A World of Classical: The Great Composers of History

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

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1French Suite no. 2 in C minor, BWV 813: 5. Menuet
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 2016-04)
recorded at:
Potton Hall in Suffolk, England, United Kingdom (in 2016-04)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: V. Menuet I (in 2016-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
recording of:
Menuet in C minor, BWV 813a (optional Menuet II in French Suite no. 2) (in 2016-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 813a)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach1:09
216 Waltzes, op. 39: 16. in C-sharp minor
piano:
Alfons Kontarsky (pianist) (in 1980-10) and Aloys Kontarsky (pianist) (in 1980-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1980-10, in 1981-07)
recording of:
16 Waltzes, op. 39: No. 16 in D minor (for piano four hands) (in 1980-10)
composer:
Johannes Brahms (German composer) (in 1865)
part of:
16 Waltzes, op. 39 (for piano four hands)
part of:
16 Waltzes, op. 39 (for piano four hands)
Johannes Brahms1:03
3Mazurka no. 4 in E-flat minor, op. 6 no. 4
piano:
Nikita Magaloff (pianist) (in 1977-08)
recording of:
Mazurka no. 4 in E‐flat minor, op. 6 no. 4 (in 1977-08)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 6
Fryderyk Chopin1:02
4Piano Sonata no. 11 in A major, K. 331: 3. Alla Turca (Allegretto)
piano:
Daniel Barenboim (pianist and conductor)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart1:03
515 Three-part Inventions, BWV 787/801: No. 8 in F, BWV 794
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1983-09-12 until 1983-09-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1983-09-12 until 1983-09-25)
recording of:
Sinfonia Nr. 8 F-Dur, BWV 794 (from 1983-09-12 until 1983-09-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Sinfonias, BWV 787 - 801 (Three part inventions) (number: 8) and Bach-Werke-Verzeichnis (number: BWV 794)
Johann Sebastian Bach1:04
6Liebeslieder-Walzer, Op. 52: No. 4 (Orchestral Version)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10)
conductor:
Riccardo Chailly (conductor) (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 4. Wie des Abends schöne Röte (in 2013-03)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:43
7The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Three Contredanses: in F, K.33B (added by E. Smith)
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
arranger and orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Piece for Piano in F major, K. 33B/Anh. A 6 (catch-all for arrangements) (in 1971-08)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
arrangement of:
Piece for Piano in F major, K. Anh. A 6/33B. Allegro
Wolfgang Amadeus Mozart1:16
8The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Three Contredanses: in F, K.15h
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Three Contredanses: In F, K. 15h (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Contredanse in F major, K. 15h (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
Wolfgang Amadeus Mozart0:47
9The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Three Contredanses: in F, K.15x
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Three Contredanses: In F, K. 15x (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Piano Sonata in F major, K. 15x
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
Wolfgang Amadeus Mozart0:55
108 Piano Pieces, op. 76: 3. Intermezzo in A-flat
piano:
Dinorah Varsi (pianist) (in 1971-04)
recording of:
8 Klavierstücke, op. 76: Nr. 3. Intermezzo in A-flat major: Grazioso (in 1971-04)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
8 Klavierstücke, op. 76 (8 Piano Pieces, op. 76)
Johannes Brahms1:31
11French Suite no. 5 in G major, BWV 816: IV. Gavotte
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
piano:
Murray Perahia (pianist and conductor) (in 2013-07)
balance engineer:
Martin Nagorni
piano technician:
Ulrich Gerhartz
recorded at:
Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2013-07)
recording of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte (in 2013-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
Johann Sebastian Bach1:15
12Mazurka no. 54 in D: Allegro non troppo
piano:
Tamás Vásáry (Hungarian pianist and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recording of:
Mazurka in D major, B. 4, KK Anh. Ia/1
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
Fryderyk Chopin1:11
13Capriccio in B-flat, BWV 992 "On the departure of a dear brother": 2. (Andante)
