The Tomato Collection

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Original 1994 release. Compilation released under different catalog # and barcode in 2002.

Anmerkung zuletzt geändert am 2018-01-09 04:33 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Cotton Eyed Joe
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
live cover recording of:
Cotton‐Eyed Joe (traditional song)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 942)
cover recording of:
Cotton‐Eyed Joe (traditional song)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 942)
3:45
2I Got It Bad and That Ain’t Good
Sologesang:
Nina Simone (in 1962)
vocals:
Nina Simone
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
44:03
3You Better Know It
cover recording of:
You Better Know It
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
42:22
4Satin Doll
instrumental cover recording of:
Satin Doll
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
4.53:33
5It Don’t Mean a Thing If It Ain’t Got That Swing
Sologesang:
Nina Simone (in 1962)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1962)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
42:26
6The Laziest Girl in Town
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Klavier:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
Orchester:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
The Laziest Gal in Town (in 1964)
Texter und Komponist(in):
Cole Porter (composer) (in 1927)
42:09
7The Assignment Song
Sologesang:
Nina Simone
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1969)
aufgenommen bei:
University of California, Berkeley in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1969-04-26)
Bearbeitung von:
The Assignment Song (live, 1969‐04‐26: University of California, Berkeley, CA, USA, with Simone speaking at the end) von Nina Simone
live recording of:
The Assignment Song (am 1969-04-26)
Verfasser(in):
Jan Hendin
publisher:
EMI Tunes Ltd
14:56
8See Line Woman
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
live cover recording of:
See‐Line Woman (am 1968-06-16)
Verfasser(in):
George Bass und Nina Simone
basiert auf:
Sea Lion Woman
3:59
9Ne me quitte pas
Gitarre:
Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-16)
Klavier:
Nina Simone (am 1968-06-16)
Kontrabass:
Gene Taylor (US jazz bassist) (am 1968-06-16)
Orgel und Perkussion:
Sam Waymon (am 1968-06-16)
Schlagzeug [drums]:
Buck Clarke (am 1968-06-16)
Sologesang:
Nina Simone
vocals:
Nina Simone (am 1968-06-16)
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
live cover recording of:
Ne me quitte pas (original French version) (am 1968-06-16)
Texter und Komponist(in):
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales und Warner Chappell Music France
5:14
10Remind Me
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (von 1954 bis 1955)
recording engineer:
Frank Clark
Klavier:
Nina Simone
vocals:
Nina Simone
arranger:
Monk Higgins (in 1970)
aufgenommen bei:
Tangerine / RPM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970: Saiteninstrumente)
cover recording of:
Remind Me
Texter:
Dorothy Fields (American librettist and lyricist) (in 1940)
Komponist(in):
Jerome Kern (in 1940)
publisher:
T.B. Harms Co.
3:42
11No Opportunity Necessary, No Experience Needed
phonographisches Urheberrecht (℗) von:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1977)
aufgenommen bei:
University of California, Berkeley in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1969-04-26)
Bearbeitung von:
No Opportunity Necessary, No Experience Needed (live, 1969‐04‐26: University of California, Berkeley, CA, USA) von Nina Simone
live cover recording of:
No Opportunity Necessary, No Experience Needed (am 1969-04-26)
Texter und Komponist(in):
Richie Havens
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Nicklewhistle Music
4:12
12Backlash Blues
aufgenommen bei:
Mount Morris Park in Harlem, New York, New York, Vereinigte Staaten (in 1969) und University of California, Berkeley in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1969-04-26)
Bearbeitung von:
Backlash Blues (live, 1969‐04‐26: University of California, Berkeley, CA, USA with Simone talking at the end) von Nina Simone
live recording of:
Backlash Blues (am 1969-04-26)
Texter:
Langston Hughes
Komponist(in):
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) und Rolls Royce Music (publisher; do NOT use as release label)
recording of:
Backlash Blues
Texter:
Langston Hughes
Komponist(in):
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) und Rolls Royce Music (publisher; do NOT use as release label)
3:06
13Ain’t Got No
live cover recording of:
Ain’t Got No, I Got Life (am 1969-04-26)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Medley von:
I Got Life (from “Hair”)
Medley von:
Ain’t Got No (from “Hair”)
6:11
14But Beautiful
cover recording of:
But Beautiful
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) und Onyx Music Corporation (in 1947)
5:25
15Blue Prelude
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (von 1954 bis 1955)
recording engineer:
Frank Clark
Klavier:
Nina Simone
vocals:
Nina Simone
arranger:
Monk Higgins (in 1970)
aufgenommen bei:
Tangerine / RPM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970: Saiteninstrumente)
cover recording of:
Blue Prelude
Texter:
Gordon Jenkins
Komponist(in):
Joe Bishop
4:39
16Blues
E-Gitarre:
Al Schackman (am 1961-08-13)
Kontrabass:
Chris White (jazz bassist) (am 1961-08-13)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1961-08-13)
Bearbeitung von:
Blues (live, 1961‐08‐13: CBS Camera Three TV Broadcast, New York, NY, USA) von Nina Simone
4:23
17One More Saturday in Savannah
Bass:
Chris White (jazz bassist)
Gitarre:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
aufgenommen bei:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, Vereinigte Staaten (am 1961-08-13)
live cover recording of:
Sunday in Savannah (am 1961-08-13)
Texter und Komponist(in):
Hugh M. MacKay
publisher:
Irving Music (BMI)
Teil von:
Martin Luther King Suite
22:24
18I Want a Little Sugar in My Bowl
Klavier und Sologesang:
Nina Simone
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
2:21
19Ain’t No Use
Sologesang:
Nina Simone
phonographisches Urheberrecht (℗) von:
Phillips (publisher; do NOT use as release label) (in 1966)
Bearbeitung von:
Ain’t No Use von Nina Simone
live cover recording of:
Ain’t No Use
Verfasser(in):
Rudy Stevenson
publisher:
EMI Tunes Ltd
2:43
20Young, Gifted and Black
aufgenommen bei:
University of California, Berkeley in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1969-04-26)
Bearbeitung von:
To Be Young, Gifted and Black (live, 1969‐04‐26: University of California, Berkeley, CA, USA) von Nina Simone
live recording of:
To Be Young, Gifted and Black (am 1969-04-26)
Texter:
Weldon Irvine
Komponist(in):
Nina Simone
4:11
2▶CD