Songs zum Autofahren

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Copyright: © 2023 Warner Music Group - X5 Music Group
℗ 2023 Warner Music Group - X5 Music Group

Annotation last modified on 2026-03-02 02:16 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Hungry like the Wolf (2009 Remaster)
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
Tritec Music Ltd. (publisher and copyrights holder) (from 1982 to present) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2009)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 196)
recording of:
Hungry Like the Wolf
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. and Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran4.153:41
221 Reasons
phonographic copyright (℗) by:
Nathan Dawe (in 2020)
miscellaneous support:
Warner Music UK Limited (not for release label use!) (task: under exclusive licence to)
recording of:
21 Reasons
writer:
Nathan Dawe, Ella Henderson and Rune RK (Rune Reilly Kølsch - producer and DJ from Denmark)
is based on:
Calabria
Nathan Dawe feat. Ella Henderson3.452:35
3It Is What It Is
Jamie Miller2:06
4Not Over Yet
recording of:
Not Over Yet
KSI feat. Tom Grennan32:36
5I Want to Know What Love Is (1999 Remaster)
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott “Abada” Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.955:05
6Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
7Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
live recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America43:32
8Tush
recording engineer and mixer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
bass guitar and lead vocals:
Dusty Hill
drums (drum set):
Frank Beard (ZZ Top drummer)
electric guitar:
Billy Gibbons
recorded at:
Ardent Studios in Memphis, Tennessee, United States and Robin Hood Studios in Tyler, Texas, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 67)
recording of:
Tush
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three and Songs of Mosaic
ZZ Top4.652:14
9Ironic
recording engineer:
Glen Ballard and Ted Blaisdell
producer:
Glen Ballard
mixer:
Chris Fogel (engineer)
bass:
Lance Morrison
drums (drum set) and percussion:
Rob Ladd
guitar:
Glen Ballard and Basil Fung
organ:
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
vocals:
Alanis Morissette
music videos:
Ironic by Alanis Morissette
recording of:
Ironic
lyricist:
Alanis Morissette
composer:
Glen Ballard and Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music and Vanhurst Place Music
part of:
Jagged Little Pill (the musical)
Alanis Morissette43:46
10I'm a Believer
cover recording of:
I’m a Believer
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees2:47
11Black Velvet
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Kevin Doyle (award-winning sound engineer, producer)
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 6)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4.54:47
12Sleeping Satellite
recording of:
Sleeping Satellite
writer:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) and John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer44:19
13Brass in Pocket (2006 Remaster)
additional recording engineer:
Steve Nye (producer, engineer and pianist)
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Michael Paul Stavrou (producer/engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
recording of:
Brass in Pocket
writer:
James Honeyman‐Scott and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music and Modern Music Publishing Co., Inc.
Pretenders4.33:06
14Baker Street (Radio Edit)
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
drums (drum set):
Henry Spinetti (in 1977)
guitar [lead guitar]:
Hugh Burns (in 1977)
guitar [rhythm guitar]:
Nigel Jenkins (in 1977)
keyboard:
Tommy Eyre (in 1977)
percussion:
Glen LeFleur (in 1977)
saxophone:
Raphael Ravenscroft (in 1977)
lead vocals:
Gerry Rafferty (in 1977)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
edit of:
Baker Street by Gerry Rafferty
recording of:
Baker Street (in 1977)
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:09
15Everything I Own
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:07
16Walking in Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) and Warner Music H.K. Ltd. (in 1997)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 415)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn44:13
17Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:27
18Grease
engineer and mixer:
Karl Richardson
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
guitar:
Peter Frampton
background vocals:
Barry Gibb
lead vocals:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arranger:
Albhy Galuten and Barry Gibb
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 11)
recording of:
Grease (Grease, 1978 film)
lyricist and composer:
Barry Gibb
publisher:
Careers–BMG Music Publishing, Inc. and Gibb Brothers Music
part of:
Grease (1978 film)
Frankie Valli4.33:22
19Waiting for a Girl Like You
assistant engineer:
Edwin Hobgood (engineer) and Michael Sauvage
engineer:
Tony Platt (UK engineer and producer), Brad Samuelsohn and Dave Wittman
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Robert John “Mutt” Lange (Robert John Lange)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar [lead guitar]:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Bob Mayo (US session keyboardist & guitarist)
synthesizer:
Thomas Dolby
background vocals:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera and Rick Wills
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2009)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner3.354:52
20The Scientist
additional recording engineer and additional producer:
Mark Phythian
recording engineer and engineer:
Ken Nelson (UK record producer)
additional engineer:
Rik Simpson
producer:
Coldplay and Ken Nelson (UK record producer)
mixer:
Coldplay, Ken Nelson (UK record producer) and Mark Phythian
acoustic guitar:
Jonny Buckland and Chris Martin (lead singer of Coldplay)
drums (drum set), percussion and background vocals:
Will Champion
electric bass guitar:
Guy Berryman
electric guitar:
Jonny Buckland
piano and lead vocals:
Chris Martin (lead singer of Coldplay)
phonographic copyright (℗) by:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2002)
music videos:
The Scientist by Coldplay
part of:
Indie 88: Top 500 Indie Rock Songs (number: 172)
recording of:
The Scientist
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay4.25:10
21Young Turks
assistant engineer:
Ricky Charles Delena
engineer:
George Tutko (engineer, producer)
co-producer:
Jim Cregan (producer & member of Family)
producer:
Rod Stewart
mixer:
Jim Cregan (producer & member of Family) and George Tutko (engineer, producer)
additional keyboard [keyboards]:
Duane Hitchings
additional percussion:
Tony Brock
bass guitar:
Jay Davis (guitarist)
drums (drum set) [drums]:
Carmine Appice
guitar:
Jim Cregan (producer & member of Family)
keyboard [keyboards]:
Kevin Savigar
background vocals:
Carmine Appice, Tony Brock and Jim Cregan (producer & member of Family)
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Young Turks
lyricist:
Kevin Savigar and Rod Stewart
composer:
Carmine Appice and Duane Hitchings
Rod Stewart4.155:02
22For What It's Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.252:34
23Don't Get Me Wrong
engineer:
Bruce Lampcov
producer:
Bob Clearmountain and Jimmy Iovine
mixer:
Bob Clearmountain
bass:
Chucho Merchán
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Robbie McIntosh (English guitarist for The Pretenders)
piano and synthesizer:
Wix (UK / Paul Wickens)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) and Warner Music UK Ltd. (not for release label use!) (in 2007)
recording of:
Don’t Get Me Wrong
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hynde House of Hits Music
Pretenders4.23:48
24Werewolves of London (2007 Remaster)
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass:
John McVie
drums (drum set):
Mick Fleetwood
guitar [guitars]:
Waddy Wachtel
piano:
Warren Zevon
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and Rhino Entertainment Company (not for release label use!) (from 2007 to present)
recorded at:
The Sound Factory in Tucson, Arizona, United States (in 2007)
recording of:
Werewolves of London
writer:
LeRoy P. Marinell, Waddy Wachtel and Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes and Zevon Music Inc. (BMI)
Warren Zevon4.93:29
25Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Yes3.954:29
26Wuthering Heights
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recording of:
Wuthering Heights
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush (on 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 1978 to present)
Kate Bush3:26
27I Keep Forgettin (Every Time You’re Near)
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) and Yellow Dog Music Inc
version of:
I Keep Forgettin’
Michael McDonald43:42
28Da Ya Think I'm Sexy
engineer:
Andy Johns
producer:
Tom Dowd
mixer:
Tom Dowd and Andy Johns
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA Records B.V. (in 1978)
music videos:
Da Ya Think I'm Sexy? by Rod Stewart
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 301)
recording of:
Da Ya Think I’m Sexy?