piano:
Friedrich Gulda (pianist)
recording of:
Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992: II. (Andante)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992
Johann Sebastian Bach1:12
1424 Variations on "Venni Amore" in D major, WoO 65: Variation XII
producer:
Christian Gansch (conductor)
piano:
Mikhail Pletnev (pianist & conductor) (in 1997-03)
balance engineer:
Rainer Maillard
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1997-03)
partial recording of:
24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65 (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (from 1790 until 1791)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 55), Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 299) and Kinsky catalogue (Beethoven WoO works) (number: WoO 65)
Ludwig van Beethoven1:05
15Variations and Fugue on a Theme by Handel, op. 24: Aria (live)
piano:
Alfred Brendel (Austrian pianist) (on 1979-06-04)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (on 1979-06-04)
live recording of:
Variations and Fugue on a Theme by Handel, op. 24: Aria (in 1979-06)
composer:
Johannes Brahms (German composer) (in 1861)
part of:
Variations and Fugue on a Theme by Handel, op. 24
Johannes Brahms0:53
16Allemande in A major, WoO 81
producer:
Sid McLauchlan (engineer/producer)
piano:
Gianluca Cascioli (pianist) (in 1996-08)
balance engineer:
Stephan Flock
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1996-08)
recording of:
Allemande for Piano in A major, WoO 81 (in 1996-08)
additional composer:
Ludwig van Beethoven (German composer) (in 1822)
composer:
Ludwig van Beethoven (German composer) (in 1793)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 266) and Kinsky catalogue (Beethoven WoO works) (number: WoO 81)
Ludwig van Beethoven1:08
1716 Waltzes, op. 39: 15. Waltz in A-flat
executive producer:
Dominic Fyfe
piano [Steinway]:
Nelson Freire (pianist) (from 2017-02-20 until 2017-02-25)
balance engineer:
Jonathan Stokes (engineer)
piano technician:
Thomas Lepler (Steinway piano technician)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2017)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 2017-02-20 until 2017-02-25)
recording of:
Walzer, op. 39: Nr. 15 As-dur (Zu zwei Händen; for piano two hands) (from 2017-02-20 until 2017-02-25)
composer:
Johannes Brahms (German composer) (in 1865)
arrangement of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
version of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
part of:
16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)
Johannes Brahms1:30
18Mazurka in D major, op. posth.
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Mazurka in D major, B. 4, KK Anh. Ia/1
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
Fryderyk Chopin1:02
19Goldberg Variations, BWV 988: Var. 4
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Andrei Gavrilov (pianist)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Variatio 4. a 1 Clav. (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach1:00
20４ツノマズルカ: Mazurka no. 44 in G op. 67 no. 1
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-01)
recording of:
Mazurka no. 42 in G major, op. 67 no. 1 (in 1983-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin National Edition: WN Catalogue (number: WN 26)
part of:
Mazurkas, op. 67
Fryderyk Chopin1:02
21Liebeslieder-Walzer, op. 52: No. 2 (orchestral version)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10)
conductor:
Riccardo Chailly (conductor) (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 2. Am Gesteine rauscht die Flut (in 2013-03)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:44
2215 Three-part Inventions, BWV 787/801: No. 10 in G, BWV 796
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1983-09-12 until 1983-09-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1983-09-12 until 1983-09-25)
recording of:
Sinfonia Nr. 10 G-Dur, BWV 796 (from 1983-09-12 until 1983-09-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Sinfonias, BWV 787 - 801 (Three part inventions) (number: 10) and Bach-Werke-Verzeichnis (number: BWV 796)
Johann Sebastian Bach1:05
236 Piano Variations in F major, op. 34: Variation IV. Tempo di menuetto in E major
producer:
Christian Gansch (conductor)
piano:
Mikhail Pletnev (pianist & conductor) (in 1997-03)
balance engineer:
Rainer Maillard
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1997-03)
recording of:
6 Variations for Piano in F major on an Original Theme, op. 34: Var. IV. Tempo di Minuetto (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1802)
