The Legacy Of Charles Munch

~ Release by Charles Munch (see all versions of this release, 1 available)

Tracklist

1▶CD: The Polydor & The L'oiseau-Lyre Recordings
2▶CD: The Decca Recordings(1)
3▶CD: The Decca Recordings(2)
4▶CD: The Decca Recordings(3)
5▶CD: The Decca Recordings(4)
6▶CD: The Decca Recordings(5)
7▶CD: The Decca Recordings(6)
8▶CD: The Decca Recordings(7)
9▶CD: The Decca Recordings(8)
10▼CD: The Decca Recordings(9)
#TitleArtistRatingLength
1Gaîté parisienne : I. Overture
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: I. Allegro (Ouverture) (from « La Vie parisienne »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:00
2Gaîté parisienne : II. Allegro Brillante
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: II. Allegro brillante (from « Mesdames de la halle »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:04
3Gaîté parisienne : III. Polka
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: III. Polka (from « Voyages dans la lune »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:01
4Gaîté parisienne : IV. Allegro, Valse
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: VI. Valse (from « La Vie parisienne »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:44
5Gaîté parisienne : V. Mazurka
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: V. Mazurka (from « Vert-Vert »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:38
6Gaîté parisienne : VI. Valse
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: VI. Valse (from « La Vie parisienne »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:14
7Gaîté parisienne : VII. Peruvian Dance (Allegro)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: VII. Allegro (Danse péruvienne)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:07
8Gaîté parisienne : VIII. Polka
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: VIII. Polka (from « La Belle Hélène »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:38
9Gaîté parisienne : IX. Valse Lente
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: IX. Valse lente (from « Orphée aux enfers »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:49
10Gaîté parisienne : X. Tempo di marcia
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: X. Tempo di marcia (from « Trombalcazar »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:24
11Gaîté parisienne : XI. Valse
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XI. Valse (from « La Périchole »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:02
12Gaîté parisienne : XII. Vivo / XIII. Valse
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XII. Allegro vivo
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
recording of:
Gaîté Parisienne: XIII. Valse
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:42
13Gaîté parisienne : XIV. Allegro Molto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XIV. Allegro vivace – Misterioso
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:21
14Gaîté parisienne : XV. Valse
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XV. Valse moderato (Pas de deux)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach3:24
15Gaîté parisienne : XVI. Allegro / XVII. Cancan
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XVI. Allegro vivo
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
recording of:
Gaîté Parisienne: XVII. Cancan
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:38
16Gaîté parisienne : XVIII. Quadrille - Cancan
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XVIII. Quadrille (from « Orphée aux enfers »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:45
17Gaîté parisienne : XIX. Allegro Moderato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XIX. Allegro moderato (from « Orphée aux enfers »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach0:53
18Gaîté parisienne : XX. Allegro
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XX. Allegro (from « Orphée aux enfers »)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach0:31
19Gaîté parisienne : XXI: Leggiero
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XXI. Vivo (leggiero) (from « Orphée aux enfers »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:07
20Gaîté parisienne : XXII. Vivo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XXII. Vivo (from « Orphée aux enfers »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:16
21Gaîté parisienne : XXIII. Barcarolle
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach3:30
22Carmen Suite no. 1: VI. Les toréadors
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet4:25
23Carmen Suite no. 1: II. Aragonaise
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:16
24Carmen Suite no. 1: III. Intermezzo
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:25
25Carmen Suite no. 1: V. Les dragons d'Alcala
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:39
26Carmen Suite no. 2: II. Habanera
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: II. Habanera (in 1967-01)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
Georges Bizet2:06
27Carmen Suite no. 2: V. La garde montante
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: V. La Garde montante (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
Georges Bizet3:40
28Carmen Suite no. 2: VI. Danse bohème
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: VI. Danse bohème (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:49
11▶CD: The Decca Recordings(10)
12▶CD: The Véga Recordings
13▶CD: The Philips Recording
14▶CD: The Deutsche Grammophon Recording