Magic: The Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Happy (From “Despicable Me 2”)
assistente tecnico di registrazione:
Matthew Desrameaux
tecnico di registrazione:
Mike Larson (recording engineer)
produttore:
Pharrell Williams
tecnico di missaggio:
Leslie Brathwaite
editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated) e Mike Larson (recording engineer)
voce di accompagnamento:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray e Terrence Rolle
arrangiatore:
Andrew Coleman (recording/mix engineer, Neptunes-associated) e Mike Larson (recording engineer)
registrata presso:
Circle House Studios in North Miami, Florida, Stati Uniti
mixata presso:
Music Box Studios (Atlanta) in Atlanta, Georgia, Stati Uniti
video musicali:
Happy di Pharrell Williams e Happy (from Despicable Me 2) (ballroom version) di Pharrell Williams
parte di:
Billboard Year-End Hot 100 singles of 2014 (numero: 1), Billboard Decade End Chart: Streaming Songs (2010s) (numero: 20) e Billboard: Greatest of All Time Hot 100 Songs (numero: 88)
registrazione di:
Happy
paroliere e compositore:
Pharrell Williams
editore:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. e Universal Pictures Music
parte di:
The 86th Academy Award for Best Original Song (numero: 2)
Pharrell Williams4.23:53
2Locked Out of Heaven
assistente tecnico di registrazione:
Bob Mallory e Tyler Hartman (audio engineer)
tecnico di registrazione:
alalal (engineer & producer), Wayne Gordon, Ari Levine e Mark Ronson (British DJ and producer)
supporto a vario titolo:
Mark Ronson (British DJ and producer) (incarico: dj shit) e Artie Smith (incarico: gear & vibes)
tecnico aggiunto:
Charles Moniz
produttore:
Jeff Bhasker, Emile Haynie (hip hop producer, aka "Emile"), Mark Ronson (British DJ and producer) e The Smeezingtons
tecnico di missaggio:
Manny Marroquin
basso :
Nick Movshon
batteria [drums] :
Homer Steinweiss
batteria [drums] aggiunto, effetti [FX] aggiunto e tastiera [keys] aggiunto:
Emile Haynie (hip hop producer, aka "Emile")
chitarra [guitars] :
Bruno Mars (US singer)
tastiera [keyboards] :
Jeff Bhasker
voce:
Bruno Mars (US singer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2012) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2012)
registrata presso:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti, Daptone Studios in Bushwick, New York, New York, Stati Uniti e Levcon Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 11) e BILLIONS CLUB
registrazione di:
Locked Out of Heaven
autore:
Bruno Mars (US singer), Philip Lawrence (urban songwriter/producer, of The Smeezingtons) e Ari Levine
editore:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), Mars Force Music, Mars Force Songs, LLC, Music Famamanem LP, Northside Independent Music Publishing LLC, Roc Nation Music, Toy Plane Music, Universal Music Corp. (USA, affiliated with ASCAP) e WB Music Corp. (1929–2019)
Bruno Mars43:53
3Blame It on Me
programmazione e produttore:
Cam Blackwood
tecnico:
Cam Blackwood e Liam Thorne
assistente produttore:
Liam Thorne
assistente tecnico di missaggio:
Sean Julliard
tecnico di missaggio:
Cenzo Townshend (engineer)
batteria e percussione aggiunto:
Matthew Racher (drummer)
chitarra :
Cam Blackwood e George Ezra
sintetizzatore basso [bass synth] e tastiera [keyboard] :
Cam Blackwood
tastiera [keyboards] :
George Ezra
violoncello :
D/C
voce:
George Ezra
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2014)
è stato produttore per:
Big Life Management
registrata presso:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, Regno Unito
mixata presso:
Decoy Studios in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Blame It on Me
autore:
George Ezra Barnett e Joel Pott
editore:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation) e Chrysalis Music Ltd. (music publisher, affiliated with PRS)
George Ezra3.53:16
4Rude
produttore:
The Messengers (production duo)
campionamenti:
Three Little Birds di Bob Marley & The Wailers
parte di:
Billboard Year-End Hot 100 singles of 2014 (numero: 7)
registrazione di:
Rude
autore:
Alexander Tanasijczuk, Adam Messinger, Nasri Atweh, Mark Pellizzer e Ben Spivak
MAGIC!4.353:43
5I Don’t Feel Like Dancing
registrazione di:
I Don't Feel Like Dancin'
autore:
Elton John (English singer, songwriter, pianist, and composer), Scott Hoffman e Jason Sellards
editore:
B2D2 Music, Filthy Gorgeous Music, HST Management Ltd. e Universal–Songs of PolyGram International, Inc.
