Tribute to Billie Holiday

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Copyright: © 2008 Artwork Media
℗ 2008 Artwork Media

Anmerkung zuletzt geändert am 2026-02-10 17:33 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Strange Fruit
cover recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
43:24
2Gimme a Pigfoot
recording of:
Gimme a Pigfoot (and a Bottle of Beer)
Komponist(in):
Wesley A. Wilson
publisher:
Northern Music (song publisher)
42:12
3This Year’s Kisses
cover recording of:
This Year’s Kisses
Texter und Komponist(in):
Irving Berlin
3:02
4Fine and Mellow
cover recording of:
Fine and Mellow
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
5:06
5Tell Me More
Produzent(in):
Hal Mooney
Bassgitarre und Perkussion:
Lisle Atkinson
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
arranger:
Nina Simone
cover recording of:
Tell Me More and More and Then Some (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Billie Holiday
43:05
6Love Me or Leave Me
Remix von:
Love Me or Leave Me (1965 studio recording) von Nina Simone
cover recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
44:03
7I Got It Bad and That Ain’t Good
cover recording of:
I Got It Bad (and That Ain’t Good)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:38
8Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
2:50
9It Don’t Mean a Thing
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:18
10You Don’t Know What Love Is
cover recording of:
You Don’t Know What Love Is
Texter:
Don Raye
Komponist(in):
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:55
11Just in Time
cover recording of:
Just in Time (Bells Are Ringing)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
3:56
12Chauffeur
cover recording of:
Me and My Chauffeur Blues
Verfasser(in):
Memphis Minnie
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
42:51
13I Love You Porgy
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (von 1954 bis 1955)
recording engineer:
Frank Clark
Klavier:
Nina Simone
vocals:
Nina Simone
arranger:
Monk Higgins (in 1970)
aufgenommen bei:
Tangerine / RPM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970: Saiteninstrumente)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (von 1954 bis 1955)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:02
14I Love to Love
cover recording of:
I Love to Love (Herbert Baker song)
Texter und Komponist(in):
Herbert Baker
4:36

Nennungen

Veröffentlichung

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