writer:
Carmine Appice, Duane Hitchings and Rod Stewart
publisher:
Control (German electronic), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
version of:
Taj Mahal
Rod Stewart45:31
29Listen to the Music
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
edit of:
Listen to the Music by The Doobie Brothers
recording of:
Listen to the Music
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:47
30She's Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
31Yellow
additional engineer:
Simon “Barny” Barnicott, Jon Coles, Paul Read (UK engineer) and Andrea Wright
engineer:
Ken Nelson (UK record producer)
producer:
Coldplay and Ken Nelson (UK record producer)
mixer:
Michael Brauer (engineer)
acoustic guitar, keyboard, piano and lead vocals:
Chris Martin (lead singer of Coldplay)
bass guitar:
Guy Berryman
drums (drum set) and percussion:
Will Champion
electric guitar:
Jonny Buckland
background vocals:
Jonny Buckland and Will Champion
phonographic copyright (℗) by:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2000)
music videos:
Yellow by Coldplay
part of:
Indie 88: Top 500 Indie Rock Songs (number: 52) and BILLIONS CLUB
recording of:
Yellow
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd. and Universal Music Publishing MGB Limited
Coldplay3.354:27
32Here I Go Again (US Version)
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Whitesnake3.53:53
33December, 1963 (Oh What a Night!)Frankie Valli & The Four Seasons3:21
34Last Request
additional programming:
Matt Benbrook
additional engineer:
Richard Wilkinson (production music)
assistant engineer:
Darren Simpson (engineer)
engineer:
Mark Phythian
producer:
Matt Benbrook (strings) and Ken Nelson (UK record producer)
mixer:
Tom Elmhirst (mixing engineer)
acoustic guitar and background vocals:
Donny Little (guitar player)
bass guitar:
Mike Hunter (UK producer & engineer)
drums (drum set), keyboard and percussion:
Jim Duguid
guitar:
Eddie Harrison, Donny Little (guitar player) and Ken Nelson (UK record producer)
strings:
Matt Benbrook
lead vocals:
Paolo Nutini
recording of:
Last Request
writer:
Matt Benbrook, Jim Duguid and Paolo Nutini
Paolo Nutini3.353:40
35What's Love Got to Do with It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
What’s Love Got to Do With It (Kygo version)
writer:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) and Graham Lyle
publisher:
Kobalt Music (publisher) (from 2020 to present) and WC Music Corp. (from 2020 to present)
is based on:
What’s Love Got to Do With It
Tina Turner4.053:47
36Once in a Lifetime (2005 Remaster)
additional engineer:
Jack Nuber, John Potoker (producer/engineer aka Tokes) and Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
assistant engineer:
Kendal Stubbs
engineer:
Dave Jerden
producer:
Brian Eno and Talking Heads
mixer:
David Byrne (Talking Heads), Brian Eno, Dave Jerden and John Potoker (producer/engineer aka Tokes)
bass:
Tina Weymouth
drums (drum set):
Chris Frantz
guitar and lead vocals:
David Byrne (Talking Heads)
keyboard:
Jerry Harrison (Talking Heads & producer)
background vocals:
Brian Eno and Nona Hendryx (American vocalist, record producer, songwriter, musician, author and actress)
arranger:
Talking Heads
vocals arranger:
David Byrne (Talking Heads) and Brian Eno
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1980)
additionally recorded at:
Eldorado Studios in Burbank, California, United States and Sigma Sound Studios (New York) in New York, New York, United States
recorded at:
Compass Point Studios in Nassau, Bahamas, Eldorado Studios in Burbank, California, United States (lead vocals, background vocals) and Sigma Sound Studios (New York) in New York, New York, United States (lead vocals, background vocals)
mixed at:
Eldorado Studios in Burbank, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 28), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 35) and Indie 88: Top 500 Indie Rock Songs (number: 54)
recording of:
Once in a Lifetime
lyricist:
David Byrne (Talking Heads)
composer:
David Byrne (Talking Heads), Brian Eno, Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
publisher:
Bleu Disque Music Co. (publisher), Careers–BMG Music Publishing, Inc., E.G. Music Ltd. (publisher) and Index Music