Scissor Sisters3.84:08
6(I’ve Had) The Time of My Life
assistente tecnico:
Jeff DeMorris (incarico: 2nd assistant engineer) e Dan Nebenzal (incarico: 1st assistant engineer)
tecnico:
Carmine Rubino
produttore:
Michael Lloyd (US guitarist/singer producer)
voce:
Bill Medley e Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal e Carmine Rubino
arrangiatore:
Gene Page
arrangiatore aggiunto:
John D’Andrea e Michael Lloyd (US guitarist/singer producer)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (nel 1987) e Vestron Music Inc. (nel 1987)
è stato produttore per:
Mike Curb Productions
registrata presso:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione di:
(I’ve Had) The Time of My Life
paroliere:
Franke Previte
compositore:
John DeNicola e Donald Markowitz
editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (conclusa), Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), Donald Jay Music, Ltd. (publisher) (nel 1987), Jemava Music Corp. (nel 1987), Knockout Music Inc. (nel 1987) e R.U. Cyrius Publishing (nel 1987)
parte di:
The 60th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1987 winner)
Bill Medley & Jennifer Warnes3.754:48
7Tell Her About It (remastered)
assistente tecnico:
Scott James (US recording engineer) e Mike Mairé
tecnico e tecnico di missaggio:
Jim Boyer (producer/engineer)
produttore:
Phil Ramone
basso elettrico :
Doug Stegmeyer (bass player, aka Slug Douglas)
batteria :
Liberty DeVitto (US drummer) (nel 1983)
chitarra elettrica :
Russell Javors (nel 1983)
pianoforte [acoustic piano] ospite :
Richard Tee (nel 1983)
sassofono baritono ospite :
Ronnie Cuber (nel 1983)
sassofono tenore ospite :
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (nel 1983)
tromba ospite :
John Gatchell (nel 1983) e Joe Shepley (nel 1983)
voce principale:
Billy Joel (American singer‐songwriter and pianist) (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
mixata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti
video musicali:
Tell Her About It di Billy Joel (American singer‐songwriter and pianist)
registrazione di:
Tell Her About It (nel 1983)
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
CBS Songs Ltd. (nel 1983) e Joelsongs (nel 1983)
Billy Joel3.653:50
8Wrapped Up
registrazione di:
Wrapped Up
autore:
Claude Kelly, Travie McCoy, Olly Murs e Steve Robson (English songwriter, record producer & multi-instrumentalist)
Olly Murs feat. Travie McCoy3.53:06
9Ghost
supporto a vario titolo:
Maxi Anderson (70s US funk/soul artist Maxi Anderson) (incarico: background vocals contractor)
programmazione e produttore:
Ryan Tedder (American singer, songwriter, and producer) e Noel Zancanella
assistente tecnico:
Big L (sound engineer)
tecnico:
Francesco Cameli e Smith Carlson
tecnico di missaggio:
Joe Zook (engineer)
basso :
Tom Herbert (jazz bassist) e Ryan Tedder (American singer, songwriter, and producer)
batteria [drums] :
Homer Steinweiss e Ryan Tedder (American singer, songwriter, and producer)
chitarra :
Alex Reeve (guitarist) e Ryan Tedder (American singer, songwriter, and producer)
pianoforte e voce di accompagnamento [BGVs]:
Ryan Tedder (American singer, songwriter, and producer)
voce di accompagnamento:
Bridgette Bryant (American session backing vocalist), Carmel Echols (American singer, vocalist), Angie Fisher e Nikki Grier
arrangiatore voce di accompagnamento:
Maxi Anderson (70s US funk/soul artist Maxi Anderson)
diritti fonografici (℗) detenuti da:
Simco Limited (not for release label use, for copyright/licensor use only) (nel 2014)
registrata presso:
Patriot Studios in Denver, Colorado, Stati Uniti, Sphere Studios in London (Greater London), England, Regno Unito, Tritonus in Berlin, Germania e Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti
video musicali:
Ghost di Ella Henderson
parte di:
Billboard Year-End Hot 100 singles of 2015 (numero: 93)
registrazione di:
Ghost
autore:
Ella Henderson, Ryan Tedder (American singer, songwriter, and producer) e Noel Zancanella
editore:
Blastronaut, Downtown Music UK Ltd., Patriot Games, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Write 2 Live
Ella Henderson43:33
10Cry Me a River
