The Greatest Love Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Medium
Nr.TitelKünstlerBewertungLänge
1It Must Have Been Love
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:21
2Missing You
assistierende(r) Techniker(in):
Ken Stiger (engineer)
Techniker(in):
Gary Hellman
Produzent(in):
Gary Gersh, David Thoener und John Waite
Mix und Editing:
John Luongo
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite54:04
3Don’t Dream It’s Over
recording engineer:
Tchad Blake und Dennis Kirk
assistierende(r) Techniker(in):
Glen Holguin (engineer)
Produzent(in):
Mitchell Froom
Mix:
Michael Frondelli
Bass:
Nick Seymour (Nicholas More Seymour)
Conga, Mbira [kalimba] und shakers:
Jorge Bermudez
E-Gitarre [Gibson Les Paul Goldtop] und Sologesang:
Neil Finn
E-Gitarre [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
Keyboard und Orgel:
Mitchell Froom
Schlagzeug:
Paul Hester (Australian drummer for Crowded House/Split Enz)
Hintergrundgesang:
Noel Crombie, Jim Gilstrap, Andy Milton und Joe Satriani
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 5)
recording of:
Don’t Dream It’s Over
Texter und Komponist(in):
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing und Roundhead Music (Neil Finn)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 2)
Crowded House3.93:57
4Hold On
leitende(r) Produzent(in):
Charles Koppelman (American businessman and musician)
Produzent(in):
Glen Ballard
vocals:
Chynna Phillips, Carnie Wilson und Wendy Wilson
phonographisches Urheberrecht (℗) von:
SBK Records (in 1990)
recording of:
Hold On
Verfasser(in):
Glen Ballard, Chynna Phillips und Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) und Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips33:41
5I Just Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:28
6These Dreams
Techniker(in) und Produzent(in):
Ron Nevison
arranger:
Ron Nevison
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recording of:
These Dreams
Verfasser(in):
Martin Page und Bernie Taupin
publisher:
Imagem London Ltd., Intersong Music Ltd., Rouge Booze, Inc., Universal Music–Z Tunes LLC, Zomba Music Publ (music publisher – add no releases here!), Zomba Enterprises, Inc. (vom 1984 bis ????), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (vom 1984 bis ????), Intersong U.S.A. (publisher) (vom 1984 bis heute) und Little Mole Music (vom 1984 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart43:48
7There’ll Be Sad Songs (To Make You Cry)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recording of:
There’ll Be Sad Songs (to Make You Cry)
Verfasser(in):
Wayne Brathwaite, Barry Eastmond und Billy Ocean
publisher:
Zomba Enterprises, Inc.
Billy Ocean34:53
8The More You Live, the More You Love
recording engineer:
Mike Score
Techniker(in):
Steve Lipson
Produzent(in):
Steve Lovell (record producer and musical director; aka Bernard Gazda)
E-Bass:
Frank Maudsley
E-Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) und Mike Score
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Zomba Productions Ltd.
mixed at:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
recording of:
The More You Live, the More You Love
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Universal Music–Z Tunes LLC, Zomba Enterprises, Inc. und Zomba Music Publishing (music publisher – add no releases here!)
A Flock of Seagulls54:10
9Only the Lonely
recording of:
Only the Lonely
Texter und Komponist(in):
Martha Davis (of The Motels)
The Motels3:16
10You Needed Me
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978) und EMI Music Canada (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 63)
recording of:
You Needed Me (in 1978)
Texter und Komponist(in):
Randy Goodrum
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:37
11Have You Ever Been Mellow?
Ko-Techniker(in):
Alan Rouse
Techniker(in):
Tony Clark (engineer, Abbey Road)
Produzent(in):
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Have You Never Been Mellow
Texter und Komponist(in):
John Farrar
publisher:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Universal/MCA Music Publishing Pty Ltd
Olivia Newton‐John3.53:34
12You’re My World
recording of:
You’re My World
Texter:
Gino Paoli (singer, songwriter)
Komponist(in):
Umberto Bindi
Übersetzer:
Carl Sigman
publisher:
Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Welbeck Music Ltd.
übersetzte Version von:
Il mio mondo
Helen Reddy2:46
13We Belong
assistierende(r) Techniker(in):
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
Produzent(in):
Pete Coleman und Neil Giraldo
assistierende(r) Mix:
Murray Dvorkin und Bino Espinoza
Bassgitarre:
Donnie Nossov
Gitarre und Mundharmonika:
Neil Giraldo
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Perkussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo und Myron Grombacher
Schlagzeug:
Myron Grombacher
zusätzlich Gast-Bassgitarre:
Roger Capps
Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1981) und Chrysalis Records, Inc. (not for release label use!) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California (Kalifornien), Vereinigte Staaten und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We Belong
Verfasser(in):
Eric Lowen und Dan Navarro (singer/songwriter/voice actor)
publisher:
Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.453:42
14Beautiful in My Eyes
Techniker(in):
Simon Smart
Produzent(in):
Rod Argent und Peter Van Hooke
Mix:
David Kershenbaum und Kevin Smith (American DJ, producer and hip hop pioneer based in New York City)
Akustikgitarre:
Mark Cresswell
Bratsche / Viola:
Bob Smissen (violist), Andy Parker (violist), George Robertson (violist) und Steve Tees
Cello:
Paul Kegg (cellist), Ben Kennard und Roger Smith (cello, Academy of St. Martin in the Fields)
Geige / Violine:
Mark Berrow (violinist), Ben Cruft (violinist), Roger Garland (violinist), Roy Gillard (violinist), Tim Good, Rita Manning (violinist), Peter Oxer, Bill Penham, Barry Wilde, Wilf Gibson (UK violinist), Dave Woodcock (violinist) und Gavyn Wright (UK violinist, conductor)
Instrumente:
Helen Liebmann (cellist)
Keyboard:
Rod Argent
Klavier:
Joshua Kadison (US singer-songwriter, pianist & writer)
Kontrabass:
Chris Laurence (double bassist)
Perkussion und Schlagzeug:
Peter Van Hooke
Chorgesang:
Rod Argent, Adele Bertei, Lance Ellington (Production music composer), Carol Kenyan, David Lasley, Ian Shaw (UK jazz vocalist / producer), Helen Terry (UK singer) und Ruby Turner
vocals:
Joshua Kadison (US singer-songwriter, pianist & writer)
Saiteninstrumente arranger:
Rod Argent
recording of:
Beautiful in My Eyes
Texter und Komponist(in):
Joshua Kadison (US singer-songwriter, pianist & writer)
publisher:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) und Seymour Glass Songs (BMI affiliated)
Joshua Kadison34:09
15Rush Rush
Produzent(in):
Peter Lord und V. Jeffrey Smith (Vernon Jeffrey Smith, producer, writer, musician)
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1991)
Samples:
Kisses in the Moonlight von George Benson (jazz guitarist/singer)
Teil von:
The Downloader’s Music Source Book (Nummer: 89)
recording of:
Rush Rush
Texter und Komponist(in):
Peter Lord Moreland
publisher:
EMI April Music Inc.
Paula Abdul34:55
16Endless Love
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Diana Ross & Lionel Richie4:54
17Think It Over
Cheryl Ladd3:20
18I Believe There’s Nothing Stronger Than Our Love
Paul Anka2:51