Die Zauberflöte

~ Release by Mozart; Dermota, Seefried, Kunz, Lipp, Weber, London, Singverein Der Musikfreunde Wien, Wiener Philharmoniker, Herbert von Karajan (see all versions of this release, 6 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Die Zauberflöte: Act II. Marsch der Priester
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:45
2Die Zauberflöte: Act II. O Isis und Osiris
producer:
Walter Legge (British classical producer)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:14
3Die Zauberflöte: Act II. Bewahret euch vor Weibertücken
producer:
Walter Legge (British classical producer)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:01
4Die Zauberflöte: Act II. Wie? Wie? Wie?
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:11
5Die Zauberflöte: Act II. Alles fühlt der Liebe Freuden
producer:
Walter Legge (British classical producer)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:14
6Die Zauberflöte: Act II. Der Hölle Rache kocht in meinem Herzen
producer:
Walter Legge (British classical producer)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:47
7Die Zauberflöte: Act II. In diesen heil'gen Hallen
producer:
Walter Legge (British classical producer)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:54
8Die Zauberflöte: Act II. Seid uns zum zweiten Mal willkommen
producer:
Walter Legge (British classical producer)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:53
9Die Zauberflöte: Act II. Ach, ich fühl's
producer:
Walter Legge (British classical producer)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:16
10Die Zauberflöte: Act II. O Isis und Osiris
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:22
11Die Zauberflöte: Act II. Soll ich dich, Teurer
producer:
Walter Legge (British classical producer)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:42
12Die Zauberflöte: Act II. Ein Mädchen oder Weibchen
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:41
13Die Zauberflöte: Act II. Bald prangt, den Morgen zu verkünden
producer:
Walter Legge (British classical producer)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:50
14Die Zauberflöte: Act II. Der, welcher wandelt diese Strasse
producer:
Walter Legge (British classical producer)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:41
15Die Zauberflöte: Act II. Tamino mein! O welch ein Glück!
producer:
Walter Legge (British classical producer)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:53
16Die Zauberflöte: Act II. Triumph, Triumph, Triumph, du edles Paar!
producer:
Walter Legge (British classical producer)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Triumph! Triumph! Du edles Paar!” (Chor) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:48
17Die Zauberflöte: Act II. Papagena! Papagena! Papagena!
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:56
18Die Zauberflöte: Act II. Pa-pa-gena! Pa-pa-geno!
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Papagena]:
Emmy Loose (soprano) (in 1950-11)
vocals:
Emmy Loose (soprano) (in 1950)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:23
19Die Zauberflöte: Act II. Nur stille, stille, stille
producer:
Walter Legge (British classical producer)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:18
20Die Zauberflöte: Act II. Die Strahlen der Sonne
producer:
Walter Legge (British classical producer)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien (in 1950) and Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
vocals:
Ludwig Weber (operatic bass) (in 1950)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:02