tecnico di registrazione:
Senator Jimmy D (engineer)
assistente tecnico:
"Steamy" e Carlos "Storm" Martinez (Sound engineer)
produttore:
Timbaland
tecnico di missaggio:
Jimmy Douglass (engineer) e Timbaland
chitarra :
Bill Pettaway (R&B songwriter, musician, producer)
clavinet :
Scott Storch (producer)
voce di accompagnamento:
Greater Anointing, Marsha Ambroise, Timbaland, Justin Timberlake e Tyrone Tribbett
direttore d'orchestra:
Larry Gold (archi)
arrangiatore archi :
Larry Gold
arrangiatore voci:
Justin Timberlake
è stato produttore per:
Timbaland Productions, Inc.
registrata presso:
The Studio in Philadelphia, Pennsylvania, Stati Uniti (archi) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
mixata presso:
Manhattan Center Studios in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Cry Me a River di Justin Timberlake
parte di:
VH1’s Big Song of 2003 (numero: 27)
registrazione di:
Cry Me a River
paroliere e compositore:
Scott Storch (producer), Justin Timberlake e Timothy Mosley
editore:
Scott Storch Music, Tennman Tunes, TVT Music, Inc., Virginia Beach Music, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Justin Timberlake4.054:49
11All of Me (radio edit)
assistente tecnico:
Phil Joly, Dave Rowland (engineer) e Kenta Yonesaka
tecnico:
Jason Agel e Dave Tozer
assistente produttore:
Phil Joly
produttore:
Phil Joly, John Legend e Dave Tozer
tecnico di missaggio:
Dave Tozer
pianoforte :
John Legend
tastiera :
Dave Tozer e Mark Williams (Producer and songwriter, member of Ojivolta)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 2013) e Getting Out Our Dreams (not for release label use! please use “G.O.O.D. Music”) (nel 2013)
registrazione di:
All of Me
autore:
Toby Gad (German songwriter, producer, pianist) e John Legend
dedicata a:
Chrissy Teigen
John Legend32:59
12Only Love Can Hurt Like This
tecnico di registrazione:
Mario Luccy
produttore:
AC Burrell
produttore aggiunto:
AC Burrell e Kyle Townsend
assistente tecnico di missaggio:
Delbert Bowers (American engineer) e Chris Galland
tecnico di missaggio:
Manny Marroquin
basso :
Bryan “B-Dub” White (bassist and producer)
voce principale:
Paloma Faith
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2014)
registrata presso:
Realsongs in Los Angeles, California, Stati Uniti
mixata presso:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Only Love Can Hurt Like This
paroliere e compositore:
Diane Warren (US songwriter)
Paloma Faith3.53:52
13Just Give Me a Reason
tecnico di registrazione:
Tyler Johnson (US producer and songwriter), Pawel Sek e John X. Volaitis
programmazione e produttore:
Jeff Bhasker
assistente tecnico di missaggio:
Justin Hergett (US mixer and engineer) e James Krausse
tecnico di missaggio:
Tony Maserati (engineer / mixer)
chitarra :
Anders Mouridsen (guitarist)
sintetizzatore e tastiera :
Jeff Bhasker
esecutore ospite:
Nate Ruess
registrata presso:
Earthstar Creation Center in Venice, Los Angeles, California, Stati Uniti e Enormous Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 7), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2014) e Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 18)
registrazione di:
Just Give Me a Reason (nel 2012)
autore:
Alecia Moore (American singer/songwriter), Jeffrey Bhasker e Nathaniel Ruess
P!nk feat. Nate Ruess3.84:03
14Beneath Your Beautiful
esecutore ospite:
Emeli Sandé
diritti fonografici (℗) detenuti da:
Simco Limited (not for release label use, for copyright/licensor use only) (nel 2012)
edit di:
Beneath Your Beautiful (album version) di Labrinth (UK singer-songwriter and record producer) feat. Emeli Sandé
registrazione di:
Beneath Your Beautiful
compositore:
Mike Posner, Emeli Sandé e Timothy McKenzie (UK singer-songwriter and record producer)
Labrinth feat. Emeli Sandé33:56
15Because of You
tecnico aggiunto:
Sergio Chavez e John Hanes (audio engineer, mixer) (incarico: pro-tools engineer)
produttore:
David Hodges (American record producer & songwriter) e Ben Moody (American guitarist and producer)
tecnico di missaggio:
Serban Ghenea
tecnico di missaggio aggiunto:
Tim Roberts (engineer)
basso elettrico :
Marty O’Brien
chitarra elettrica :