part of:
6 Variations for Piano in F major on an Original Theme, op. 34
Ludwig van Beethoven1:06
2421 Hungarian Dances, WoO 1: No. 21 in E minor: Vivace (arr. for piano duet)
recorded in:
Paris, Île-de-France, France (in 1981-04)
piano:
Katia Labèque (pianist) (in 1981-04) and Marielle Labèque (pianist) (in 1981-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1981)
recording of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 21 in E minor: Vivace (in 1981-04)
composer:
Johannes Brahms (German composer) (in 1880)
part of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4
Johannes Brahms1:25
25Ballet Intermezzo, K. 299c (Sketches compl. & orch. E. Smith): 1. (Allegro)
orchestra:
Academy of St Martin in the Fields (in 1989-12)
conductor:
Sir Neville Marriner (conductor) (in 1989-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1989-12)
recording of:
Sketches of a Ballet Intermezzo, K. 299c / KV deest (Erik Smith completion): I. Allegro (in 1989-12)
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
Wolfgang Amadeus Mozart0:55
26Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 14
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maurizio Pollini (pianist) (in 2008-09)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 2008-09, in 2009-02)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 14 in F-sharp minor, BWV 859: Prelude (in 2009-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 14 in F-sharp minor, BWV 859
Johann Sebastian Bach1:03
27Aria variata (alla maniera italiana) in A minor, BWV 989: Variation V. Un poco allegro
producer:
Christopher Tarnow
piano:
Víkingur Ólafsson (pianist) (from 2018-04-01 until 2018-04-04)
piano technician:
Sigurður Kristinsson
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2018)
recorded at:
Harpa in Reykjavík, Höfuðborgarsvæðið (Capital Region), Iceland (from 2018-04-01 until 2018-04-04)
recording of:
Aria variata, BWV 989: VI. Var 5 (Un poco allegro) (from 2018-04-01 until 2018-04-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Aria variata, BWV 989
Johann Sebastian Bach0:59
2821 Hungarian Dances, WoO 1: No. 12 in D minor: Presto (arr. for piano duet)
recorded in:
Paris, Île-de-France, France (in 1981-04)
piano:
Katia Labèque (pianist) (in 1981-04) and Marielle Labèque (pianist) (in 1981-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1981)
recording of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 12 in D minor: Presto (in 1981-04)
composer:
Johannes Brahms (German composer) (in 1880)
part of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3
Johannes Brahms2:13
29４ツノマズルカ: Mazurka no. 19 in B minor, op. 30 no. 2
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1982-06)
balance engineer:
John Dunkerley (engineer) (in 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-06)
recording of:
Mazurka no. 19 in B minor, op. 30 no. 2 (in 1982-06)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 30
Fryderyk Chopin1:09
3012 Contredanses, WoO 14: 1. Contredanse in C major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 1 in C major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (from 1791 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:30
3112 Contredanses, WoO 14: 2. Contredanse in A major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 2 in A major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:34
3221 Hungarian Dances, WoO 1: No. 3 in F major: Allegretto (arr. for piano duet)
recorded in:
Paris, Île-de-France, France (in 1981-04)
piano:
Katia Labèque (pianist) (in 1981-04) and Marielle Labèque (pianist) (in 1981-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1981)
recording of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 3 in F major: Allegretto (in 1981-04)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
part of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1
Johannes Brahms2:16
3312 Contredanses, WoO 14: 3. Contredanse - Trio in D major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 3 in D major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven1:02
34Ecossaise no. 1 in D major, op. 72 no. 3: Vivace
piano:
Stanislav Bunin (pianist) (in 1987-12)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1987-12)
recording of:
Écossaises, op. 72 no. 3: No. 1 in D major (in 1987-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
3 Écossaises, op. posth. 72/3
Fryderyk Chopin0:57
35Das Wohltemperierte Klavier: Book 1, BWV 846-869: Fuga 10 a 2
