Now That’s What I Call Music! 1988

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1With a Little Help From My Friends
registrazione cover di:
With a Little Help From My Friends
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, nel 1967), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP) (dal 1967 a oggi)
Wet Wet Wet2:39
2A Little Respect
tecnico:
Bob Kraushaar
produttore:
Stephen Hague
registrazione di:
A Little Respect
autore:
Andy Bell (singer / songwriter for Erasure) e Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Sony/ATV Music Publishing
Erasure43:28
3Always on My Mind
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987, nel 1991)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 42)
registrazione cover di:
Always on My Mind
autore:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
registrazione di:
Always on My Mind
autore:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
Pet Shop Boys4.33:53
4The Only Way Is Up
produttore:
Coldcut (Matt Black & Jonathan More)
diritti fonografici (℗) detenuti da:
Big Life (UK indie/dance) (nel 1988)
è stato produttore per:
Ahead Of Our Time Productions
registrazione cover di:
The Only Way Is Up
autore:
Johnny Henderson (southern soul songwriter) e George Jackson (US soul songwriter/vocalist)
editore:
Big Life Music (nel 1988) e Malaco Music (publisher related to Malaco Records) (nel 1988)
Yazz2.653:59
5Theme From S-Express
produttore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Mark Moore (DJ, producer, member of S’Express)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1988)
campionamenti:
Is It Love You’re After di Rose Royce, Stacey’s Dream (a cappella) di Stacey Q e The Bottle di Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
registrazione di:
Theme From S’Express
paroliere e compositore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Mark Moore (DJ, producer, member of S’Express)
autore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory e Mark Moore (DJ, producer, member of S’Express)
editore:
Edition Intro (publisher) e Rhythm King Music (Publishing arm of Rhythm King Records)
si basa su:
Is It Love You’re After
S’Express43:55
6The Race
produttore:
Yello (Swiss electronica duo)
registrazione di:
The Race
paroliere:
Dieter Meier (member of Yello)
compositore:
Boris Blank
editore:
Bavaria Sonor Musikverlag, Datasound AG, Warner Bros. Music (publisher; do NOT use as release label) e Warner Chappell
Yello3.653:18
7Pink Cadillac
registrazione cover di:
Pink Cadillac
paroliere e compositore:
Bruce Springsteen (dal 1981 al 1982)
editore:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Natalie Cole4:28
8Get Outta My Dreams, Get Into My Car
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1988)
edit di:
Get Outta My Dreams, Get Into My Car di Billy Ocean
registrazione di:
Get Outta My Dreams, Get Into My Car (nel 1987)
autore:
Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd e Zomba Music Publishing Ltd.
Billy Ocean2.354:42
9Tell It to My Heart
produttore:
Ric Wake
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e Arista Records, LLC (holding company - file NO releases here!) (nel 1987)
registrazione di:
Tell It to My Heart
autore:
Ernie Gold e Seth Swirsky
editore:
Chappell Music, Inc. (publisher), Goldpoint e Intersong Music
Taylor Dayne3.753:36
10The Twist (Yo, Twist!)
produttore:
Albert Cabrera e Tony Moran
sassofono :
The NYC Kid
tastiera :
Mac Quayle (US composer)
altra voce [stupid def vocals] e voce principale:
Chubby Checker
voce di accompagnamento:
Craig Derry, Cindy Mizelle e Norma Jean Wright
esecutore:
Chubby Checker
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1988) e PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1988)
è stato produttore per:
Latin Rascals Productions Inc.
registrazione di:
The Twist (Fat Boys version)
paroliere:
Hank Ballard e Jim "Jimbo" Glenn
compositore:
Hank Ballard
editore:
Fort Know Music, Inc., Fort Knox Music Co, Hudson Bay Music Inc. e Trio Music Co., Inc.
si basa su:
The Twist
Fat Boys2.354:06
11I Should Be So Lucky
tecnico:
Karen Hewitt, Mark McGuire (UK producer/engineer) e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
tecnico di missaggio:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
diritti fonografici (℗) detenuti da:
Mushroom Records (dal 1988 a oggi)
video musicali:
I Should Be So Lucky di Kylie Minogue
registrazione di:
I Should Be So Lucky
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
Mushroom Music Pty. Ltd. (dal 1988 a oggi)