Ben Moody (American guitarist and producer)
membranofono :
Mark Colbert
pianoforte :
David Hodges (American record producer & songwriter)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger) e David Hodges (American record producer & songwriter)
diritti fonografici (℗) detenuti da:
19 Recordings Ltd. (not for release label use! record company founded by Simon Fuller) (dal 2004 a oggi), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2006), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2006), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2006) e Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 2006)
video musicali:
Because of You di Kelly Clarkson
registrazione di:
Because of You
autore:
Kelly Clarkson, David Hodges (American record producer & songwriter) e Ben Moody (American guitarist and producer)
editore:
12 06 Publishing, KMR Music Royalties II S, Reservoir 416 (B) e Smelly Songs
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Kelly Clarkson3.93:40
16I Have Nothing (remastered)
tecnico:
David Reitzas
produttore:
David Foster (Canadian music producer, arranger and composer)
tecnico di missaggio:
Mick Guzauski
arrangiatore archi :
David Foster (Canadian music producer, arranger and composer) e Jeremy Lubbock
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1993)
registrata presso:
Encore Recording Studios in Burbank, California, Stati Uniti, Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti e The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
I Have Nothing
autore:
David Foster (Canadian music producer, arranger and composer) e Linda Thompson (American actress, lyricist)
parte di:
The 65th Academy Award for Best Original Song (numero: 2)
Whitney Houston4.24:48
17Something I Need
registrazione cover di:
Something I Need
autore:
Benjamin Levin (producer Benjamin Levin) e Ryan Tedder (American singer, songwriter, and producer)
Ben Haenow43:46
18Angels
programmazione:
Steve Power e Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistente tecnico:
Jim Brumby (UK engineer) e Matt Hay
produttore:
Guy Chambers (English songwriter and record producer) e Steve Power
tecnico di missaggio:
Steve Power
basso :
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
batteria [drums] :
Chris Sharrock
chitarra :
Andre Barreau, Chester Kamen e Gary Nuttall
percussione :
Andy Duncan (UK drummer and producer)
tastiera [keyboards] :
Guy Chambers (English songwriter and record producer) e Steve Power
voce di accompagnamento:
Andre Barreau, Gary Nuttall e Nicole Patterson
voce principale:
Robbie Williams
orchestra:
London Session Orchestra
arrangiatore:
Guy Chambers (English songwriter and record producer)
primo violino:
Gavyn Wright (UK violinist, conductor)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1997)
registrata presso:
Matrix Maison Rouge Studios in London (Greater London), England, Regno Unito
mixata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 5)
registrazione di:
Angels
autore:
Guy Chambers (English songwriter and record producer) e Robbie Williams
editore:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) e Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:21
19Don’t Let the Sun Go Down on Me (remastered)
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1991) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1991)
registrata presso:
OVO Arena Wembley in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (il 1991-03-23)
registrazione dal vivo di:
Don’t Let the Sun Go Down on Me (il 1991-03-23)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Big Pig Music Ltd. (publisher) (nel 1991)
George Michael & Elton John5:51
20Back for Good
programmazione:
Gary Barlow e Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistente tecnico:
Steve McNichol
produttore:
Gary Barlow e Chris Porter (engineer and producer)
chitarra :
Phil Palmer (guitarist)
voce:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e Robbie Williams
voce principale:
Gary Barlow
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1995) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1995)
registrazione di:
Back for Good