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maurizio Pollini (pianist) (in 2008-09)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 2008-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855.2/855: Fugue (in 2008-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855.2/855
Johann Sebastian Bach1:10
3612 Études, op. 25: No. 9 in G-flat major
recording engineer:
Carl Talbot (mastering engineer)
assistant engineer:
Christopher Johns (sound engineer)
producer:
Martha de Francisco (classical producer and engineer)
editor:
Jeremy Tusz
piano:
Jan Lisiecki (pianist) (in 2013-01)
piano technician:
Damon Groves (piano technician)
recorded at:
Koerner Hall in Toronto, Ontario, Canada (in 2013-01)
recording of:
Étude in G‐flat major, op. 25 no. 9 “Butterfly”: Allegro assai (in 2013-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Études, op. 25
Fryderyk Chopin0:58
3716 Waltzes, op. 39: 11. in B minor
piano:
Julius Katchen (pianist)
recording of:
Walzer, op. 39: Nr. 11 b-moll (Zu zwei Händen)
composer:
Johannes Brahms (German composer) (in 1865)
version of:
16 Waltzes, op. 39: No. 11 in B minor (for piano four hands)
part of:
16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)
Johannes Brahms1:10
38Aria variata (alla maniera italiana) in A minor, BWV 989: Variation IX
producer:
Christopher Tarnow
piano:
Víkingur Ólafsson (pianist) (from 2018-04-01 until 2018-04-04)
piano technician:
Sigurður Kristinsson
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2018)
recorded at:
Harpa in Reykjavík, Höfuðborgarsvæðið (Capital Region), Iceland (from 2018-04-01 until 2018-04-04)
recording of:
Aria variata, BWV 989: X. Var. 9 (from 2018-04-01 until 2018-04-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Aria variata, BWV 989
Johann Sebastian Bach1:08
3915 Inventions, BWV 772-786: 12. Invention in A major, BWV 783
piano:
Walter Gieseking (classical pianist 1895-1956)
recording of:
Inventio Nr. 12 A-Dur, BWV 783
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 12) and Bach-Werke-Verzeichnis (number: BWV 783)
Johann Sebastian Bach1:04
40マズルカ: Mazurka no. 52 In B-flat (1826)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Mazurka in B‐flat major, B. 16 no. 2, KK IIa/3, KK. 891–895
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1826)
part of:
Chopin National Edition: WN Catalogue (number: WN 7)
part of:
2 Mazurkas, B. 16
Fryderyk Chopin1:09
4116 Waltzes, op. 39: 2. in E
piano:
Julius Katchen (pianist)
recording of:
Walzer, op. 39: Nr. 2 E-dur (Zu zwei Händen)
composer:
Johannes Brahms (German composer) (in 1865)
version of:
16 Waltzes, op. 39: No. 2 in E major (for piano four hands)
part of:
16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)
Johannes Brahms1:07
426 Piano Variations in F major, op. 34: Variation II. Allegro ma non troppo in B major
producer:
Christian Gansch (conductor)
piano:
Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) (in 1997-03)
balance engineer:
Rainer Maillard
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1997-03)
recording of:
6 Variations for Piano in F major on an Original Theme, op. 34: Var II. Allegro, ma non troppo (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (in 1802)
part of:
6 Variations for Piano in F major on an Original Theme, op. 34
Ludwig van Beethoven1:04
4324 Preludes, op. 28: 12. in G-sharp minor
recording engineer:
Jürgen Bulgrin (sound engineer)
producer and balance engineer:
Karl-August Naegler (balance engineer)
piano:
Ivo Pogorelich (pianist) (in 1989-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH, Hamburg (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-10)
recording of:
Prélude no. 12 in G‐sharp minor, op. 28: Presto (in 1989-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin1:03
4424 Preludes, op. 28: 23. in F major
recording engineer:
Mark Buecker (engineer of classical recordings) (in 2007-07)
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2007-07)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2007)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-07)
recording of:
Prélude no. 23 in F major, op. 28: Moderato (in 2007-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin0:58
4515 Inventions, BWV 772-786: 14. Invention in B-flat major, BWV 785
piano:
Walter Gieseking (classical pianist 1895-1956)
recording of:
Inventio Nr. 14 B-Dur, BWV 785
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 14) and Bach-Werke-Verzeichnis (number: BWV 785)
Johann Sebastian Bach1:07
46French Suite no. 1 in D minor, BWV 812: 4. Menuet I - II
engineer:
Jonathan Stokes (engineer)
producer:
Christopher Raeburn (producer)
piano:
András Schiff (pianist) (from 1991-01-08 until 1991-01-10)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1993)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (from 1991-01-08 until 1991-01-10)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: IV. Menuet I (from 1991-01-08 until 1991-01-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach1:01
4712 Études, op. 25: No. 8 in D-flat
piano:
Nelson Freire (pianist) (in 2002-01)
recorded at:
Potton Hall in Suffolk, England, United Kingdom (in 2002-01)
recording of:
Étude in D‐flat major, op. 25 no. 8 “Sixths”: Vivace (in 2002-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Études, op. 25
Fryderyk Chopin1:06
4812 Études, op. 25: No. 8 in D-flat major "Sixths"
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Maurizio Pollini (pianist) (in 1972-05)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1972-05)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1972-05)
recording of:
Étude in D‐flat major, op. 25 no. 8 “Sixths”: Vivace (in 1972-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Études, op. 25
Fryderyk Chopin1:04
49Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 20
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maurizio Pollini (pianist) (in 2008-09)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 2008-09, in 2009-02)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 20 in A minor, BWV 865: Prelude (in 2009-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 20 in A minor, BWV 865
Johann Sebastian Bach1:02
504 Piano Pieces, op. 119: 3. Intermezzo in C
executive producer:
Dominic Fyfe
piano [Steinway]:
Nelson Freire (pianist) (from 2017-02-20 until 2017-02-25)
balance engineer:
Jonathan Stokes (engineer)
piano technician:
Thomas Lepler (Steinway piano technician)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2017)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 2017-02-20 until 2017-02-25)
recording of:
Klavierstücke, op. 119: Nr. 3. Intermezzo in C-Dur. Grazioso e giocoso (4 Piano Pieces, op. 119: No. 3. Intermezzo in C major. Grazioso e giocoso) (from 2017-02-20 until 2017-02-25)
composer:
Johannes Brahms (German composer) (in 1893)
part of:
Klavierstücke, op. 119 (4 Piano Pieces, op. 119)
Johannes Brahms1:33
51Liebeslieder-Walzer, op. 52: No. 8 (orchestral version)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10)
conductor:
Riccardo Chailly (conductor) (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (from 2013-03-08 until 2013-03-09, from 2013-05-09 until 2013-05-10)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 8. Wenn so lind dein Auge mir (in 2013-03)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:26
529 Kleine Präludien, BWV 924-932: 2. Prelude in D major, BWV 925
piano:
Walter Gieseking (classical pianist 1895-1956)
recording of:
9 kleine Präludien: Präludium D-Dur, BWV 925
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
9 Kleine Präluden (number: 2) and Bach-Werke-Verzeichnis (number: BWV 925)
Johann Sebastian Bach1:00
5324 Variations on "Venni Amore" in D major, WoO 65: Variation VIII
producer:
Christian Gansch (conductor)
piano:
Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) (in 1997-03)
balance engineer:
Rainer Maillard
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1997-03)
partial recording of:
24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65 (in 1997-03)
composer:
Ludwig van Beethoven (German composer) (from 1790 until 1791)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 55), Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 299) and Kinsky catalogue (Beethoven WoO works) (number: WoO 65)
Ludwig van Beethoven0:56
54４ツノマズルカ: Mazurka no. 4 in E-flat minor, op. 6 no. 4
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-10)
recording of:
Mazurka no. 4 in E‐flat minor, op. 6 no. 4 (in 1983-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 6
Fryderyk Chopin0:58
5511 Bagatelles, op. 119: 7. Allegro ma non troppo
producer and balance engineer:
Ursula Singer
piano:
Alfred Brendel (Austrian pianist) (in 1996-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
11 Bagatelles, op. 119: No. 7 in C major: Allegro ma non troppo (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (from 1820 until 1822)
part of:
11 Bagatelles, op. 119
Ludwig van Beethoven1:07
5621 Hungarian Dances, WoO 1: No. 18 in D major: Molto vivace (arr. for piano duet)
recorded in:
Paris, Île-de-France, France (in 1981-04)
piano:
Katia Labèque (pianist) (in 1981-04) and Marielle Labèque (pianist) (in 1981-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1981)
recording of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, no. 18 in D major: Molto vivace (in 1981-04)