Talking Heads4.44:20
37Long Train Runnin'
engineer:
Donn Landee
producer:
Ted Templeman
congas, cymbal and timbales:
Michael Hossack
guest synthesizer:
Malcolm Cecil and Robert Margouleff
guitar:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
harmonica:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
keyboard, organ and piano:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) and Michael Hossack
percussion:
John Hartman (drummer for the Doobie Brothers) and Ted Templeman
steel guitar:
Jeff “Skunk” Baxter
synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter and Patrick Simmons
bass arranger:
Tiran Porter
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:27
38Semi-Charmed Life
programming:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) and Eric Valentine (Eric Dodd, producer and instrumentalist)
assistant engineer:
Jaquire King and Kevin Scott (engineer)
engineer and mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
additional producer:
Kevin Cadogan and Arion Salazar
co-producer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
producer:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
bass guitar:
Arion Salazar
brushes and lead vocals:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
drums (drum set):
Brad Hargreaves
guitar:
Kevin Cadogan and Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
background vocals:
Kevin Cadogan
additional arranger:
Ren Klyce
arranger:
Kevin Cadogan and Arion Salazar
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 138) and Indie 88: Top 500 Indie Rock Songs (number: 347)
recording of:
Semi‐Charmed Life
lyricist and composer:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
publisher:
3EB Publishing
Third Eye Blind4.254:28
39You're so Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.554:18
40The Best
producer:
Dan Hartman and Tina Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 4) and Cachitos Nochevieja 2022 (number: 154)
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner45:30
41We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:56
42Locked Out of Heaven
assistant recording engineer:
Bob Mallory and Tyler Hartman (audio engineer)
recording engineer:
alalal (engineer & producer), Wayne Gordon, Ari Levine and Mark Ronson (British DJ and producer)
miscellaneous support:
Mark Ronson (British DJ and producer) (task: dj shit) and Artie Smith (task: gear & vibes)
additional engineer:
Charles Moniz
producer:
Jeff Bhasker, Emile Haynie (hip hop producer, aka "Emile"), Mark Ronson (British DJ and producer) and The Smeezingtons
mixer:
Manny Marroquin
additional drums (drum set) [drums], additional effects [FX] and additional keyboard [keys]:
Emile Haynie (hip hop producer, aka "Emile")
bass:
Nick Movshon
drums (drum set) [drums]:
Homer Steinweiss
guitar [guitars]:
Bruno Mars (US singer)
keyboard [keyboards]:
Jeff Bhasker
vocals:
Bruno Mars (US singer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2012) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2012)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Daptone Studios in Bushwick, New York, New York, United States and Levcon Studios in Hollywood, Los Angeles, California, United States
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 11) and BILLIONS CLUB
recording of:
Locked Out of Heaven
writer:
Bruno Mars (US singer), Philip Lawrence (urban songwriter/producer, of The Smeezingtons) and Ari Levine
publisher:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), Mars Force Music, Mars Force Songs, LLC, Music Famamanem LP, Northside Independent Music Publishing LLC, Roc Nation Music, Toy Plane Music, Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
Bruno Mars43:53
43Special
recording of:
Special (feat. SZA)
writer:
Andrew "Pop" Wansel, Daoud Anthony (hip hop producer), Ian Kirkpatrick (producer/songwriter), Max Martin (Swedish record producer), Melissa Viviane "Lizzo" Jefferson (American rapper, singer and actress), Solana "SZA" Rowe and Theron Thomas
publisher:
Buckley Tenenbaum Publishing, Daoud Made Music (ASCAP-affiliated), Kobalt Music Publishing America, Inc., Songs of Kobalt Music Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WC Music Corp.
Lizzo feat. SZA2:55
44SPIT IN MY FACE!