paroliere e compositore:
Gary Barlow
editore:
EMI Virgin Music Australia Pty Ltd e EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:02
21Story of My Life (radio edit)
registrazione di:
Story of My Life
autore:
Julian Bunetta, Niall Horan, Liam Payne, John Ryan (American pop singer/producer a/k/a “John the Blind”), Jamie Scott (UK singer-songwriter), Harry Styles, Louis Tomlinson e Zain Malik (ZAYN, British singer)
editore:
Bob Erotik Music, Holy Cannoli Music, PPM Music Ltd. e Sony/ATV Music Publishing
One Direction3:39
22Fallin’
tecnico di registrazione e programmazione:
Kerry "Krucial" Brothers
produttore:
Alicia Keys
tecnico di missaggio:
Russell Elevado
strumenti:
Alicia Keys
violino :
Miri
voce di accompagnamento:
Andricka Hall, Alicia Keys, Cindy Mizelle e Tammy Saunders
arrangiatore:
Alicia Keys
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2001)
registrata presso:
KrucialKeys Studios in New York, New York, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
parte di:
My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
registrazione di:
Fallin’
paroliere e compositore:
Alicia Keys
editore:
EMI April Music Inc., EMI Music Publishing (do not use as a release label!), Lellow Music Publishing e Lellow Productions, Inc.
Alicia Keys3.93:30
23How Long Will I Love You
tecnico:
Joe Kearns (British record producer, writer and engineer), Ashley Krajewski e Richard Kayvan
produttore:
John Fortis
tecnico di missaggio:
Richard Kayvan
basso e tastiera [keyboards] :
John Fortis
chitarra :
Nick Cornu
percussione :
Ashley Krajewski
video musicali:
How Long Will I Love You di Ellie Goulding
registrazione cover di:
How Long Will I Love You
paroliere e compositore:
Mike Scott (The Waterboys)
Ellie Goulding22:34
24Thank You
tecnico di registrazione:
Goetz
programmazione:
Rollo (Rollo Armstrong of Faithless)
produttore:
Dido (English singer‐songwriter) e Rollo (Rollo Armstrong of Faithless)
tecnico di missaggio:
Phill Brown (UK engineer)
chitarra :
Paul Herman
flauto dolce e voce principale:
Dido (English singer‐songwriter)
percussione :
Mal Hyde-Smith
tastiera e pianoforte :
Mark Bates (member of the band Dusted)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1999)
remaster di:
Thank You di Dido (English singer‐songwriter)
registrazione di:
Thankyou (Dido)
autore:
Dido (English singer‐songwriter) e Paul Herman
editore:
Peermusic France, Submarine Music Ltd., Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dido4.253:36
25Beautiful
assistente tecnico:
Rafael Serrano e Davy Vain
assistente tecnico aggiunto:
Andrew Chavez (engineer)
tecnico:
Linda Perry (rock singer‐songwriter & producer) e Davy Vain (incarico: Pro Tools)
tecnico aggiunto:
David Guerrero
produttore:
Linda Perry (rock singer‐songwriter & producer)
assistente tecnico di missaggio:
Ethan Willoughby
tecnico di missaggio:
Dave "Hard Drive" Pensado (mixer)
archi :
The Section
archi aggiunto, chitarra [guitars] , chitarra basso [bass] e pianoforte :
Linda Perry (rock singer‐songwriter & producer)
batteria [drums] :
Brian MacLeod (American drummer)
tastiera [keyboards] :
Damon Fox
viola :
Shanti Randall
violino :
Eric Gorfain
violoncello :
Richard Dodd (cellist)
arrangiatore aggiunto:
Linda Perry (rock singer‐songwriter & producer)
mixata per:
Essential Arts Management, LTD
registrata in aggiunta presso:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, Stati Uniti
mixata presso:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, Stati Uniti
lavorazione tecnica effettuata presso:
Mad Dog Studios (Burbank, 1996–unknown) in Burbank, California, Stati Uniti
video musicali:
Beautiful di Christina Aguilera
parte di:
CBC Music: 12 Songs About Bullying, VH1’s Big Song of 2003 (numero: 17) e The Downloader’s Music Source Book (numero: 260)
registrazione di:
Beautiful
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Stuck in the Throat
Christina Aguilera4.24:00
26Walking on Broken Glass
registrazione di:
Walking on Broken Glass
paroliere e compositore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
editore:
BMG Music Publishing Ltd., La Lennoxa Ltd e Universal Music Publishing International MGB Ltd.