composer:
Johannes Brahms (German composer) (in 1880)
part of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4
Johannes Brahms1:10
57Goldberg Variations, BWV 988: Var. 5
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Andrei Gavrilov (pianist)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Variatio 5. a 1 ô vero 2 Clav. (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach1:10
5812 Contredanses, WoO 14: 4. Contredanse in B major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 4 in B-flat major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:33
59Academic Festival Overture, op. 80
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Akademische Fest‐Ouvertüre, op. 80 (Academic Festival Overture, op. 80)
composer:
Johannes Brahms (German composer) (in 1880)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 80)
Johannes Brahms1:32
6012 Contredanses, WoO 14: 5. Contredanse - Trio in E major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 5 in E-flat major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (from 1791 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven1:01
6112 Contredanses, WoO 14: 6. Contredanse - Trio in C major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 6 in C major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven1:16
62Aria variata (alla maniera italiana) in A minor, BWV 989: Variation I. Largo
producer:
Christopher Tarnow
piano:
Víkingur Ólafsson (pianist) (from 2018-04-01 until 2018-04-04)
piano technician:
Sigurður Kristinsson
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2018)
recorded at:
Harpa in Reykjavík, Höfuðborgarsvæðið (Capital Region), Iceland (from 2018-04-01 until 2018-04-04)
recording of:
Aria variata, BWV 989: II. Var. 1 (Largo) (from 2018-04-01 until 2018-04-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Aria variata, BWV 989
Johann Sebastian Bach1:10
6315 Inventions, BWV 772-786: 1. Invention in C major, BWV 772
piano:
Walter Gieseking (classical pianist 1895-1956)
recording of:
Inventio Nr. 1 C-Dur, BWV 772
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1720 until 1723)
part of:
15 Inventions, BWV 772-786 (number: 1), Bach Compendium (number: BC L 27) and Bach-Werke-Verzeichnis (number: BWV 772)
Johann Sebastian Bach1:07
6415 Inventions, BWV 772-786: 7. Invention in E minor, BWV 778
Johann Sebastian Bach1:07
6515 Sinfonias, BWV 787-801: 8. Sinfonia in F major, BWV 794
piano:
Walter Gieseking (classical pianist 1895-1956) (in 1950-06)
recording of:
Sinfonia Nr. 8 F-Dur, BWV 794 (in 1950-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Sinfonias, BWV 787 - 801 (Three part inventions) (number: 8) and Bach-Werke-Verzeichnis (number: BWV 794)
Johann Sebastian Bach1:07
6624 Préludes, Op. 28, C. 166-189: 16 in B-flat minor
piano:
Alicia de Larrocha (pianist)
recording of:
Prélude no. 16 in B‐flat minor, op. 28: Presto con fuoco
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin1:09
6715 Sinfonias, BWV 787-801: 1. Sinfonia in C major, BWV 787
piano:
Walter Gieseking (classical pianist 1895-1956) (in 1950-06)
recording of:
Sinfonia Nr. 1 C-Dur, BWV 787 (in 1950-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Sinfonias, BWV 787 - 801 (Three part inventions) (number: 1) and Bach-Werke-Verzeichnis (number: BWV 787)
Johann Sebastian Bach0:58
6815 Inventions, BWV 772-786: 11. Invention in G minor, BWV 782
piano:
Walter Gieseking (classical pianist 1895-1956)
recording of:
Inventio Nr. 11 g-Moll, BWV 782
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 11) and Bach-Werke-Verzeichnis (number: BWV 782)
Johann Sebastian Bach1:05
6915 Sinfonias, BWV 787-801: 10. Sinfonia in G major, BWV 796
piano:
Walter Gieseking (classical pianist 1895-1956) (in 1950-06)
recording of:
Sinfonia Nr. 10 G-Dur, BWV 796 (in 1950-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Sinfonias, BWV 787 - 801 (Three part inventions) (number: 10) and Bach-Werke-Verzeichnis (number: BWV 796)
Johann Sebastian Bach1:06
702 Sonata Movements in F major, WoO 50: 1. ohne Tempoangabe
producer:
Sid McLauchlan (engineer/producer)
piano:
Gianluca Cascioli (pianist) (in 1996-08)
balance engineer:
Stephan Flock
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1996-08)
recording of:
Sonata for Piano in F major, WoO 50: I. [] (in 1996-08)
composer:
Ludwig van Beethoven (German composer) (from 1790 until 1792)
part of:
Sonata for Piano in F major, WoO 50
Ludwig van Beethoven1:15
71Finale in G major, WoO 213, no. 2
recording engineer:
Mark Hohn (engineer)
producer:
Stephan Schmidt (classical producer and editor)
fortepiano:
