Les Urnes de l'Opéra

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1I pescatori di perle: Atto II. Duo “Non hai compreso un cor fidel” (Nadir, Leila)
soprano vocals [Leila]:
Giuseppina Huguet (soprano) (in 1906)
tenor vocals [Nadir]:
Fernando De Lucia (in 1906)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1906)
recording of:
I pescatori di perle: Atto II. Duo “Non hai compreso un cor fidel” (Nadir, Leila) (in 1906)
composer:
Georges Bizet (French composer)
part of:
I pescatori di perle
Georges Bizet4:00
2Don Giovanni: Atto I. “Batti, batti, o bel Masetto” (Zerlina)
piano:
Sir Landon Ronald (pianist, conductor and composer) (in 1905-12)
soprano vocals [Zerlina]:
Adelina Patti (in 1905-12)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1905-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:11
3Rigoletto: Atto I. “Caro nome … Gualtier Maldé”
recorded in:
New York, New York, United States (in 1907-03)
soprano vocals [Gilda]:
Nellie Melba (soprano) (in 1907-03)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907-03)
conductor:
Walter B. Rogers (American cornet player and conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1907-03)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
partial recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi3:51
4Samson und Dalila: Akt II. „Mein Herz erschliesst sich bei dem Klang deiner Stimme” (Dalila)
contralto vocals [Dalila]:
Ernestine Schumann‐Heink (contralto) (in 1905)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1905)
recording of:
Samson und Dalila: Akt II. „Mein Herz erschliesst sich bei dem Klang deiner Stimme” (Dalila) (in 1905)
composer:
Camille Saint‐Saëns (composer)
translated version of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
part of:
Samson und Dalila: Akt II
Camille Saint‐Saëns3:21
5La forza del destino: Atto II. “Madre pietosa, vergine” (Leonora)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1907)
soprano vocals [Leonora]:
Celestina Boninsegna (Italian soprano) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
La forza del destino: Atto II, scena 2. “Madre, Madre, pietosa Vergine” (Leonora) (in 1907)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi4:02
6Carmen : Acte I. Habanera « L'amour est un oiseau rebelle ” (Carmen)
soprano vocals [Carmen]:
Emma Calvé (soprano) (in 1907-04)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907-04)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1907-04)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet2:59
7Le Prophète : Acte IV. Marche
recorded in:
London (Greater London), England, United Kingdom (in 1906)
performer:
The Band of the Coldstream Guards (in 1906)
recording of:
Le Prophète: Acte IV. Marche du couronnement (catch-all for arrangements) (in 1906)
composer:
Giacomo Meyerbeer (composer)
arrangement of:
Le Prophète: Acte IV No. 24 Marche du sacre (La Marche du couronnement)
Giacomo Meyerbeer4:03
8La Ronde des lutins
recorded in:
London (Greater London), England, United Kingdom (in 1904)
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1904)
violin:
Jan Kubelík (Czech violinist and composer) (in 1904)
recording of:
Scherzo fantastique, op. 25 "La Ronde des lutins" (in 1904)
composer:
Antonio Bazzini (Italian violinist and composer) (in 1852)
part of:
Works of Antonio Bazzini by opus number (number: op. 25)
Antonio Bazzini3:27
9Symphonie n° 6 en fa majeur op. 68 « Pastorale » I. Allegro ma non troppo
performer:
Musique de la Garde républicaine (in 1911)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (in 1911)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven3:39
10Zapateado. Danse espagnole op. 23 n° 2
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1911-07-03)
violin:
Jan Kubelík (Czech violinist and composer) (on 1911-07-03)
recording of:
Spanish Dances, op. 23, no. 2: Zapateado (on 1911-07-03)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 23 (for violin and piano)
Pablo de Sarasate3:26
11Valse en la bémol majeur op. 34 n° 1
piano:
Ignacy Jan Paderewski (Polish pianist and composer) (in 1911)
recording of:
Waltz no. 2 in A‐flat major, op. 34 no. 1 (in 1911)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1835 until 1838)