ThxSoMch2:28
45Paradise
acoustic guitar, piano and lead vocals:
Chris Martin (lead singer of Coldplay)
drums (drum set) and percussion:
Will Champion
electric bass guitar:
Guy Berryman
electric guitar:
Jonny Buckland
keyboard:
Guy Berryman, Jonny Buckland and Chris Martin (lead singer of Coldplay)
background vocals:
Guy Berryman, Jonny Buckland and Will Champion
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
music videos:
Paradise (music video) by Coldplay
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2012) and Billboard Year-End Hot 100 singles of 2012 (number: 69)
recording of:
Paradise
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
additional composer:
Brian Eno
Coldplay3.154:39
46Feel It Still
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
music videos:
Feel It Still by Portugal. The Man
part of:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 33), Billboard Year-End Hot 100 singles of 2018 (number: 33), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2018 winner), Billboard Year-End Hot 100 singles of 2017 (number: 45), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 386)
recording of:
Feel It Still
writer:
Robert Bateman (R&B singer/songwriter/record producer), Zachary Scott Carothers, Frederick Gorman, John Baldwin Gourley, John Hill (producer and songwriter, aka Johnny Rodeo), Brian Holland (Motown producer & songwriter), Eric Howk, Zoe Manville, Kyle O'Quin, Jason Wade Sechrist and Asa Taccone
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Please Mr. Postman
Portugal. The Man4.152:42
47Edge of Seventeen (2016 Remaster)
engineer:
Shelly Yakus
producer:
Jimmy Iovine
bass guitar [bass]:
Bob Glaub
drums (drum set):
Russ Kunkel (session drummer)
guitar:
Waddy Wachtel
organ:
Benmont Tench
percussion:
Bobbye Hall
piano:
Roy Bittan
lead vocals:
Stevie Nicks
phonographic copyright (℗) by:
Modern Records, Inc. (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2016)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 217)
recording of:
Edge of Seventeen
lyricist and composer:
Stevie Nicks
dedicated to:
John Lennon (The Beatles)
Stevie Nicks4.055:29
48I Gotta Try
producer:
Ted Templeman and Lenny Waronker
additional synthesizer:
Michael Boddicker
bass:
Willie Weeks (US bass player)
drums (drum set):
Steve Gadd (drummer)
guitar:
Steve Lukather
percussion:
Paulinho da Costa (Brazilian percussionist) and Ted Templeman
piano and synthesizer:
Michael McDonald (R&B & soul singer)
Rhodes piano:
Greg Phillinganes
background vocals:
Kenny Loggins and Michael McDonald (R&B & soul singer)
vocals:
Michael McDonald (R&B & soul singer)
recording of:
I Gotta Try
writer:
Kenny Loggins and Michael McDonald (R&B & soul singer)
publisher:
Genevieve Music, Kobalt Music Publishing Ltd. (UK), Milk Money Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Michael McDonald3:55
49So Young
recording engineer:
Oliver Leiber and Barry Rudolph
programming:
Leo Pearson (Irish music producer)
producer:
Jim Corr and Oliver Lieber
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain
drums (drum set):
Gota Yashiki, Groove Activator (Gota Yashiki)
guitar:
Anto Drennan
lead vocals:
Andrea Corr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Noise Club, Inc. (Oliver Leiber production company)
recorded at:
Ollywood Studios in Hollywood, Los Angeles, California, United States
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
recording of:
So Young
writer:
Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
The Corrs3.53:52
50It’s My Life
programming and producer:
Tim Friese‐Greene
acoustic guitar:
Mark Hollis
drum machine and synthesizer:
Tim Friese‐Greene
drums (drum set):
Tim Friese‐Greene and Lee Harris (singer-songwriter & musician)
fretless bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
guitar:
Robbie McIntosh (English guitarist for The Pretenders)
keyboard:
Ian Curnow
percussion:
Morris Pert
piano:
Tim Friese‐Greene and Phil Ramocon (soul/R&B/reggae songwriter)
background vocals:
