964-06-29)
- bass guitar:
- James Jamerson (on 1964-06-29)
- drums (drum set):
- Marvin Gaye (on 1964-06-29)
- guitar:
- Joe Messina (on 1964-06-29), Robert White (on 1964-06-29) and Eddie Willis (on 1964-06-29)
- other instruments [tire iron]:
- Ivy Jo Hunter (on 1964-06-29)
- percussion, tambourine and vibraphone [vibes]:
- Jack Ashford (on 1964-06-29)
- tenor saxophone:
- Henry Cosby (on 1964-06-29)
- trombone:
- George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
- trumpet:
- Russell Conway (on 1964-06-29) and Herbert Williams (on 1964-06-29)
- background vocals:
- Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (on 1964-06-29)
- lead vocals:
- Martha Reeves (on 1964-06-29)
- publisher:
- EMI Music Publishing
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1964) and UMG Recordings, Inc. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 7), Rolling Stone: 500 Greatest Songs of All Time (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (number: 403)
- recording of:
- Dancing in the Street (on 1964-06-29)
- writer:
- I. Hunter, M. Gaye and W. Stevenson
- publisher:
- EMI Music , EMI Music Publishing , FCG Music, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Martha and the Vandellas | 3.55 | 2:38 |
| 5 | For Once in My Life | Stevie Wonder | | 2:46 |
| 6 | You Don’t Have to Say You Love Me | Dusty Springfield | 3.7 | 2:48 |
| 7 | You’ll Never Walk Alone | Gerry & the Pacemakers | | 2:39 |
| 8 | Gimme Some Lovin’- producer:
- Chris Blackwell and Jimmy Miller
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 244)
- recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Warner Chappell Music Ltd. , Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| The Spencer Davis Group | 4.15 | 2:53 |
| 9 | Tired of Waiting | The Kinks | | 2:29 |
| 10 | Baby Love | The Supremes | 4.45 | 2:34 |
| 11 | The Sun Ain’t Gonna Shine Anymore | The Walker Brothers | 3.5 | 3:01 |
| 12 | All or Nothing | Small Faces | 3.5 | 3:03 |
| 13 | Wild Thing | The Troggs | 4.4 | 2:34 |
| 14 | There’s a Kind of Hush- engineer:
- Dave Siddle
- producer:
- Mickie Most
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (on 1966-12-07)
- cover recording of:
- There’s a Kind of Hush (on 1966-12-07)
- lyricist and composer:
- Les Reed and Geoff Stephens
- publisher:
- Donna Music Ltd. , Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. , Southern Music Publishing Co., Inc. , ピアーミュージック , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Herman’s Hermits | 4.5 | 2:35 |
| 15 | Carrie‐Anne | The Hollies | 4.5 | 2:54 |
| 16 | The Onion Song | Marvin Gaye & Tammi Terrell | 4 | 2:57 |
| 17 | Mr. Tambourine Man- recorded in:
- Hollywood, Los Angeles, California, United States (on 1965-01-20)
- producer:
- Terry Melcher
- 12 string guitar:
- Jim McGuinn (on 1965-01-20)
- bass guitar:
- Chris Hillman (on 1965-01-20)
- drums (drum set):
- Michael Clarke (on 1965-01-20)
- guitar:
- David Crosby (on 1965-01-20)
- tambourine:
- Gene Clark (on 1965-01-20)
- vocals:
- Gene Clark (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
- phonographic copyright (℗) by:
- Columbia Records (in 1965) and Sony Music Entertainment Inc. (in 1965)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
- cover recording of:
- Mr. Tambourine Man (on 1965-01-20)
- lyricist and composer:
- Bob Dylan (from 1964-02 until 1964-04)
- publisher:
- Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing , Sony/ATV Music Publishing Ltd., Warner Bros. Music , Warner Brothers Music Ltd. , Warner/Chappell (from 1964 until 1992) and Special Rider Music (from 1992 to present)
| The Byrds | 4.15 | 2:31 |
| 18 | Oh Pretty Woman- recorded in:
- Nashville, Tennessee, United States (on 1964-08-01)
- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 4.2 | 2:59 |
| 19 | I Got You Babe | Sonny & Cher | 4 | 3:11 |
| 20 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:26 |
| 21 | My Girl | Otis Redding | 4.35 | 2:53 |
| 22 | House of the Rising Sun | The Animals | 4.25 | 4:29 |
| 23 | Nights in White Satin | The Moody Blues | 4.55 | 4:24 |
| 24 | Good Vibrations- recording engineer:
- Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love (from 1966-02 until 1966-06) and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1966)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 6), Billboard: The 500 Best Pop Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 4.2 | 3:36 |
| 25 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:00 |
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