Tobias Koch (German pianist) (in 2019-05)
recorded at:
Klaus‐von‐Bismarck‐Saal (current name, fka Großer Sendesaal, WDR-Funkhaus Köln) in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2019-05)
recording of:
4 Bagatelles, WoO 213: No. 2 in G major. Finale (in 2019-05)
composer:
Ludwig van Beethoven (German composer)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 282)
part of:
4 Bagatelles, WoO 213
Ludwig van Beethoven0:58
7215 Inventions, BWV 772-786: 13. Invention in A minor, BWV 784
piano:
Walter Gieseking (classical pianist 1895-1956)
recording of:
Inventio Nr. 13 a-Moll, BWV 784
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 13) and Bach-Werke-Verzeichnis (number: BWV 784)
Johann Sebastian Bach1:06
7324 Preludes, op. 28: 19. in E-flat major
recording engineer:
Jürgen Bulgrin (sound engineer)
producer and balance engineer:
Karl-August Naegler (balance engineer)
piano:
Ivo Pogorelich (pianist) (in 1989-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH, Hamburg (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-10)
recording of:
Prélude no. 19 in E‐flat major, op. 28: Vivace (in 1989-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin1:07
74マズルカ 作品33: Mazurka no. 24 in C, op. 33 no. 3
piano:
Nikita Magaloff (pianist) (in 1977-08)
recording of:
Mazurka no. 24 in C major, op. 33 no. 3 (in 1977-08)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 33
Fryderyk Chopin1:17
75Piano Sonata no. 8 in C minor, op. 13: II. Adagio cantabile
piano:
Emil Gilels (pianist)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven1:17
76Molto adagio in G major, Hess 71 (fragment)
recording engineer:
Mark Hohn (engineer)
producer:
Stephan Schmidt (classical producer and editor)
fortepiano:
Tobias Koch (German pianist) (in 2019-05)
recorded at:
Klaus‐von‐Bismarck‐Saal (current name, fka Großer Sendesaal, WDR-Funkhaus Köln) in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2019-05)
recording of:
Molto adagio in G major, Hess 71
composer:
Ludwig van Beethoven (German composer)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 71)
Ludwig van Beethoven1:25
77Piece in F minor, Kullack f. 51/52
recording engineer:
Mark Hohn (engineer)
producer:
Stephan Schmidt (classical producer and editor)
fortepiano:
Tobias Koch (German pianist) (in 2019-05)
recorded at:
Klaus‐von‐Bismarck‐Saal (current name, fka Großer Sendesaal, WDR-Funkhaus Köln) in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2019-05)
recording of:
Piece in f, Kullak Sketchbook f.51/52 (1826) (in 2019-05)
composer:
Ludwig van Beethoven (German composer)
Ludwig van Beethoven1:18
78Piano Sonata no. 14 in C-charp minor, op. 27 no. 2: I. Adagio sostenuto
piano:
Emil Gilels (pianist)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven1:22
79Feuille D'Album in E, op. posth.: Moderato
engineer:
Hans‐Ulrich Bastin
executive producer:
Marion Thiem
producer:
Werner Mayer (classical producer)
piano:
Anatol Ugorski (pianist) (in 1999-03)
recording of:
Feuille d’album in E, B. 151: Moderato (Moderato in E major, B. 151 "Albumleaf") (in 1999-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1843)
Fryderyk Chopin1:20
80４ツノマズルカ: Mazurka no. 50 in F major, op. 68 no. 3
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1981-11)
recording of:
Mazurka no. 48 in F major, op. 68 no. 3 (in 1981-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin National Edition: WN Catalogue (number: WN 25)
part of:
Mazurkas, op. 68
Fryderyk Chopin1:14
81Capriccio in B-flat, BWV 992 "On the departure of a dear brother": 5. Allegro poco. Aria di Postiglione
recorded in:
Uppsala, Uppsala (Uppsala county), Sweden (on 1959-04-05)
piano:
Friedrich Gulda (pianist) (on 1959-04-05)
recording of:
Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992: V. Allegro poco. Aria de il Postiglione (on 1959-04-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992
Johann Sebastian Bach1:16
82Feuille d'album in E, op. posth.
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Feuille d’album in E, B. 151: Moderato (Moderato in E major, B. 151 "Albumleaf")
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1843)
Fryderyk Chopin1:16
83Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 21
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maurizio Pollini (pianist) (in 2008-09)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 2008-09, in 2009-02)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 21 in B-flat major, BWV 866: Prelude (in 2009-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 21 in B-flat major, BWV 866
Johann Sebastian Bach1:11
84Feuille d'album in E, op. posth.
