Saint‐Saëns, Volume One

~ Release by Saint‐Saëns; The London Philharmonic, Geoffrey Simon (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Parysatis – ‘Airs de Ballet’: Entrée
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Parysatis: Airs de ballet: Entrée (from 1993-01-14 until 1993-04-02)
composer:
Camille Saint‐Saëns (composer)
part of:
Parysatis: Airs de ballet (orch)
Camille Saint‐Saëns0:36
2Parysatis – ‘Airs de Ballet’: No. 1
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Parysatis: Airs de ballet: No. 1 (from 1993-01-14 until 1993-04-02)
composer:
Camille Saint‐Saëns (composer)
part of:
Parysatis: Airs de ballet (orch)
Camille Saint‐Saëns2:03
3Parysatis – ‘Airs de Ballet’: No. 2
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Parysatis: Airs de ballet: No. 2 (from 1993-01-14 until 1993-04-02)
composer:
Camille Saint‐Saëns (composer)
part of:
Parysatis: Airs de ballet (orch)
Camille Saint‐Saëns3:27
4Parysatis – ‘Airs de Ballet’: No. 3
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Parysatis: Airs de ballet: No. 3 (from 1993-01-14 until 1993-04-02)
composer:
Camille Saint‐Saëns (composer)
part of:
Parysatis: Airs de ballet (orch)
Camille Saint‐Saëns1:57
5Sarabande et Rigaudon, op. 93: I. Sarabande
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
violin:
Tina Gruenberg (violinist) (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Sarabande et Rigaudon, op. 93: Sarabande (from 1993-01-14 until 1993-04-02)
composer:
Camille Saint‐Saëns (composer) (in 1892)
part of:
Sarabande et Rigaudon, op. 93
Camille Saint‐Saëns5:35
6Sarabande et Rigaudon, op. 93: II. Rigaudon
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
violin:
Tina Gruenberg (violinist)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Sarabande et Rigaudon, op. 93: Rigaudon (from 1993-01-14 until 1993-04-02)
composer:
Camille Saint‐Saëns (composer) (in 1892)
part of:
Sarabande et Rigaudon, op. 93
Camille Saint‐Saëns3:08
7Tarantelle for Flute, Clarinet & Orchestra, op. 6
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
clarinet:
James Campbell (Canadian/American clarinetist b. 1949) (from 1993-01-14 until 1993-04-02)
flute:
Susan Milan (English flutist) (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Tarantelle pour flûte, clarinette et orchestre, op. 6 (from 1993-01-14 until 1993-04-02)
orchestrator and composer:
Camille Saint‐Saëns (composer) (in 1857)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 6)
Camille Saint‐Saëns5:42
8Marche militaire française from Suite algérienne, op. 60
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Suite algérienne, op. 60: IV. Marche militaire française (from 1993-01-14 until 1993-04-02)
composer:
Camille Saint‐Saëns (composer) (in 1880)
part of:
Suite algérienne, op. 60
Camille Saint‐Saëns4:27
9Africa – Fantasy for Piano & Orchestra, op. 89
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
piano:
Gwendolyn Mok (pianist) (from 1993-01-14 until 1993-04-02)
solo piano:
Gwendolyn Mok (pianist)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Fantaisie for Piano and Orchestra in G minor, op. 89 "Africa" (from 1993-01-14 until 1993-04-02)
composer:
Camille Saint‐Saëns (composer) (in 1891)
dedicated to:
Marie-Aimée Roger-Miclos (pianist)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 89)
Camille Saint‐Saëns11:10
10Valse‐finale from Ascanio
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
Camille Saint‐Saëns3:50
11Messe de Requiem, op. 54: I. Requiem – Kyrie
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
bass vocals:
Simon Kirkbride (bassbaritone) (from 1993-01-14 until 1993-04-02)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
contralto vocals:
Catherine Wyn-Rogers (mezzo-soprano) (from 1993-01-14 until 1993-04-02)
soprano vocals:
Tinuke O̱lafimihan (from 1993-01-14 until 1993-04-02)
tenor vocals:
Anthony Roden (Australian operatic tenor) (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: I. Requiem & Kyrie (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns5:56
12Messe de Requiem, op. 54: II. Dies irae
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
bass vocals:
Simon Kirkbride (bassbaritone) (from 1993-01-14 until 1993-04-02)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
contralto vocals:
Catherine Wyn-Rogers (mezzo-soprano) (from 1993-01-14 until 1993-04-02)
soprano vocals:
Tinuke O̱lafimihan (from 1993-01-14 until 1993-04-02)
tenor vocals:
Anthony Roden (Australian operatic tenor) (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: II. Dies Irae (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns7:28
13Messe de Requiem, op. 54: III. Rex tremendae
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
tenor vocals:
Anthony Roden (Australian operatic tenor) (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: III. Rex tremendae (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns3:04
14Messe de Requiem, op. 54: IV. Oro supplex
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
bass vocals:
Simon Kirkbride (bassbaritone) (from 1993-01-14 until 1993-04-02)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
contralto vocals:
Catherine Wyn-Rogers (mezzo-soprano) (from 1993-01-14 until 1993-04-02)
soprano vocals:
Tinuke O̱lafimihan (from 1993-01-14 until 1993-04-02)
tenor vocals:
Anthony Roden (Australian operatic tenor) (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: IV. Oro supplex (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns5:10
15Messe de Requiem, op. 54: V. Hostias
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: V. Hostias (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns2:33
16Messe de Requiem, op. 54: VI. Sanctus
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: VI. Sanctus (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns1:24
17Messe de Requiem, op. 54: VII. Benedictus
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: VII. Benedictus (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns1:47
18Messe de Requiem, op. 54: VIII. Agnus Dei
engineer:
Nicholas Parker (classical violinist, producer, engineer)
producer and mixer:
Tim Handley (engineer/editor/producer)
editor:
Adrian Hunter (producer and engineer)
organ:
James O’Donnell (organist and choir master) (on 1993-04-15)
bass vocals:
Simon Kirkbride (bassbaritone) (from 1993-01-14 until 1993-04-02)
choir vocals:
East London Chorus (from 1993-01-14 until 1993-04-02), Harlow Chorus (from 1993-01-14 until 1993-04-02) and The Hertfordshire Chorus (from 1993-01-14 until 1993-04-02)
contralto vocals:
Catherine Wyn-Rogers (mezzo-soprano) (from 1993-01-14 until 1993-04-02)
soprano vocals:
Tinuke O̱lafimihan (from 1993-01-14 until 1993-04-02)
tenor vocals:
Anthony Roden (Australian operatic tenor) (from 1993-01-14 until 1993-04-02)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (from 1993-01-14 until 1993-04-02)
conductor:
Geoffrey Simon (conductor) (from 1993-01-14 until 1993-04-02)
chorus master:
Michael Kibblewhite (from 1993-01-14 until 1993-04-02)
additionally recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (on 1993-04-15)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-01-14 until 1993-04-02)
recording of:
Réquiem, op. 54: VIII. Agnus Dei (from 1993-01-14 until 1993-04-15)
composer:
Camille Saint‐Saëns (composer) (in 1878)
part of:
Réquiem, op. 54
Camille Saint‐Saëns8:20

Credits

Release

art direction:Geoffrey Simon (conductor)
photography:Hanya Chlala (photographer)
Yuri Dojc
Lisa Kohler (photo)
Matthew R. Lewis (photo)
Gerald Place
Katie Vandyke (photo)
liner notes:Edward Johnson (liner notes author)
executive producer:David Schiffman (American producer/audio engineer)
illustration:Paul Gauguin (French post‐Impressionist artist)
Discogs:https://www.discogs.com/release/8458971 [info]