part of:
Waltzes, op. 34
Frédéric Chopin4:54
12Aida: Atto I. “Celeste Aida” (Radamès)
tenor vocals [Radamès]:
Enrico Caruso (tenor) (in 1908)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1908)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:26
13Otello: Atto II. “Credo” (Iago)
baritone vocals [Iago]:
Pasquale Amato (Italian operatic baritone) (in 1911)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1911)
recording of:
Otello: Atto II. “Credo in un Dio crudel” (Iago) (in 1911)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:21
14Lohengrin : Acte III. Récit du Graal « Aux bords lointains dont nul mortel n'approche » (Lohengrin)
tenor vocals [Lohengrin]:
Paul Franz (tenor) (in 1911)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1911)
recording of:
Lohengrin : Acte III. Récit du Graal « Aux bords lointains dont nul mortel n'approche » (Lohengrin) (in 1911)
composer:
Richard Wagner (composer)
Richard Wagner4:05
15Ballade du roi op 7 n° 6 : “Kak korol' sel na vojny” (Quand le roi va à la guerre)
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
bass vocals:
Fédor Chaliapine (Feodor Chaliapin, operatic bass) (in 1908)
recording of:
Ballade du roi op 7 n° 6 : “Kak korol' sel na vojny” (Quand le roi va à la guerre) (in 1908)
composer:
Feodor Koenemann
Feodor Koenemann3:32
16Rigoletto: Atto III. Quartetto “Bella figlia d'amore” (Rigoletto, Gilda, Duca, Sparafucile)
baritone vocals [Rigoletto]:
Antonio Scotti (Italian baritone) (in 1907)
contralto vocals [Maddalena]:
Louise Homer (American operatic contralto) (in 1907)
soprano vocals [Gilda]:
Bessie Abott (soprano) (in 1907)
tenor vocals [Duca]:
Enrico Caruso (tenor) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (in 1907)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:46
17La bohème: Atto III. Quartetto “Addio, dolce svegliare” (Mimì, Rodolfo, Marcello, Musetta)
baritone vocals [Marcello]:
Antonio Scotti (Italian baritone) (in 1907)
contralto vocals [Musetta]:
Gina Viafora (mezzo-soprano) (in 1907)
soprano vocals [Mimì]:
Geraldine Farrar (American soprano) (in 1907)
tenor vocals [Rodolfo]:
Enrico Caruso (tenor) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
La bohème: Atto III. “Addio dolce svegliare alla mattina!” (Mimì, Rodolfo, Musetta, Marcello) (in 1907)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:33
18Lucia di Lammermoor: Atto II. “Sestetto “Chi mi frina”
baritone vocals [Enrico]:
Antonio Scotti (Italian baritone) (in 1908)
bass vocals [Raimondo]:
Marcel Journet (French operatic bass) (in 1908)
contralto vocals [Alisa]:
Gina Severina (mezzo-soprano) (in 1908)
soprano vocals [Lucia]:
Marcella Sembrich (Polish coloratura soprano, Prakseda Marcelina Kochańska) (in 1908)
tenor vocals [Arturo]:
Francesco Daddi (in 1908)
tenor vocals [Edgardo]:
Enrico Caruso (tenor) (in 1908)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (in 1908)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti4:01
19L'incantatrice
soprano vocals:
Maria Galvany (spanish soprano) (in 1908)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
conductor:
Carlo Sabajno (conductor) (in 1908)
recording of:
L'incantatrice (in 1908)
composer:
Luigi Arditi
Luigi Arditi3:31
20Le nozze di Figaro: Atto I. Cavatina “Voi che sapete” (Cherubino)
soprano vocals [Cherubino]:
Nellie Melba (soprano) (in 1907)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1907)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:14
21Allegretto
piano:
George Falkenstein (in 1911)
violin:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1911)
recording of:
Allegretto (in 1911)
composer:
Luigi Boccherini (Italian composer)
Luigi Boccherini2:17
22Faust : Acte I. Cavatine « Le veau d'or est toujours debout » (Méphistophélès)
bass vocals [Méphistophélès]:
Marcel Journet (French operatic bass) (in 1910)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1910)
recording of:
Faust : Acte II. No. 7 « Le veau d’or est toujours debout » (Méphistophélès, Chœur) (in 1910)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles‐François Gounod1:57
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ASIN:FR: B001Q8UPI2 [info]