Annie Lennox3:32
27Man on the Moon
tecnico:
Clif Norrell
tecnico aggiunto:
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia e Andrew Roshberg
produttore:
Scott Litt (producer and engineer) e R.E.M. (American rock band)
assistente tecnico di missaggio:
Tod Lemkuhl
tecnico di missaggio:
Scott Litt (producer and engineer) e Clif Norrell
tecnico di missaggio aggiunto:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
voce:
Michael Stipe
diritti fonografici (℗) detenuti da:
R.E.M./Athens, Ltd. (nel 1992) e R.E.M./Athens L.L.C. (nel 2017)
registrata in aggiunta presso:
Bosstown Recording Studios in Atlanta, Georgia, Stati Uniti, John Keane Studios in Athens, Georgia, Stati Uniti e Kingsway Studios (New Orleans) in New Orleans, Louisiana, Stati Uniti
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti e Criteria Studios in Miami, Florida, Stati Uniti
mixata presso:
Bad Animals Studio in Seattle, Washington, Stati Uniti
registrazione di:
Man on the Moon
autore:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Night Garden Music
R.E.M.4.055:13
28The Man Who Can’t Be Moved
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2008)
video musicali:
The Man Who Can’t Be Moved di The Script
registrazione di:
The Man Who Can’t Be Moved
autore:
Andrew Frampton, Steve Kipner, Danny O’Donoghue e Mark Sheehan
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Imagem Music e Stage Three Music Publishing Limited
The Script3.64:01
29Let Her Go (radio edit)
registrazione di:
Let Her Go
paroliere e compositore:
Michael David Rosenberg (British singer-songwriter Mike Rosenberg, formerly of the band Passenger)
Passenger43:38
30Grace (radio edit)
registrazione di:
Grace
autore:
Matt Prime e Will Young (British singer-songwriter and actor)
Will Young3:32
31Torn
registrazione cover di:
Torn
paroliere:
Anne Preven
compositore:
Scott Cutler, Anne Preven e Phil Thornalley
editore:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia3:00
32Adia
produttore:
Pierre Marchand
basso :
Pierre Marchand e Brian Minato
batteria e percussione e voce di accompagnamento:
Ashwin Sood
chitarra acustica e pianoforte :
Sarah McLachlan
tastiera :
Pierre Marchand
voce:
Sarah McLachlan
remixer:
Tom Lord‐Alge
diritti fonografici (℗) detenuti da:
Nettwerk Productions (nel 1997) e Nettwerk Productions Ltd. (nel 1997)
registrazione di:
Adia
autore:
Pierre Marchand e Sarah McLachlan
editore:
Pierre J Marchand, Sony/ATV Songs LLC, Studio Nomade Music e Tyde Music
Sarah McLachlan4.654:04
33You Gotta Be
programmazione degli strumenti:
Kevin Clarke (nel 1999)
co-produttore:
Des’ree e Ashley Ingram
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
basso e tastiera :
Ashley Ingram (nel 1999)
arrangiatore archi :
Ashley Ingram
registrazione di:
You Gotta Be (nel 1999)
autore:
Des’ree e Ashley Ingram
Des’ree3.354:05
34Real Love
registrazione cover di:
Real Love
paroliere e compositore:
John Lennon (The Beatles)
editore:
Ono Music
Tom Odell22:19
35Waves
registrazione di:
Waves
autore:
Dennis Princewell Stehr (Dutch music producer, singer and singer-songwriter) e Jihad Rahmouni
Mr. Probz2:53
36Nobody Knows (radio edit)
registrazione di:
Nobody Knows
autore:
Don Dubosé e Joseph Richards (Joe Rich)
editore:
Menace Music Ltd.
