Die kompletten Werke, Volume 11: Kantaten, BWV 130-140, 143-145

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Januar/Februar 1974 (BWV 130); Januar 1975 (BWV 131); September 1976/Januar/April 1977 (BWV 132)
CD2 Aufnahme: Gedächtniskirche Stuttgart. September 1976/Januar 1977 (BWV 134); Februar 1979 (BWV 135); Februar/April 1980 (BWV 136)
CD3 Aufnahme: Gedächtniskirche Stuttgart. September/Dezember 1977, Januar 1978 (BWV 136 & 138); Dezember 1980/März 1981/1982 (BWV 137); Oktober 1979/April 1980 (BWV 139)
CD4 Aufnahme: Gedächtniskirche Stuttgart. September 1983/Februar 1984 (BWV 140); Januar/April 1975 (BWV 143); September 1978 (BWV 144); Februar 1984 (BWV 145)

Annotation last modified on 2014-06-19 18:13 UTC.

Tracklist

1▶CD: BWV 130-132
2▼CD: BWV 133-135
#TitleArtistRatingLength
1Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:38
2Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib"
alto vocals:
Doris Soffel (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach5:11
3Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:02
4Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach7:15
5Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:08
6Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich" (from 1980-02 until 1980-04)
lyricist:
Caspar Ziegler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 181)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:12
7Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": I. Recitativo (Alt, Tenor) "Ein Herz, das seinen Jesum lebend weiß"
alto vocals:
Helen Watts (contralto)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": I. Recitativo (Alt, Tenor) "Ein Herz, das seinen Jesum lebend weiß" (from 1976-09 until 1977-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach0:41
8Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": II. Aria (Tenor) "Auf! Gläubige, singet die lieblichen Lieder"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": II. Aria (Tenor) "Auf! Gläubige, singet die lieblichen Lieder" (from 1976-09 until 1977-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach7:07
9Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": III. Recitativo (Alt, Tenor) "Wohl dir! Gott hat an dich gedacht"
alto vocals:
Helen Watts (contralto)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": III. Recitativo (Alt, Tenor) "Wohl dir! Gott hat an dich gedacht" (from 1976-09 until 1977-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach2:42
10Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": IV. Aria (Duetto Alt, Tenor) "Wir danken und preisen dein brünstiges Lieben"
alto vocals:
Helen Watts (contralto)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": IV. Aria (Duetto Alt, Tenor) "Wir danken und preisen dein brünstiges Lieben" (from 1976-09 until 1977-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach10:10
11Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": V. Recitativo (Alt, Tenor) "Doch würke selbst den Dank in unserm Munde"
alto vocals:
Helen Watts (contralto)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": V. Recitativo (Alt, Tenor) "Doch würke selbst den Dank in unserm Munde" (from 1976-09 until 1977-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach2:08
12Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": VI. Coro "Erschallet, ihr Himmel, erfreue dich, Erde"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-01)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": VI. Coro "Erschallet, ihr Himmel, erfreue dich, Erde" (from 1976-09 until 1977-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach8:31
13Kantate, BWV 135 "Ach Herr, mich armen Sünder": I. Coro "Ach Herr, mich armen Sünder"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": I. Coro "Ach Herr, mich armen Sünder" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Cyriacus Schneegaß (in 1597)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
Johann Sebastian Bach5:31
14Kantate, BWV 135 "Ach Herr, mich armen Sünder": II. Recitativo (Tenor) "Ach heile mich, du Arzt der Seelen"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": II. Recitativo (Tenor) "Ach heile mich, du Arzt der Seelen" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
Johann Sebastian Bach1:13
15Kantate, BWV 135 "Ach Herr, mich armen Sünder": III. Aria (Tenor) "Tröste mir, Jesu, mein Gemüte"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": III. Aria (Tenor) "Tröste mir, Jesu, mein Gemüte" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
Johann Sebastian Bach2:47
16Kantate, BWV 135 "Ach Herr, mich armen Sünder": IV. Recitativo (Alt) "Ich bin von Seufzen müde"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": IV. Recitativo (Alt) "Ich bin von Seufzen müde" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
Johann Sebastian Bach1:17
17Kantate, BWV 135 "Ach Herr, mich armen Sünder": V. Aria (Bass) "Weicht, all ihr Übeltäter"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": V. Aria (Bass) "Weicht, all ihr Übeltäter" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
Johann Sebastian Bach2:45
18Kantate, BWV 135 "Ach Herr, mich armen Sünder": VI. Choral "Ehr sei ins Himmels Throne"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": VI. Choral "Ehr sei ins Himmels Throne" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Cyriacus Schneegaß (in 1597)
part of:
Breitkopf 389 Choralgesänge (number: 156)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
Johann Sebastian Bach1:08
3▶CD: BWV 136-139
4▶CD: BWV 140,143-145