A Portrait of Duke Ellington

~ Release by Dizzy Gillespie (see all versions of this release, 11 available)

Tracklist

1▼CD
#TitleRatingLength
1In a Mellow Tone
recorded in:
New York, New York, United States (on 1960-04-28)
bass:
George Duvivier (on 1960-04-28)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1960-04-28)
flute:
Robert DiDomenica (American composer and flutist) (on 1960-04-28)
French horn:
Ray Alonge (french horn) (on 1960-04-28), Richard Berg (on 1960-04-28) and Joe Singer (on 1960-04-28)
piano:
Hank Jones (piano) (on 1960-04-28)
trombone:
Bennie Green (jazz trombonist) (on 1960-04-28)
trumpet:
Dizzy Gillespie (on 1960-04-28)
tuba:
Jay McAllister (tuba player) (on 1960-04-28)
vibraphone:
George Devens (on 1960-04-28)
woodwind:
Ernest Bright (on 1960-04-28), John Murtaugh (saxophone) (on 1960-04-28), Paul Richie (on 1960-04-28) and Stan Webb (US jazz saxophone, flute) (on 1960-04-28)
arranger:
Clare Fisher
instrumental recording of:
In a Mellow Tone (on 1960-04-28)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:47
2Things Ain't What They Used to Be
recorded in:
New York, New York, United States (from 1960-04-27 until 1960-04-28)
bass:
George Duvivier (from 1960-04-27 until 1960-04-28)
celesta [celesta] and piano:
Hank Jones (piano) (from 1960-04-27 until 1960-04-28)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1960-04-27 until 1960-04-28)
flute:
Robert DiDomenica (American composer and flutist) (from 1960-04-27 until 1960-04-28)
French horn:
Ray Alonge (french horn) (from 1960-04-27 until 1960-04-28), Richard Berg (from 1960-04-27 until 1960-04-28) and Joe Singer (from 1960-04-27 until 1960-04-28)
trombone:
Bennie Green (jazz trombonist) (from 1960-04-27 until 1960-04-28)
trumpet:
Dizzy Gillespie (from 1960-04-27 until 1960-04-28)
tuba:
Jay McAllister (tuba player) (from 1960-04-27 until 1960-04-28)
vibraphone:
George Devens (from 1960-04-27 until 1960-04-28)
woodwind:
Ernest Bright (from 1960-04-27 until 1960-04-28), John Murtaugh (saxophone) (from 1960-04-27 until 1960-04-28), Paul Richie (from 1960-04-27 until 1960-04-28) and Stan Webb (US jazz saxophone, flute) (from 1960-04-27 until 1960-04-28)
arranger:
Clare Fisher
instrumental recording of:
Things Ain’t What They Used to Be (in 1960-04)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
4:56
3Serenade to Sweden
recorded in:
New York, New York, United States (on 1960-04-28)
bass:
George Duvivier (on 1960-04-28)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1960-04-28)
flute:
Robert DiDomenica (American composer and flutist) (on 1960-04-28)
French horn:
Ray Alonge (french horn) (on 1960-04-28), Richard Berg (on 1960-04-28) and Joe Singer (on 1960-04-28)
piano:
Hank Jones (piano) (on 1960-04-28)
trombone:
Bennie Green (jazz trombonist) (on 1960-04-28)
trumpet:
Dizzy Gillespie (on 1960-04-28)
tuba:
Jay McAllister (tuba player) (on 1960-04-28)
vibraphone:
George Devens (on 1960-04-28)
woodwind:
Ernest Bright (on 1960-04-28), John Murtaugh (saxophone) (on 1960-04-28), Paul Richie (on 1960-04-28) and Stan Webb (US jazz saxophone, flute) (on 1960-04-28)
arranger:
Clare Fisher
recording of:
Serenade to Sweden (on 1960-04-28)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:25
4Chelsea Bridge
recorded in:
New York, New York, United States (from 1960-04-27 until 1960-04-28)
bass:
George Duvivier (from 1960-04-27 until 1960-04-28)
celesta [celesta] and piano:
Hank Jones (piano) (from 1960-04-27 until 1960-04-28)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1960-04-27 until 1960-04-28)
flute:
Robert DiDomenica (American composer and flutist) (from 1960-04-27 until 1960-04-28)
French horn:
Ray Alonge (french horn) (from 1960-04-27 until 1960-04-28), Richard Berg (from 1960-04-27 until 1960-04-28) and Joe Singer (from 1960-04-27 until 1960-04-28)
trombone:
Bennie Green (jazz trombonist) (from 1960-04-27 until 1960-04-28)
trumpet:
Dizzy Gillespie (from 1960-04-27 until 1960-04-28)
tuba:
Jay McAllister (tuba player) (from 1960-04-27 until 1960-04-28)
vibraphone:
George Devens (from 1960-04-27 until 1960-04-28)
woodwind:
Ernest Bright (from 1960-04-27 until 1960-04-28), John Murtaugh (saxophone) (from 1960-04-27 until 1960-04-28), Paul Richie (from 1960-04-27 until 1960-04-28) and Stan Webb (US jazz saxophone, flute) (from 1960-04-27 until 1960-04-28)
arranger:
Clare Fisher
recording of:
Chelsea Bridge (in 1960-04)
composer:
Billy Strayhorn (in 1941)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
2:37
5Upper Manhattan Medical Group
recorded in:
New York, New York, United States (from 1960-04-27 until 1960-04-28)
bass:
George Duvivier (from 1960-04-27 until 1960-04-28)
celesta [celesta] and piano:
Hank Jones (piano) (from 1960-04-27 until 1960-04-28)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1960-04-27 until 1960-04-28)
flute:
Robert DiDomenica (American composer and flutist) (from 1960-04-27 until 1960-04-28)
French horn:
Ray Alonge (french horn) (from 1960-04-27 until 1960-04-28), Richard Berg (from 1960-04-27 until 1960-04-28) and Joe Singer (from 1960-04-27 until 1960-04-28)
trombone:
Bennie Green (jazz trombonist) (from 1960-04-27 until 1960-04-28)
trumpet:
Dizzy Gillespie (from 1960-04-27 until 1960-04-28)
tuba:
Jay McAllister (tuba player) (from 1960-04-27 until 1960-04-28)
vibraphone:
George Devens (from 1960-04-27 until 1960-04-28)
woodwind:
Ernest Bright (from 1960-04-27 until 1960-04-28), John Murtaugh (saxophone) (from 1960-04-27 until 1960-04-28), Paul Richie (from 1960-04-27 until 1960-04-28) and Stan Webb (US jazz saxophone, flute) (from 1960-04-27 until 1960-04-28)
arranger:
Clare Fisher
recording of:
Upper Manhattan Medical Group (in 1960-04)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, volume I)
3:08
6Do Nothin' Till You Hear From Me
recorded in:
New York, New York, United States (on 1960-04-28)
bass:
George Duvivier (on 1960-04-28)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1960-04-28)
flute:
Robert DiDomenica (American composer and flutist) (on 1960-04-28)
French horn:
Ray Alonge (french horn) (on 1960-04-28), Richard Berg (on 1960-04-28) and Joe Singer (on 1960-04-28)
piano:
Hank Jones (piano) (on 1960-04-28)
trombone:
Bennie Green (jazz trombonist) (on 1960-04-28)
trumpet:
Dizzy Gillespie (on 1960-04-28)
tuba:
Jay McAllister (tuba player) (on 1960-04-28)
vibraphone:
George Devens (on 1960-04-28)
woodwind:
Ernest Bright (on 1960-04-28), John Murtaugh (saxophone) (on 1960-04-28), Paul Richie (on 1960-04-28) and Stan Webb (US jazz saxophone, flute) (on 1960-04-28)
arranger:
Clare Fisher
instrumental recording of:
Do Nothin’ Till You Hear From Me (on 1960-04-28)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
2:41
7Caravan
engineered in:
New York, New York, United States (on 1960-04-27)
bass:
George Duvivier (on 1960-04-27)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1960-04-27)
flute:
Robert DiDomenica (American composer and flutist) (on 1960-04-27)
French horn:
Ray Alonge (french horn) (on 1960-04-27), Richard Berg (on 1960-04-27) and Joe Singer (on 1960-04-27)
piano:
Hank Jones (piano) (on 1960-04-27)
trombone:
Bennie Green (jazz trombonist) (on 1960-04-27)
trumpet:
Dizzy Gillespie (on 1960-04-27)
tuba:
Jay McAllister (tuba player) (on 1960-04-27)
vibraphone:
George Devens (on 1960-04-27)
woodwind:
Ernest Bright (on 1960-04-27), John Murtaugh (saxophone) (on 1960-04-27), Paul Richie (on 1960-04-27) and Stan Webb (US jazz saxophone, flute) (on 1960-04-27)
arranger:
Clare Fisher
instrumental recording of:
Caravan (on 1960-04-27)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
5:23
8Sophisticated Lady
recorded in:
New York, New York, United States (on 1960-04-28)
bass:
George Duvivier (on 1960-04-28)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1960-04-28)
flute:
Robert DiDomenica (American composer and flutist) (on 1960-04-28)
French horn:
Ray Alonge (french horn) (on 1960-04-28), Richard Berg (on 1960-04-28) and Joe Singer (on 1960-04-28)
piano:
Hank Jones (piano) (on 1960-04-28)
trombone:
Bennie Green (jazz trombonist) (on 1960-04-28)
