Eight Classic Albums

~ Veröffentlichung von Lena Horne (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: It’s Love (1955) / Lena Horne at the Waldorf Astoria (1957)
2▶CD: Stormy Weather (1957) / Give the Lady What She Wants (1958)
3▶CD: Porgy and Bess (1959) / A Friend of Yours: Songs by Burke and Van Heusen (1960)
4▼CD: Lena Horne at the Sands (1961) / Lena… Lovely and Alive (1962)
Nr.TitelBewertungLänge
1Maybe
Produzent(in):
Dick Peirce
Orchester:
Antonio Morelli and His Orchestra (von 1960-11-03 bis 1960-11-05)
conductor:
Lennie Hayton (von 1960-11-03 bis 1960-11-05)
aufgenommen bei:
The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, Vereinigte Staaten (von 1960-11-03 bis 1960-11-05)
live recording of:
Maybe (Billy Strayhorn song) (von 1960-11-03 bis 1960-11-05)
Texter und Komponist(in):
Billy Strayhorn
2:30
2The Man I Love
Produzent(in):
Dick Peirce
Orchester:
Antonio Morelli and His Orchestra (von 1960-11-03 bis 1960-11-05)
conductor:
Lennie Hayton (von 1960-11-03 bis 1960-11-05)
aufgenommen bei:
The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, Vereinigte Staaten (von 1960-11-03 bis 1960-11-05)
live cover recording of:
The Man I Love (von 1960-11-03 bis 1960-11-05)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
4:20
3Get Rid of Monday
Produzent(in):
Dick Peirce
Orchester:
Antonio Morelli and His Orchestra (von 1960-11-03 bis 1960-11-05)
conductor:
Lennie Hayton (von 1960-11-03 bis 1960-11-05)
aufgenommen bei:
The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, Vereinigte Staaten (von 1960-11-03 bis 1960-11-05)
live recording of:
Get Rid of Monday (von 1960-11-03 bis 1960-11-05)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
3:01
4Jule Styne Medley: Ride on a Rainbow / I Said No / Some People
7:31
5You Don’t Have to Know the Language
Produzent(in):
Dick Peirce
Orchester:
Antonio Morelli and His Orchestra (von 1960-11-03 bis 1960-11-05)
conductor:
Lennie Hayton (von 1960-11-03 bis 1960-11-05)
aufgenommen bei:
The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, Vereinigte Staaten (von 1960-11-03 bis 1960-11-05)
live recording of:
You Don’t Have to Know the Language (von 1960-11-03 bis 1960-11-05)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
2:14
6Out of My Continental Mind
Produzent(in):
Dick Peirce
Orchester:
Antonio Morelli and His Orchestra (von 1960-11-03 bis 1960-11-05)
conductor:
Lennie Hayton (von 1960-11-03 bis 1960-11-05)
aufgenommen bei:
The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, Vereinigte Staaten (von 1960-11-03 bis 1960-11-05)
live recording of:
Out of My Continental Mind (von 1960-11-03 bis 1960-11-05)
Verfasser(in):
Burt Bacharach und Sydney Shaw (arranger and songwriter)
2:27
7Rodgers & Hammerstein Medley: A Cock‐Eyed Optimist / I Have Dreamed / The Surrey With the Fringe on Top
Produzent(in):
Dick Peirce
Orchester:
Antonio Morelli and His Orchestra (von 1960-11-03 bis 1960-11-05)
conductor:
Lennie Hayton (von 1960-11-03 bis 1960-11-05)
aufgenommen bei:
The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, Vereinigte Staaten (von 1960-11-03 bis 1960-11-05)
live medley including a recording of:
A Cockeyed Optimist (South Pacific) (von 1960-11-03 bis 1960-11-05)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
South Pacific (Rodgers & Hammerstein musical)
live medley including a recording of:
I Have Dreamed (The King and I) (von 1960-11-03 bis 1960-11-05)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The King and I (Rodgers & Hammerstein musical)
live medley including a recording of:
The Surrey With the Fringe on Top (von 1960-11-03 bis 1960-11-05)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company (vom 1943 bis heute)
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
7:07
8Yip Harburg Medley: Thrill Me / What Is There to Say / The Beat
6:48
9Don’t Commit the Crime
Produzent(in):
Dick Peirce
Orchester:
Antonio Morelli and His Orchestra (von 1960-11-03 bis 1960-11-05)
conductor:
Lennie Hayton (von 1960-11-03 bis 1960-11-05)
aufgenommen bei:
The Copa Room (Sands Hotel and Casino, Las Vegas) in Paradise, Nevada, Vereinigte Staaten (von 1960-11-03 bis 1960-11-05)
live recording of:
Don't Commit the Crime (von 1960-11-03 bis 1960-11-05)
Verfasser(in):
Lena Horne und Sydney Shaw (arranger and songwriter)
5:32
10I Concentrate on You
vocals:
Lena Horne (in 1962)
Orchestrator(in):
Marty Paich (in 1962)
cover recording of:
I Concentrate on You (in 1962)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
2:40
11I Get the Blues When It Rains
vocals:
Lena Horne (in 1962)
Orchestrator(in):
Marty Paich (in 1962)
cover recording of:
I Get the Blues When It Rains (in 1962)
Texter und Komponist(in):
Marcy Klauber und Harry Stoddard
3:40
12I’ve Grown Accustomed to His Face
vocals:
Lena Horne (in 1962)
Orchestrator(in):
Marty Paich (in 1962)
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (in 1962)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
My Fair Lady (full musical)
3:04
13I Got Rhythm
vocals:
Lena Horne (in 1962)
Orchestrator(in):
Marty Paich (in 1962)
cover recording of:
I Got Rhythm (in 1962)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
2:51
14I’m Confessin’
vocals:
Lena Horne (in 1962)
Orchestrator(in):
Marty Paich (in 1962)
recording of:
I’m Confessin’ (That I Love You) (in 1962)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:28
15I Want to Be Happy
vocals:
Lena Horne (in 1962)
Orchestrator(in):
Marty Paich (in 1962)
cover recording of:
I Want to Be Happy (No, No, Nanette) (in 1962)
Texter:
Irving Caesar und Otto Harbach
Komponist(in):
Vincent Youmans
Teil von:
No, No, Nanette
1:47
16I Surrender Dear
vocals:
Lena Horne (in 1962)
Orchestrator(in):
Marty Paich (in 1962)
cover recording of:
I Surrender Dear (in 1962)
Texter:
Gordon Clifford (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:31
17I’ve Found a New Baby
vocals:
Lena Horne (in 1962)
Orchestrator(in):
Marty Paich (in 1962)
cover recording of:
I’ve Found a New Baby (in 1962)
Verfasser(in):
Jack Palmer (Jazz pianist and composer) und Spencer Williams (US jazz composer, pianist & singer)
2:09
18I Understand
vocals:
Lena Horne (in 1962)
Orchestrator(in):
Marty Paich (in 1962)
cover recording of:
I Understand (in 1962)
Texter:
Kim Gannon
Komponist(in):
Mabel Wayne
3:45
19I Let a Song Go Out of My Heart
vocals:
Lena Horne (in 1962)
Orchestrator(in):
Marty Paich (in 1962)
cover recording of:
I Let a Song Go Out of My Heart (in 1962)
Texter:
Irving Mills (in 1938), Henry Nemo (in 1938) und John Redmond (House vocalist) (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:43
20I Ain’t Got Nobody
vocals:
Lena Horne (in 1962)
Orchestrator(in):
Marty Paich (in 1962)
cover recording of:
I Ain’t Got Nobody (in 1962)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:19
21I Only Have Eyes for You
vocals:
Lena Horne (in 1962)
Orchestrator(in):
Marty Paich (in 1962)
cover recording of:
I Only Have Eyes for You (in 1962)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
3:17

Nennungen

Veröffentlichungsgruppe

Teil von:... Classic Albums (Real Gone Music) (Reihenfolge: 1)