piano:
Nikita Magaloff (pianist) (in 1978-02)
recording of:
Feuille d’album in E, B. 151: Moderato (Moderato in E major, B. 151 "Albumleaf") (in 1978-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1843)
Fryderyk Chopin1:17
8511 Bagatelles, op. 119: 3. à l'Allemande
piano:
Stephen Kovacevich (classical pianist, aka Stephen Bishop) (in 1974-06)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1974-06)
recording of:
11 Bagatelles, op. 119: No. 3 in D major: à l’Allemande (in 1974-06)
composer:
Ludwig van Beethoven (German composer) (from 1820 until 1822)
part of:
11 Bagatelles, op. 119
Stephen Kovacevich1:19
86Mazurka no. 56 in B-flat (for Alexandra Wolowska)
piano:
Pietro De Maria (pianist)
recording of:
Mazurka in B‐flat major “à Alexandra Wolowska”, B. 73, KK IVb/1, KK. 1223
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (on 1832-06-24)
part of:
Chopin National Edition: WN Catalogue (number: WN 41)
Fryderyk Chopin1:19
8715 Three-part Inventions, BWV 787/801: No. 14 in B-flat, BWV 800
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1983-09-12 until 1983-09-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1983-09-12 until 1983-09-25)
recording of:
Sinfonia Nr. 14 B-Dur, BWV 800 (from 1983-09-12 until 1983-09-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Sinfonias, BWV 787 - 801 (Three part inventions) (number: 14) and Bach-Werke-Verzeichnis (number: BWV 800)
Johann Sebastian Bach1:10
88Mazurka no. 19 in B minor, op. 30 no. 2
recording engineer:
Klaus Hiemann (engineer/producer)
executive producer:
Alexander Buhr
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maurizio Pollini (pianist) (from 2011-05 until 2011-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 2011-05 until 2011-06)
recording of:
Mazurka no. 19 in B minor, op. 30 no. 2 (from 2011-05 until 2011-06)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 30
Fryderyk Chopin1:22
89Variations on "Là ci darem la mano", op. 2: Var. 4. Con bravura
piano:
Daniil Trifonov (pianist) (in 2016-04)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2016-04)
recording of:
Variations in B‐flat major on “Là ci darem la mano”, op. 2: Variation IV. Con bravura (in 2016-04)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1827)
part of:
Variations in B‐flat major on “Là ci darem la mano”, op. 2
Fryderyk Chopin1:11
90Mazurka no. 8 in A-flat, op. 7 no. 4
piano:
Pietro De Maria (pianist)
recording of:
Mazurka no. 8 in A‐flat major, op. 7 no. 4
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 7
revision of:
Mazurka in A‐flat major, B. 7
Fryderyk Chopin1:15
91Das Wohltemperierte Klavier: Book 1, BWV 846-869: Fuga 11 a 3
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maurizio Pollini (pianist) (in 2008-09)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 2008-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 11 in F major, BWV 856.2/856: Fugue (in 2008-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 11 in F major, BWV 856.2/856
Johann Sebastian Bach1:14
92Aria variata (alla maniera italiana) in A minor, BWV 989: Aria da capo
producer:
Christopher Tarnow
piano:
Víkingur Ólafsson (pianist) (from 2018-04-01 until 2018-04-04)
piano technician:
Sigurður Kristinsson
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2018)
recorded at:
Harpa in Reykjavík, Höfuðborgarsvæðið (Capital Region), Iceland (from 2018-04-01 until 2018-04-04)
recording of:
Aria variata, BWV 989: I. Thema (from 2018-04-01 until 2018-04-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Aria variata, BWV 989
Johann Sebastian Bach1:19
9312 Contredanses, WoO 14: 7. Contredanse in E major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 7 in E-flat major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:43
9412 Contredanses, WoO 14: 10. Contredanse - Trio in C major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 10 in C major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven1:06
9512 Contredanses, WoO 14: 12. Contredanse - Trio in E major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 12 in E-flat major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1791)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven1:48
96Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai
piano:
Emil Gilels (pianist)
recording of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1806)
part of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”
Ludwig van Beethoven1:21
9715 Three-part Inventions, BWV 787/801: No. 12 in A, BWV 798
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1983-09-12 until 1983-09-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1983-09-12 until 1983-09-25)
recording of:
Sinfonia Nr. 12 A-Dur, BWV 798 (from 1983-09-12 until 1983-09-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Sinfonias, BWV 787 - 801 (Three part inventions) (number: 12) and Bach-Werke-Verzeichnis (number: BWV 798)
Johann Sebastian Bach1:22
98Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 13
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maurizio Pollini (pianist) (in 2008-09)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 2008-09, in 2009-02)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 13 in F-sharp major, BWV 858: Prelude (in 2009-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 13 in F-sharp major, BWV 858
Johann Sebastian Bach1:15
99Goldberg Variations, BWV 988: Var. 22 (Alla breve)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Andrei Gavrilov (pianist)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Variatio 22. a 1 Clav. alla breve (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach1:16
100Minuet in F, K.1d
piano:
Mitsuko Uchida (pianist)
recording of:
Minuet in F major, K. 1d
composed in:
Salzburg, Salzburg, Austria (until 1761-12-16)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1761-12-16)
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 1d), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 1d) and Nannerl Notenbuch (Nannerl’s Music Book) (number: 56)
Wolfgang Amadeus Mozart1:15
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