Bach, J.S.: Cantatas & Sacred Masterpieces

~ Release by Johann Sebastian Bach & Sir John Eliot Gardiner (see all versions of this release, 2 available)

Tracklist

1Digital Media
2Digital Media
3Digital Media
4Digital Media
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Teil II. Aria (Alt) "Ach! nun ist mein Jesus hin" - Chorus "Wo ist denn dein Freund hingegangen"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:30
2St. Matthew Passion, BWV 244: Teil II. "Die aber Jesum gegriffen hatten" (Evangelista)
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:52
3St. Matthew Passion, BWV 244: Teil II. Choral "Mir hat die Welt trüglich gericht'"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1988-04)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:40
4St. Matthew Passion, BWV 244: Teil II. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex)
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals [High Priest]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
countertenor vocals [First Witness]:
Michael Chance (British countertenor) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
tenor vocals [Second Witness]:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:02
5St. Matthew Passion, BWV 244: Teil II. Recitativo (Tenor) "Mein Jesus schweigt zu falschen Lügen stille"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:16
6St. Matthew Passion, BWV 244: Teil II. Aria (Tenor) "Geduld! Wenn mich falsche Zungen stechen"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:34
7St. Matthew Passion, BWV 244: Teil II. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - Chori "Er ist des Todes schuldig" - "Da speieten sie aus" (Evangelista) - Chori "Weissage uns, Christe"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
bass vocals [High Priest]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:55
8St. Matthew Passion, BWV 244: Teil II. Choral "Wer hat dich so geschlagen"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1988-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:42
9St. Matthew Passion, BWV 244: Teil II. "Petrus aber sass draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - Chorus "Wahrlich, du bist auch einer von denen" - "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Peter]:
Olaf Bär (baritone) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04)
soprano vocals [Maid I]:
Gill Ross (soprano) (in 1988-04)
soprano vocals [Maid II]:
Ruth Holton (soprano) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:18
10St. Matthew Passion, BWV 244: Teil II. Aria (Alt) "Erbarme dich, mein Gott"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1988-04)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:43
11St. Matthew Passion, BWV 244: Teil II. Choral "Bin ich gleich von dir gewichen"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1988-04)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:54
12St. Matthew Passion, BWV 244: Teil II. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - Chori "Was gehet uns das an?" - "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [High Priest I]:
Olaf Bär (baritone) (in 1988-04)
bass vocals [Judas]:
Cornelius Hauptmann (operatic bass) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:44
13St. Matthew Passion, BWV 244: Teil II. Aria (Bass) "Gebt mir meinen Jesum wieder"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:53
14St. Matthew Passion, BWV 244: Teil II. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Jesus]:
Andreas Schmidt (bass-baritone & teacher) (in 1988-04)
baritone vocals [Pilate]:
Olaf Bär (baritone) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:01
15St. Matthew Passion, BWV 244: Teil II. Choral "Befiehl du deine Wege"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1988-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:57
16St. Matthew Passion, BWV 244: Teil II. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) - Chori "Lass ihn kreuzigen"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Pilate]:
Olaf Bär (baritone) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
soprano vocals [Pilate's Wife]:
Barbara Bonney (soprano) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:09
17St. Matthew Passion, BWV 244: Teil II. Choral "Wie wunderbarlich ist doch diese Strafe"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1988-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:38
18St. Matthew Passion, BWV 244: Teil II. "Der Landpfleger sagte" (Evangelista, Pilatus)
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Pilate]:
Olaf Bär (baritone) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:14
19St. Matthew Passion, BWV 244: Teil II. Recitativo (Sopran) "Er hat uns allen wohlgetan"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Ann Monoyios (soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
20St. Matthew Passion, BWV 244: Teil II. Aria (Sopran) "Aus Liebe will mein Heiland sterben"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Ann Monoyios (soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:19
21St. Matthew Passion, BWV 244: Teil II. "Sie schrieen aber noch mehr" (Evangelista) - Chori "Lass ihn kreuzigen" - "Da aber Pilatus sahe" (Evangelista, Pilatus) - Chori "Sein Blut komme über uns" - "Da gab er ihnen Barrabam los" (Evangelista)
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Pilate]:
Olaf Bär (baritone) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:50
22St. Matthew Passion, BWV 244: Teil II. Recitativo (Alt) "Erbarm es Gott"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:57
23St. Matthew Passion, BWV 244: Teil II. Aria (Alt) "Können Tränen meiner Wangen"
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:49
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