Temps forts de la musique sacrée

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Grands motets : Elevaverunt flumina
conductor:
William Christie (harpsichordist and conductor)
performer:
Les Arts Florissants (French baroque ensemble)
recording of:
Dominus regnavit (Psaume 92): IV. Elevaverunt flumina
composer:
Jean‐Joseph de Mondonville (violinist and composer)
part of:
Dominus regnavit (Psaume 92)
Jean‐Joseph de Mondonville4:10
2Nisi dominus, RV609 : Cum dederit dilectis suis sommum
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
countertenor vocals:
James Bowman (UK countertenor) (in 1975-11)
orchestra:
Academy of Ancient Music (in 1975-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1975-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1975-11)
recording of:
Nisi Dominus, RV 608: IV. Largo “Cum dederit delectis suis somnum” (in 1975-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Nisi Dominus, RV 608
Antonio Vivaldi4:09
3Requiem en ré mineur, K 626 : Introitus
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1981-10 until 1981-11)
soprano vocals:
Rachel Yakar (soprano) (from 1981-10 until 1981-11)
orchestra:
Concentus Musicus Wien (from 1981-10 until 1981-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-10 until 1981-11)
chorus master:
Gerhard Deckert
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-10 until 1981-11)
recording of:
Requiem in D minor, K. 626: I. Introitus: “Requiem aeternam” (Beyer/Kunzelmann Edition) (from 1981-10 until 1981-11)
additional orchestrator:
Franz Beyer (violist)
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart4:17
4Te Deum : Prélude, Rondeau
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock
orchestra:
Les Musiciens du Louvre (from 1997-03 to present, in 1997-03)
conductor:
Marc Minkowski (bassoonist and conductor) (from 1997-03 to present, in 1997-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1997-03 to present)
recording of:
Te Deum, H. 146: Prélude (in 1997-03)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:13
5Liturgie de St-Jean Chrysostome, Op. 31 : Great Ektenia
choir vocals:
Государственная академическая симфоническая капелла России (State Symphony Capella of Russia, founded and often directed by V. Polyansky) (in 1990-10)
conductor:
Валерий Кузьмич Полянский (Valery Polyansky) (in 1990-10)
recording of:
Liturgy of St. John Chrysostom, op. 31: I. The Great Litany
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1910)
part of:
Liturgy of St. John Chrysostom, op. 31
Serge Rachmaninov3:43
6Requiem : Requiem Æternam
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1963-09 until 1964-04)
solo soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1963-09 until 1964-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1963-09 until 1964-04)
conductor:
Carlo Maria Giulini (conductor) (from 1963-09 until 1964-04)
recording of:
Messa da requiem: VIIc. Libera me: Requiem aeternam (from 1963-09 until 1964-04)
composer:
Giuseppe Verdi (Italian opera composer)
version of:
Messa per Rossini: VIIc. Responsorium. Libera me, Domine: Requiem aeternam
part of:
Messa da requiem: VII. Libera me (soprano, coro)
Giuseppe Verdi2:10
7Passion selon Saint-Matthieu, BWV 244 : Aria, Erbarme Dich
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1994)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:42
8Hymne de l’Office de la Nativité : Bisanâ Mawlidika
[unknown]4:09
9Miserere à neuf voix
assistant recording engineer:
François Brillet (in 1993-11)
recording engineer:
Jean‐Marc Laisné (in 1993-11)
vocals:
A Sei Voci (French vocal ensemble) (in 1993-11)
conductor:
Bernard Fabre-Garrus (in 1993-11)
performer:
A Sei Voci (French vocal ensemble)
recorded at:
Le cellier du Prieuré de Vivoin (Centre culturel de la Sarthe) in Vivoin, Sarthe, Pays-de-la-Loire, France (in 1993-11)
recording of:
Miserere (with Baroque ornamentations, arr. Jean Lionnet) (in 1993-11)
lyricist:
[anonymous] (special purpose artist)
composer:
Gregorio Allegri (composer)
arranger:
Jean Lionnet (French musicologist and sound engineer)
arrangement of:
Miserere mei, Deus
Gregorio Allegri5:19
10Chants de l’extase : O nubor sanguinis
performer:
Sequentia (early music ensemble)
recording of:
Symphonia armonie celestium revelationem: O rubor sanguinis
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen2:00
11Requiem, Op. 48 : 4. Pie Jesu Domine
producer:
Eric Macleod (producer)
organ:
Ariette Amyel (from 1984-07-16 until 1984-07-27)
soprano vocals:
Barbara Hendricks (soprano) (from 1984-07-16 until 1984-07-27)
orchestra:
Orchestre de Capitole de Toulouse (from 1984-07-16 until 1984-07-27)
conductor:
Michel Plasson (conductor) (from 1984-07-16 until 1984-07-27)
balance engineer:
Serge Rémy (from 1984-07-16 until 1984-07-27)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1984-07-16 until 1984-07-27)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1984-07-16 until 1984-07-27)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:13
12Vespro della Beata Vergine : Intonato
recording engineer:
Maria Bernstein (audio engineer) (in 1988-11) and Michel Bernstein (French record producer) (in 1988-11)
engineer:
Nicolas de Beco (in 2007)
audio engineer:
Pierre Dechamps (Mastering engineer)
baritone vocals:
Pietro Spagnoli (baritone) (in 1988-11)
choir vocals:
Coro del Centro di Musica Antica di Padova (in 1988-11)
orchestra:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble) (in 1988-11, in 1989)
conductor:
Jordi Savall (viol player, conductor and composer) (in 1988-11, in 1989)
chorus master:
Livio Picotti (countertenor and conductor) (in 1988-11)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (in 1988-11)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi2:01
13Leçons de Ténèbres : Jerusalem, convertere ad Dominum Deum tuum
bass viol:
Emmanuel Balssa (from 1997-07-02 until 1997-07-04)
organ:
Christophe Rousset (French harpsichordist & conductor) (from 1997-07-02 until 1997-07-04)
soprano vocals:
Véronique Gens (soprano) (on 1997-07-02) and Sandrine Piau (soprano) (from 1997-07-02 until 1997-07-04)
performer:
Les Talens Lyriques (French classical musical ensemble) (on 1997-07-02)
recording of:
Troisième leçon de ténèbres: Jerusalem, convertere ad Dominum Deum tuum
composer:
François Couperin (French composer of the Baroque era)
part of:
Troisième leçon de ténèbres
François Couperin1:59