My Way: The Best of Frank Sinatra

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

Anmerkung

Label: Warner Music Catalog #: 9362-46710-2 (Regular version)

Anmerkung zuletzt geändert am 2012-10-19 18:10 UTC.

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1My Way
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-12-30)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) und Don Costa (US pop music arranger & producer)
Instrumente:
Buddy Saltzman
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1968-12-30)
conductor:
Don Costa (US pop music arranger & producer) (am 1968-12-30)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 79)
cover recording of:
My Way (Frank Sinatra song) (am 1968-12-30)
Texter:
Paul Anka (Canadian singer, songwriter and actor)
Komponist(in):
Claude François und Jacques Revaux
vorher zugeschrieben zu:
Gilles Thibaut
Übersetzer:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
Comme d’habitude
Frank Sinatra3.954:36
2Strangers in the Night
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-04-11)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) (am 1966-04-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-04-11)
arranger:
Ernie Freeman (am 1966-04-11)
phonographisches Urheberrecht (℗) von:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
recording of:
Strangers in the Night (am 1966-04-11)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.12:36
3Theme From New York, New York
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-09-19)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1979-09-19)
Bratsche / Viola:
Pamela Goldsmith (American violist) (am 1979-09-19), Allan Harshman (violist) (am 1979-09-19), Archie Levin (am 1979-09-19) und Barbara Simons (am 1979-09-19)
Cello:
Ronald Cooper (am 1979-09-19), Douglas Davis (cellist) (am 1979-09-19), Raymond Kelley (cellist) (am 1979-09-19) und Mary Lane (cellist) (am 1979-09-19)
Geige / Violine:
Rochelle Abramson (violinist) (am 1979-09-19), Judith Aller (am 1979-09-19), Israel Baker (American violinist) (am 1979-09-19), Harry Bluestone (am 1979-09-19), David Frisina (am 1979-09-19), Harris Goldman (am 1979-09-19), Marvin Limonick (am 1979-09-19), Sheldon Sanov (violinist) (am 1979-09-19), Daniel Shindaryov (Session Musician) (am 1979-09-19), Jennifer Small (am 1979-09-19), Marshall Sosson (am 1979-09-19) und Joseph Stepansky (am 1979-09-19)
Gitarre:
Al Viola (am 1979-09-19)
Holzblasinstrumente:
Gene Cipriano (am 1979-09-19), Jules Jacob (US jazz woodwind player) (am 1979-09-19), John Lowe (woodwind) (am 1979-09-19), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1979-09-19) und Wilbur Schwartz (am 1979-09-19)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (am 1979-09-19)
Kontrabass:
Gene Cherico (am 1979-09-19) und Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1979-09-19)
Perkussion:
Dale Anderson (percussionist) (am 1979-09-19)
Posaune:
Charles Loper (American trombonist) (am 1979-09-19), Dick Nash (am 1979-09-19) und Lloyd Ulyate (am 1979-09-19)
Schlagzeug:
Irv Cottler (am 1979-09-19)
Trompete:
John Audino (am 1979-09-19), Johnny Best (jazz trumpeter) (am 1979-09-19), Chuck Findley (trumpet, trombone, horn player) (am 1979-09-19) und Charles Turner (US jazz trumpeter) (am 1979-09-19)
Tuba:
Tommy Johnson (session tuba player) (am 1979-09-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1979-09-19)
Orchester:
Vincent Falcone, Jr. & His Orchestra (am 1979-09-19)
conductor:
Vincent Falcone, Jr. (am 1979-09-19) und Vinnie Falcone (conductor) (am 1979-09-19)
arranger:
Don Costa (US pop music arranger & producer) (am 1979-09-19)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-09-19)
cover recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (am 1979-09-19)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (am 1979-09-19)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
Frank Sinatra3.93:26
4I Get a Kick Out of You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1963-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1962)
cover recording of:
I Get a Kick Out of You (am 1962-04-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Frank Sinatra43:14
5Somethin' Stupid
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-02-01)
Techniker(in):
Eddie Brackett und Phil Ramone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) und Lee Hazlewood
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-02-01) und Nancy Sinatra (am 1967-02-01)
conductor:
Billy Strange (am 1967-02-01)
arranger:
Billy Strange
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1967)
cover recording of:
Somethin’ Stupid (am 1967-02-01)
Texter und Komponist(in):
Carson Parks
publisher:
Greenwood Music, Montclare Music und Montclare Music Co Ltd.
übersetzte Version von:
Forelsket
Frank & Nancy Sinatra42:39
6Moon River
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-01-28)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-01-28)
conductor:
Nelson Riddle (am 1964-01-28)
arranger:
Nelson Riddle
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1964)
cover recording of:
Moon River (am 1964-01-28)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Frank Sinatra3:19
7What Now My Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-11-17)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-11-17)
conductor:
Ernie Freeman (am 1966-11-17)
arranger:
Ernie Freeman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
What Now My Love (am 1966-11-17)
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. und Warner Chappell Music, Inc.
übersetzte Version von:
Et maintenant
Frank Sinatra2:30
8Summer Wind
recorded in und engineered in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-05-16)
Techniker(in):
Eddie Brackett (am 1966-05-16) und Lee Herschberg (am 1966-05-16)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1966-05-16)
Bass:
Ralph Peña
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn und Barbara Simons
Cello:
Justin Ditullio, Elizabeth Greenschpoon und Armand Kaproff
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Victor Bay, Alex Beller, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Ralph Schaeffer und Paul Shure
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), William Green (woodwind), Harry Klee und Abe Most
Klavier:
Bill Miller (pianist)
Orgel:
Artie Kane
Perkussion:
Victor Feldman (jazz musician)
Posaune:
Dick Noel (trombone), Pullman “Tommy” Pederson und Tommy Shepard (trombonist)
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Don Fagerquist, Cappy Lewis und Ray Triscari
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-05-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Nelson Riddle (am 1966-05-16)
arranger:
Nelson Riddle
phonographisches Urheberrecht (℗) von:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
Summer Wind (am 1966-05-16)
Texter:
Johnny Mercer
Komponist(in):
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
übersetzte Version von:
Sommerwind
Frank Sinatra2:55
9For Once in My Life
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-02-24)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) und Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1969-02-24)
conductor:
Don Costa (US pop music arranger & producer) (am 1969-02-24)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
cover recording of:
For Once in My Life (am 1969-02-24)
Texter:
Ronald Miller (Motown songwriter Ronald Norman Miller)
Komponist(in):
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Frank Sinatra32:51
10Love and Marriage
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-10-21)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1965-10-21)
Bearbeitung von:
Love and Marriage (1965 original studio master) von Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
Love and Marriage (am 1965-10-21)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und WB Music Corp. (1929–2019)
Frank Sinatra4.51:30
11They Can't Take That Away From Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1962-04-10)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Frank Sinatra42:41
12My Kind of Town
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-08)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-04-08)
Orchester:
Nelson Riddle and His Orchestra (am 1964-04-08)
conductor:
Nelson Riddle (am 1964-04-08)
arranger:
Nelson Riddle
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-08)
recording of:
My Kind of Town (am 1964-04-08)
gewidmet:
Chicago, Illinois, Vereinigte Staaten
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) und Van Heusen Music Corp. (in 1964)
Teil von:
The 37th Academy Award for Best Original Song (Nummer: 2)
Frank Sinatra3:08
13Fly Me to the Moon
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-09)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-09), Bill Hughes (jazz trombonist) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (baritone saxophonist) (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
conductor:
Quincy Jones (, am 1964-06-09)
arranger:
Quincy Jones
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 75)
recording of:
Fly Me to the Moon (am 1964-06-09)
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (am 1964-06-09)
Texter und Komponist(in):
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. und Hampshire House Publishing Corp.
Arrangement von:
Fly Me to the Moon
Frank Sinatra42:29
14I've Got You Under My Skin
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-04-30)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1963-04-30)
arranger:
Nelson Riddle
cover recording of:
I’ve Got You Under My Skin (am 1963-04-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Frank Sinatra4.53:31
15The Best Is Yet to Come
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer) (am 1964-06-09)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1964-06-09)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-09)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-09), Bill Hughes (jazz trombonist) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (baritone saxophonist) (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones (am 1964-06-09)
cover recording of:
The Best Is Yet to Come (am 1964-06-09)
Texter:
Carolyn Leigh (in 1959)
Komponist(in):
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. und WB Music Corp. (1929–2019)
recording of:
The Best Is Yet to Come (am 1964-06-09)
Texter:
Carolyn Leigh (in 1959)
Komponist(in):
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. und WB Music Corp. (1929–2019)
Frank Sinatra4.52:54
16It Was a Very Good Year
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-04-22)
recording engineer:
Lowell Frank (engineer) (am 1965-04-22)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Bratsche / Viola:
Alvin Dinkin, Lou Kievman (violist) und Paul Robyn
Cello:
Armand Kaproff
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
Gitarre:
Vincent Terri (Jazz Guitarist)
Harfe:
Kathryn Thompson (harpist)
Klarinette:
Clyde Hylton, Harry Klee und Wayne Songer (clarinetist and saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Arnold Koblentz (Oboe player) und Melinda Eckels
Schlagzeug:
Nick Fatool
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1965-04-22)
conductor:
Gordon Jenkins (am 1965-04-22)
arranger:
Gordon Jenkins (in 1965)
cover recording of:
It Was a Very Good Year (am 1965-04-22)
Texter und Komponist(in):
Ervin Drake (Songwriter)
publisher:
Memory Lane Music (publishing company), Reedlands Music Corp. und The Songwriters Guild
Frank Sinatra54:26
17Come Fly With Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-10-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1965-10-11)
arranger:
Billy May
recording of:
Come Fly With Me (am 1965-10-11)
Texter:
Sammy Cahn (in 1957)
Komponist(in):
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Frank Sinatra53:10
18That's Life
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-10-18)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-10-18)
conductor:
Ernie Freeman (am 1966-10-18)
arranger:
Ernie Freeman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
That’s Life (am 1966-10-18)
Texter:
Kelly Gordon und Dean Kay
Komponist(in):
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.53:07
19The Girl From Ipanema
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-01-31)
Techniker(in):
Lee Herschberg
Koproduzent(in):
Ray Gilbert
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Akustikgitarre und Hintergrundgesang:
Antônio Carlos Jobim (am 1967-01-31)
Bass:
Ralph Peña
Cello:
Elizabeth Greenschpoon, Ray Kramer, Kurt Reher (cellist) und Nino Rosso (cellist)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Arnold Belnick, Bonnie Douglas, Emo Neufeld, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Bernard Kundell, Nathan Ross und Ralph Schaeffer
Holzblasinstrumente und Saxophon:
Buddy Collette, Arthur Gleghorn und Bud Shank
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone)
Schlagzeug:
Irv Cottler und Dom Um Romão
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-01-31)
conductor:
Claus Ogerman (am 1967-01-31)
arranger:
Claus Ogerman
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-01-31)
cover recording of:
The Girl From Ipanema (am 1967-01-31)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Frank Sinatra & Antônio Carlos Jobim53:14
20The Lady Is a Tramp
recorded in:
New York, New York, Vereinigte Staaten (am 1974-10-13)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1974-10-13)
aufgenommen bei:
Madison Square Garden in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1974-10-13)
live recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1974-10-13)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Frank Sinatra3:04
21Bad, Bad Leroy Brown
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1973-12-10)
recording engineer:
Lee Herschberg
Produzent(in):
Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1973-12-10)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten (am 1973-12-10)
cover recording of:
Bad, Bad Leroy Brown (am 1973-12-10)
Texter und Komponist(in):
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Frank Sinatra52:50
22Mack the Knife
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1986-10-30)
recording engineer und Mix:
Phil Ramone
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1986-10-30)
Solo-Posaune:
Urbie Green (am 1986-10-30)
Solo-Trompete [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (am 1986-10-30)
Vibraphon [vibes]:
Lionel Hampton (am 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1986-10-30)
Orchester und Interpret(in):
Quincy Jones and His Orchestra (am 1986-10-30)
conductor:
Quincy Jones (am 1986-10-30)
arranger:
Frank Foster (saxophonist)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (am 1986-10-30)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Frank Sinatra4:52
23Love's Been Good to Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-03-20)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1969-03-20)
conductor:
Don Costa (US pop music arranger & producer) (am 1969-03-20)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Love’s Been Good to Me (am 1969-03-20)
Verfasser(in):
Rod McKuen
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Frank Sinatra43:24
24L.A. Is My Lady
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-13)
recording engineer:
Phil Ramone (am 1984-04-13)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Perkussion:
Ralph MacDonald (am 1984-04-13)
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1984-04-13)
Solo-Hybrid-Piano:
Bob James (US jazz keyboardist, arranger and producer) (am 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-13)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-13)
conductor:
Quincy Jones (am 1984-04-13)
arranger:
Jerry Hey, Quincy Jones, Dave Matthews (of Dave Matthews Band) und Torrie Zito
recording of:
L.A. Is My Lady (am 1984-04-13)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Quincy Jones und Peggy Lipton
publisher:
Rashida Music, Threesome Music Company und Yellowbrick Road Music
Frank Sinatra53:13

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ASIN:DE: B000024SLL [Info]