Mark Hollis and Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:52
51Stars
engineer and mixer:
Daren Klein
co-producer:
Mick Hucknall (lead singer of Simply Red)
producer:
Stewart Levine (record producer and saxophonist)
recording of:
Stars
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:09
52Dreams (2018 Remaster)
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 9) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 17)
recording of:
Dreams
lyricist and composer:
Stevie Nicks
publisher:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) and Welsh Witch Music (BMI affiliated) (in 1977)
Fleetwood Mac4.254:17
53Castle on the Hill
programming:
benny blanco (producer Benjamin Levin)
engineer:
Joe Rubel (songwriter and producer) and Chris Sclafani
producer:
benny blanco (producer Benjamin Levin) and Ed Sheeran (UK singer‐songwriter)
assistant mixer:
Michael Freeman (UK engineer and recording professional) and Geoff Swan
mixer:
Mark “Spike” Stent (producer, engineer)
bass:
Pino Palladino
drums (drum set):
Leo Taylor (drummer, producer, and DJ)
guitar, mandolin, background vocals and lead vocals:
Ed Sheeran (UK singer‐songwriter)
keyboard:
benny blanco (producer Benjamin Levin) and Thomas Bartlett
piano:
Thomas Bartlett
phonographic copyright (℗) by:
Asylum Records UK (company credits only; do not use as release label!) (in 2017) and Warner Music UK Limited (not for release label use!) (in 2024)
recorded at:
Gingerbread Man Studios (Suffolk) in Suffolk, England, United Kingdom, Gingerbread Man Studios (London) in London (Greater London), England, United Kingdom, Matza Ball Studio in New York, New York, United States, RAK Recording Studios in London (Greater London), England, United Kingdom and The Dwelling in New York, New York, United States
mixed at:
The Mix Suite in London (Greater London), England, United Kingdom and The Mixsuite in Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2017 (number: 40)
recording of:
Castle on the Hill
writer:
Benjamin Levin (producer Benjamin Levin) and Ed Sheeran (UK singer‐songwriter)
publisher:
Ed Sheeran Limited, Please Don't Forget to Pay Me Music and Sony/ATV Music Publishing (UK) Ltd.
Ed Sheeran3.74:21
54Under the Bridge
engineer:
Brendan O’Brien (engineer)
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
bass:
Flea (US bassist)
drums (drum set):
Chad Smith (drummer from Red Hot Chili Peppers)
guitar:
John Frusciante
guest choir vocals:
Gail Frusciante
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991) and Warner Bros., Inc. (not for release label use!) (in 1991)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 33), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 328)
recording of:
Under the Bridge
lyricist:
Anthony Kiedis
composer:
John Frusciante, Anthony Kiedis, Michael Peter Balzary (US bassist) and Chad Smith (drummer from Red Hot Chili Peppers)
publisher:
EMI Blackwood Music Inc., Moebetoblame Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Artemis Music
Red Hot Chili Peppers4.34:24
55Heart Wants What It Wants
recording engineer and producer:
Ido Zmishlany
co-producer:
Ray Goren, Jussifer and Rykeyz (Ryan Williamson)
phonographic copyright (℗) by:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 2023)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Heart Wants What It Wants
writer:
Ray Goren, Jussi Karvinen, Liana Banks (American singer), Bonnie McKee, Bebe Rexha, Ryan Williamson (Ryan Williamson), Sarah Solovay and Ido Zmishlany
publisher:
Bonnie McKee Music (from 2023 to present), I Do Bangers (from 2023 to present), Kiss Me If You Can Music (from 2023 to present), Pass the Aux Publishing Group (from 2023 to present), Rykeyz Next Level Music (from 2023 to present), Solovay Music (from 2023 to present), These Are Pulse Songs (BMI) (from 2023 to present), These Are Songs of Pulse (ASCAP) (from 2023 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 2023 to present), Where da Kasz At (from 2023 to present) and Wide Eyed Global (BMI) (from 2023 to present)
Bebe Rexha4.43:02