Kylie Minogue4.353:24
12I Want You Back
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1988)
registrazione di:
I Want You Back
autore:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman e Keren Woodward
editore:
All Boys Music Ltd., Mike Stock Publishing, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama33:43
13I Think We're Alone Now
tecnico di registrazione aggiunto:
John Kerns (US engineer)
programmazione degli strumenti:
John Duarte
tecnico:
Bill Smith (US recording engineer)
produttore:
George E. Tobin
chitarra :
Chuck Yamek
sintetizzatore :
John Duarte
voce di accompagnamento e voce principale:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin e Bill Smith (US recording engineer)
arrangiatore:
John Duarte
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1987)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 7)
registrazione cover di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
registrazione di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
Tiffany3.83:46
14You Came
programmazione e produttore:
Tony Swain (songwriter, producer) e Ricky Wilde
tecnico:
James Richards (engineer)
tecnico di missaggio:
Richard Lengyel
chitarra :
Steve Byrd e Ricky Wilde
tastiera :
Tony Swain (songwriter, producer) e Ricky Wilde
voce di accompagnamento:
Junior Giscombe (Norman Washington Giscombe, Jr.) e Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1988) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001)
è stato produttore per:
Big M Productions (Bigbeat, House label)
registrata presso e mixata presso:
Select Sound Studios in Knebworth, Hertfordshire, England, Regno Unito
edit di:
You Came di Kim Wilde
registrazione di:
You Came
autore:
Kim Wilde e Ricky Wilde
editore:
Peermusic (UK) Limited
Kim Wilde3.753:29
15Push It
parte di:
Grammy Award: Best Rap Performance nominees (numero: 1989), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 54), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 374) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 440)
registrazione di:
Push It
autore:
Hurby Azor e Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Next Plateau Music Inc. e Turn Out Brothers Publishing
Salt‐N‐Pepa3.753:28
16Big Fun
tecnico e produttore:
Kevin Saunderson
voce:
Paris Grey
diritti fonografici (℗) detenuti da:
10 Records Ltd. (company and copyright holder for 10 Records) (nel 1988, nel 1989)
registrata presso:
KMS Studios in Detroit, Michigan, Stati Uniti
registrazione di:
Big Fun
autore:
Arthur Forest, Paris Grey, Hollis P. Monroe, James Pennington (Detroit techno producer) e Kevin Saunderson
editore:
Drive On Publishing e Renaissance Infinity Music
Inner City23:21
17Tribute (Right On)
registrazione di:
Tribute (Right On)
autore:
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan e Pete Wingfield (keyboardist, singer, producer, songwriter)
editore:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988) e Island Music Ltd. (nel 1988)
The Pasadenas4:20
18Teardrops
produttore:
Chris Blackwell (Island Records), Lee Hamblin e The Gypsy Wave Power Co.
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1988)
registrazione di:
Teardrops
autore:
Cecil Womack e Linda Womack
editore:
Zomba Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988)
Womack & Womack33:52
19Come Into My Life
registrazione di:
Come Into My Life
paroliere e compositore:
Joyce Sims
editore:
Beach House Music, Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Smokin' Amigos e Tawanne Lamont Music
Joyce Sims33:48
20Kiss
produttore:
Art of Noise, Anne Dudley (English score composer) e J.J. Jeczalik
voce principale:
Tom Jones (Welsh pop singer) (nel 1988)
esecutore:
Art of Noise (nel 1988)
arrangiatore:
Art of Noise, Anne Dudley (English score composer) e J.J. Jeczalik
diritti fonografici (℗) detenuti da:
China Records (UK label founded by Derek Green) (nel 1988)
campionamenti:
Close (to the Edit) di Art of Noise, Dragnet di Art of Noise, Moments in Love di Art of Noise, Paranoimia (7″ mix) di The Art of Noise with Max Headroom (titular character from "Max Headroom") e Peter Gunn di The Art of Noise featuring Duane Eddy
video musicali:
Kiss di Art of Noise featuring Tom Jones (Welsh pop singer)
registrazione cover di:
Kiss (nel 1988)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Tom Jones & Art of Noise33:31
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Accreditamenti

Gruppo di pubblicazioni

parte di:Now That’s What I Call Music! 10th Anniversary Series (UK) (numero: 1988) (ordine: 6)