Stand by Me: Original Motion Picture Soundtrack

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 9 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Everyday
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-05-29)
Celesta:
Vi Petty (am 1957-05-29)
Gitarre und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Perkussion [cardboard box percussion]:
Jerry Allison (am 1957-05-29)
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-29)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 236)
recording of:
Everyday (am 1957-05-27)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Peer International Corporation (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.852:10
2Let the Good Times Roll
recording of:
Let the Good Times Roll
Verfasser(in):
Shirley Goodman und Leonard Lee
publisher:
Atlantic Music Corp. (BMI), Pixley Music (publisher), Travis Music Co. und Unart Music Corp.
Shirley & Lee42:25
3Come Go With Me
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
Texter und Komponist(in):
C.E. Quick
publisher:
Fee Bee Music Company und Gil Music Corporation
The Del‐Vikings4.52:41
4Whispering Bells
recording of:
Whispering Bells
Verfasser(in):
Fred Lowery (songwriter) und Clarence E. Quick
The Del‐Vikings42:26
5Get a Job
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 36)
recording of:
Get a Job (in 1957-10)
Verfasser(in):
Earl T. Beal, Raymond W. Edwards (member of 1950s doowop group the Silhouettes), Richard A. Lewis (member of 1950s doowop group the Silhouettes) und William F. Horton (US R&B/northern soul)
publisher:
EMI Longitude Music, Jamie Music Publishing Co., Ken Williams Music, Dandelion Music Co. (in 1957) und Wildcat Music (US publisher) (in 1957)
The Silhouettes4.52:47
6Lollipop
Produzent(in):
Archie Bleyer
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1958)
cover recording of:
Lollipop
Verfasser(in):
Julius Dixson und Beverly Ross
publisher:
Anglo-Pic Music Co. Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Chordettes42:12
7Yakety Yak
Akustikgitarre:
Allen Hanlon (jazz guitarist) (am 1958-03-17)
E-Gitarre:
Adolph Jacobs (am 1958-03-17)
Gitarre:
George Barnes (am 1958-03-17)
Klavier:
Mike Stoller (am 1958-03-17)
Kontrabass [bass]:
Wendell Marshall (am 1958-03-17)
Schlagzeug:
Joe Marshall (jazz drummer) (am 1958-03-17)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-03-17)
vocals:
Carl Gardner (am 1958-03-17), Cornell Gunter (am 1958-03-17), Billy Guy (am 1958-03-17) und Will “Dub” Jones (US R&B/doo wop vocalist) (am 1958-03-17)
arranger:
Mike Stoller
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1958-03-17)
recording of:
Yakety Yak (am 1958-03-17)
Texter:
Jerry Leiber
Verfasser(in):
Jerry Leiber und Mike Stoller
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Teil von:
Twins (1988)
The Coasters3.651:52
8Great Balls of Fire
Produzent(in):
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) und Sam Phillips (founder of Sun Records) (in 1957)
Bassgitarre:
Sidney Stokes
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-10-08)
Bearbeitung von:
Great Balls of Fire (chat & master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 96) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 242)
recording of:
Great Balls of Fire (in 1957-10)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (publisher as Warner/Chappell Music)
cover recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis4.351:52
9Mr. Lee
recorded in:
New York, New York, Vereinigte Staaten (am 1957-02-28)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer)
Gitarre:
Al Caiola (am 1957-02-28) und Allen Hanlon (jazz guitarist) (am 1957-02-28)
Klavier:
Ray Ellis (US producer, arranger and conductor) (am 1957-02-28)
Kontrabass [bass]:
Milt Hinton (am 1957-02-28)
Schlagzeug [drums]:
Joe Marshall (jazz drummer) (am 1957-02-28)
Tenorsaxophon:
Jesse Powell (US jazz saxophonist) (am 1957-02-28)
vocals:
The Bobbettes (am 1957-02-28)
conductor:
Reggie Obrecht (am 1957-02-28)
arranger:
Reggie Obrecht
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 36)
recording of:
Mr. Lee (am 1957-02-28)
Verfasser(in):
Reather Dixon, Emma Ruth Pought, Helen Gathers, Jannie Pought und Laura Webb
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Bobbettes42:16
10Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55

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