The Tony Rich Project44:23
37Songbird
programmazione degli strumenti:
Chris Biondo (guitarist, producer with Eva Cassidy Band)
archi , chitarra [lead guitar] , chitarra acustica , tastiera e voce di accompagnamento:
Eva Cassidy
basso :
Chris Biondo (guitarist, producer with Eva Cassidy Band)
voce:
Eva Cassidy
diritti fonografici (℗) detenuti da:
Blix Street (nel 1992)
registrazione cover di:
Songbird
paroliere e compositore:
Christine McVie
arrangiatore:
Glyn Johns
editore:
BMG Publishing e Gentoo Music, Inc.
Eva Cassidy43:43
38As I Lay Me Down
voce:
Sophie B. Hawkins
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1994)
registrazione di:
As I Lay Me Down
paroliere e compositore:
Sophie B. Hawkins
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Sophie B. Hawkins54:09
39Dangerous
registrazione di:
Dangerous (song by Rumer)
autore:
Stephen Bishop (American singer-songwriter), Sophie Delila, Sarah Joyce, Rick Nowels e Rob Shirakbari
Rumer3:56
40Let Me Go
voce:
Gary Barlow
video musicali:
Let Me Go di Gary Barlow
registrazione di:
Let Me Go
paroliere e compositore:
Gary Barlow
editore:
Sony/ATV Music Publishing Ltd.
Gary Barlow23:40
41Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.53:47
42Everywhere
programmazione:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
produttore:
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Richard Dashut
basso elettrico :
John McVie (nel 1987)
batteria e percussione :
Mick Fleetwood (nel 1987)
campionatore [Fairlight CMI] e chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
tastiera :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987) e Christine McVie (nel 1987)
voce di accompagnamento:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987), Christine McVie (nel 1987) e Stevie Nicks (nel 1987)
voce principale:
Christine McVie (nel 1987)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987) e Warner Music International (trademark of Warner Music International the company) (nel 1988)
registrazione di:
Everywhere (nel 1987)
paroliere e compositore:
Christine McVie
editore:
Bright Music Ltd. (publisher)
Fleetwood Mac43:42
43Do You Really Want to Hurt Me
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:19
44Together in Electric Dreams
produttore:
Giorgio Moroder e Philip Oakey
tecnico di missaggio:
Brian Reeves
basso :
Arthur Barrow
chitarra :
Richie Zito
sintetizzatore :
Giorgio Moroder
voce di accompagnamento:
E.G. Daily (American singer and actress) e Joe Esposito
voce principale:
Philip Oakey
registrazione di:
Together in Electric Dreams
paroliere:
Philip Oakey
compositore:
Giorgio Moroder
editore:
BMG Gold Songs e WB Music Corp. (1929–2019)
Giorgio Moroder & Phil Oakey2.53:48
45Time After Time
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1984)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
versioni a cappella:
Time After Time di Forte A Cappella (Centerville High School)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 116) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 494)
registrazione di:
Time After Time
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.253:59
46Broken Wings (remastered)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister4:44
47Nothing’s Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:29
48Eternal Flame
tecnico di registrazione:
John Beverly Jones
tecnico aggiunto:
Ken Felton
produttore:
Davitt Sigerson
tecnico di missaggio:
Frank Filipetti
basso elettrico [bass] :
Michael Steele (American bassist, guitarist, songwriter, and singer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra [lead guitar] :
Vicki Peterson
chitarra [rhythm guitar] :
Susanna Hoffs
diritti fonografici (℗) detenuti da:
The Bangles (nel 1988)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1988), Sony BMG Music Entertainment Inc. (nel 1988) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988)
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
video musicali:
Eternal Flame di Bangles
registrazione di:
Eternal Flame
autore:
Susanna Hoffs, Tom Kelly (songwriter) e Billy Steinberg
editore:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) e Universal/MCA Music Ltd. (not for release label use!)
sub-editore:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Bangles3.753:55
49Never Too Much
tecnico di registrazione e tecnico di missaggio:
Michael H. Brauer (engineer)
assistente tecnico:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) e Don Wershba (engineer)
tecnico:
Carl Beatty (engineer)
produttore:
Luther Vandross
produttore esecutivo:
Larkin Arnold
archi e corno [horns] :
Paul Riser
basso :
Marcus Miller (jazz musician)
batteria :
Buddy Williams (drummer)
chitarra :
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
congas :
Bashiri Johnson
percussione :
Crusher Bennett
tastiera [keyboards] :
Nat Adderley, Jr.
