Am Kamin: Musik für behagliche Stunden

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Violin Romance no. 1 in G major, op. 40
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
recording of:
Romance for Violin and Orchestra no. 1 in G major, op. 40 (in 1987-04)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1802)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 40)
Ludwig van Beethoven7:44
2A Midsummer Night's Dream, op. 61 : No. 7. Notturno
miscellaneous support:
Claudia Hamann (task: coordination)
producer:
Cord Garben (pianist and conductor)
orchestra:
Chicago Symphony Orchestra (in 1984-07)
conductor:
James Levine (US conductor and pianist) (in 1984-07)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1984-07)
recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo (in 1984-07)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn6:07
3Serenade for Strings in C, op. 48: 2. Walzer: Moderato (Tempo di valse)
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-12)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse (in 1986-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Pyotr Ilyich Tchaikovsky3:50
4Piano Concerto no. 2 in F minor, op. 21: 2. Larghetto (excerpt)
piano:
Martha Argerich (Argentine pianist)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings)
conductor:
Mstislav Rostropovich (cellist/conductor)
partial recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Frédéric Chopin3:51
5Carmen Suite: Intermezzo
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:43
6Cello Concerto in B-flat major, G. 482: 2. Adagio non troppo
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
cello:
Matt Haimovitz (cellist) (in 1989-03)
orchestra:
English Chamber Orchestra (in 1989-03)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger) (in 1989-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1989-03)
recording of:
Cello Concerto in B-flat major, G. 482: II. Adagio non troppo (Grützmacher version) (in 1989-03)
composer:
Luigi Boccherini (Italian composer)
arranger:
Friedrich Grützmacher
part of:
Cello Concerto in B-flat major, G. 482 (Grützmacher version)
Luigi Boccherini5:47
7String Quartet in F, Hob. III:17, op. 3 no. 5 "Serenade": 2. Andante cantabile
executive producer:
Alison Ames
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1992-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1992-03)
recording of:
String Quartet in F major, op. 3 no. 5, Hob. III:17: II. Andante cantabile (in 1992-03)
composer:
Roman Hoffstetter
previously attributed to:
Joseph Haydn (composer)
part of:
String Quartet in F major, op. 3 no. 5, Hob. III:17
Joseph Haydn3:11
8Brandenburg Concerto no. 5 in D, BWV 1050: 2. Affetuoso
flute:
Thierry Fischer (Swiss conductor and flutist)
harpsichord:
Ian Watson (conductor and keyboardist)
violin:
Marieke Blankestijn (violinist)
orchestra:
Chamber Orchestra of Europe
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:19
9Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder"
engineer:
Reinhard Lagemann
executive producer:
Ewald Markl
producer:
Christian Gansch (conductor)
editor and balance engineer:
Oliver Rogalla
cello:
Mischa Maisky (cellist) (in 1996-01)
piano:
Daria Hovora (pianist) (in 1996-01)
recorded at:
Rittersaal in Rapperswil, Sankt Gallen (Canton of St. Gallen), Switzerland (in 1996-01)
recording of:
Schwanengesang, D. 957: IV. Ständchen (catch-all for arrangements) (in 1996-01)
composer:
Franz Schubert (composer)
arrangement of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano)
Franz Schubert4:13
10Kinderszenen, op. 15: 7. Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:56
11Kinderszenen, op. 15: 8. Am Kamin
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 8. Am Kamin (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:54
12Piano Concerto no. 23 in A, K. 488: 2. Adagio
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Joachim Niss
piano:
Rudolf Serkin (pianist) (in 1982-10)
orchestra:
London Symphony Orchestra (in 1982-10)
conductor:
Claudio Abbado (conductor) (in 1982-10)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-10)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) (in 1982-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Wolfgang Amadeus Mozart7:43
13Concerto for Lute, 2 Violins and Continuo in D, RV 93: 2. Largo
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Hans‐Rudolf Müller (engineer) and Gregor Zielinsky (Balance engineer)
classical guitar:
Göran Söllscher (classical guitarist) (in 1984-09)
guitar:
Göran Söllscher (classical guitarist)
orchestra:
Camerata Bern (in 1984-09)
conductor:
Thomas Füri (violinist and conductor) (in 1984-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-09)
recorded at:
Studio Radio DRS in Bern, Bern (Canton of Bern), Switzerland (in 1984-09)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (in 1984-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi5:03
14Flute Concerto in G major: 2. Arioso
cello:
Karl-Heinz Schröter (in 1993-05)
double bass:
Harald Winkler (double bass) (in 1993-05)
flute:
Patrick Gallois (flutist) (in 1993-05)
harpsichord:
Klaus Kirbach (in 1993-05)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1993-05)
conductor:
Peter Schreier (German tenor and conductor) (in 1993-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1993-05)
recording of:
Flute Concerto no. 161 in G major, QV 5:174: II. Arioso e mesto (in 1993-05)
composer:
Johann Joachim Quantz
part of:
Flute Concerto no. 161 in G major, QV 5:174
Johann Joachim Quantz5:58
15Concerto for Violin and Strings in F minor, op. 8 no.4 , RV 297 "L'Inverno": 2. Largo
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer) (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (English violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1981-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1981-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:51
16Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta y Fanfare del la caballería de Nápoles: Adagio
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
editor and balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
classical guitar and guitar:
Göran Söllscher (classical guitarist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
partial recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles (in 1989-04)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo5:08