trumpet:
Dizzy Gillespie (on 1960-04-28)
tuba:
Jay McAllister (tuba player) (on 1960-04-28)
vibraphone:
George Devens (on 1960-04-28)
woodwind:
Ernest Bright (on 1960-04-28), John Murtaugh (saxophone) (on 1960-04-28), Paul Richie (on 1960-04-28) and Stan Webb (US jazz saxophone, flute) (on 1960-04-28)
arranger:
Clare Fisher
instrumental recording of:
Sophisticated Lady (on 1960-04-28)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
3:21
9Johnny Come Lately
recorded in:
New York, New York, United States (from 1960-04-27 until 1960-04-28)
bass:
George Duvivier (from 1960-04-27 until 1960-04-28)
celesta [celesta] and piano:
Hank Jones (piano) (from 1960-04-27 until 1960-04-28)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1960-04-27 until 1960-04-28)
flute:
Robert DiDomenica (American composer and flutist) (from 1960-04-27 until 1960-04-28)
French horn:
Ray Alonge (french horn) (from 1960-04-27 until 1960-04-28), Richard Berg (from 1960-04-27 until 1960-04-28) and Joe Singer (from 1960-04-27 until 1960-04-28)
trombone:
Bennie Green (jazz trombonist) (from 1960-04-27 until 1960-04-28)
trumpet:
Dizzy Gillespie (from 1960-04-27 until 1960-04-28)
tuba:
Jay McAllister (tuba player) (from 1960-04-27 until 1960-04-28)
vibraphone:
George Devens (from 1960-04-27 until 1960-04-28)
woodwind:
Ernest Bright (from 1960-04-27 until 1960-04-28), John Murtaugh (saxophone) (from 1960-04-27 until 1960-04-28), Paul Richie (from 1960-04-27 until 1960-04-28) and Stan Webb (US jazz saxophone, flute) (from 1960-04-27 until 1960-04-28)
arranger:
Clare Fisher
recording of:
Stomp (Johnny Come Lately) (in 1960-04)
composer:
Billy Strayhorn
3:39
10Perdido
recorded in:
New York, New York, United States (from 1960-04-27 until 1960-04-28)
bass:
George Duvivier (from 1960-04-27 until 1960-04-28)
celesta [celesta] and piano:
Hank Jones (piano) (from 1960-04-27 until 1960-04-28)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1960-04-27 until 1960-04-28)
flute:
Robert DiDomenica (American composer and flutist) (from 1960-04-27 until 1960-04-28)
French horn:
Ray Alonge (french horn) (from 1960-04-27 until 1960-04-28), Richard Berg (from 1960-04-27 until 1960-04-28) and Joe Singer (from 1960-04-27 until 1960-04-28)
trombone:
Bennie Green (jazz trombonist) (from 1960-04-27 until 1960-04-28)
trumpet:
Dizzy Gillespie (from 1960-04-27 until 1960-04-28)
tuba:
Jay McAllister (tuba player) (from 1960-04-27 until 1960-04-28)
vibraphone:
George Devens (from 1960-04-27 until 1960-04-28)
woodwind:
Ernest Bright (from 1960-04-27 until 1960-04-28), John Murtaugh (saxophone) (from 1960-04-27 until 1960-04-28), Paul Richie (from 1960-04-27 until 1960-04-28) and Stan Webb (US jazz saxophone, flute) (from 1960-04-27 until 1960-04-28)
arranger:
Clare Fisher
recording of:
Perdido (original instrumental version) (in 1960-04)
composer:
Juan Tizol
4:52
11Come Sunday
engineered in:
New York, New York, United States (on 1960-04-27)
bass:
George Duvivier (on 1960-04-27)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1960-04-27)
flute:
Robert DiDomenica (American composer and flutist) (on 1960-04-27)
flute and tenor saxophone:
Ernest Bright (on 1960-04-27), John Murtaugh (saxophone) (on 1960-04-27), Paul Richie (on 1960-04-27) and Stan Webb (US jazz saxophone, flute) (on 1960-04-27)
French horn:
Ray Alonge (french horn) (on 1960-04-27), Richard Berg (on 1960-04-27) and Joe Singer (on 1960-04-27)
piano:
Hank Jones (piano) (on 1960-04-27)
trombone:
Bennie Green (jazz trombonist) (on 1960-04-27)
trumpet:
Dizzy Gillespie (on 1960-04-27)
tuba:
Jay McAllister (tuba player) (on 1960-04-27)
vibraphone:
George Devens (on 1960-04-27)
conductor:
Clare Fischer
arranger:
Clare Fisher
recording of:
Come Sunday (1958 revision with lyrics) (on 1960-04-27)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:01
12Lorraine
recording of:
Lorraine
composer:
Dizzy Gillespie
4:24
13Norm's Norm
5:14
14A Night in Tunisia
recording of:
Night in Tunisia (instrumental)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
9:58