voce di accompagnamento [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis e Sybil Thomas
voce di accompagnamento [male backup vocals] e voce principale:
Luther Vandross
arrangiatore:
Nat Adderley, Jr. e Paul Riser
arrangiatore voci:
Luther Vandross
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrata presso:
Mediasound Studios in New York, New York, Stati Uniti
video musicali:
Never Too Much di Luther Vandross
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 466) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 468)
registrazione di:
Never Too Much
paroliere e compositore:
Luther Vandross
editore:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. e Uncle Ronnie’s Music Company Inc.
Luther Vandross4.153:51
50One of Us
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Ola Brunkert (il 1981-10-21)
chitarra acustica :
Björn Ulvaeus (nel 1981)
chitarra acustica e chitarra elettrica :
Lasse Wellander (il 1981-10-21)
chitarra basso :
Rutger Gunnarsson (il 1981-10-21)
mandolino :
The Three Boys (ABBA credit) (il 1981-10-21)
percussione :
Åke Sundqvist (nel 1981)
tastiera :
Benny Andersson (ABBA) (il 1981-10-21)
tastiera e sintetizzatore :
Benny Andersson (ABBA) (nel 1981)
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music International AB (nel 1981)
registrata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1981-10-21)
mixata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1981-11-13)
registrazione di:
One of Us (il 1981-10-21)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd. (conclusa), Union Songs AB (publisher), Union Songs Music, Universal (Sweden), Artwork Music Co., Inc. (nel 1981), EMI Waterford Music (nel 1981), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1981) e Universal/Union Songs Musikförlag AB (nel 1981)
parte di:
Mamma Mia! (1999 musical)
ABBA3.33:56
51Wouldn’t It Be Good
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore corno :
Jerry Hey e Nik Kershaw
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983, nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 88)
registrazione di:
Wouldn’t It Be Good (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:31
52Everything I Own
produttore:
Stewart Levine (record producer and saxophonist)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1987)
registrazione cover di:
Everything I Own
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
registrazione di:
Everything I Own
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
Boy George2.83:59
53A Good Heart
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
tecnico di missaggio:
Shelly Yakus
arrangiatore:
Feargal Sharkey e Dave Stewart (UK guitarist/singer for Eurythmics)
diritti fonografici (℗) detenuti da:
EMI Music Italy S.p.A. (company 1997–2007, not the same as "EMI Music Italy" its main imprint) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
A Good Heart
paroliere e compositore:
Maria McKee
editore:
J. Albert & Son Pty. Ltd.
Feargal Sharkey3.64:38
54Move Closer
diritti fonografici (℗) detenuti da:
Carrere (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (nel 1984)
registrazione di:
Move Closer
paroliere e compositore:
Phyllis Nelson (American singer)
editore:
IQ Music Ltd.
Phyllis Nelson24:34
55Heaven Is a Place on Earth
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
sintetizzatore [Fairlight] :
Rhett Lawrence
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987), Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987) e Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 400)
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4.154:04
56See the Day
batteria :
Paul Waller
chitarra basso :
Randy Hope-Taylor
famiglia delle chitarre :
Steve Sherin
sassofono :
Ian Ritchie
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1986)
registrazione di:
See the Day
paroliere e compositore:
Dee C. Lee
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dee C. Lee4:38
57All Cried Out (remastered)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
edit di:
All Cried Out (album version) di Alison Moyet
registrazione di:
All Cried Out
autore:
Steve Jolley, Alison Moyet e Tony Swain (songwriter, producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), J&S Music, Mega Music Ltd., Rondor Music (London) Ltd., Sonet Publishing Ltd. e Sony/ATV Music Publishing Ltd.
Alison Moyet43:40
58Handbags and Gladrags
produttore:
Laurie Latham e Stereophonics
esecutore:
Jools Holland
registrazione cover di:
Handbags and Gladrags
paroliere e compositore:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann)
editore:
D'Abo Songs Ltd e Immediate Music Ltd.
Stereophonics3.554:39