It's a Sixties Party

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

1▶Audiocassetta
2▼Audiocassetta
#TitoloArtistaValutazioneDurata
C1Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion4?:??
C2Oh, Pretty Woman
registrazione di:
Oh, Pretty Woman (Roy Orbison song)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4?:??
C3How Do You Do It?
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
How Do You Do It (nel 1963-03)
paroliere e compositore:
Mitch Murray
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.5?:??
C4If I Had a Hammer
registrazione cover di:
If I Had a Hammer
autore:
Lee Hays (nel 1949) e Pete Seeger (nel 1949)
editore:
M.P.A. (M.P.A.)
Trini Lopez4?:??
C5Last Train to Clarksville
registrazione di:
Last Train to Clarksville
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4?:??
C6Let's Dance
voce principale:
Chris Montez
registrazione di:
Let’s Dance
paroliere e compositore:
Jim Lee (“Let’s Dance” writer/producer)
editore:
Chappell Morris Ltd., DeVorzon Music, Rondell Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez3?:??
C7Give Him a Great Big Kiss
The Shangri‐Las4?:??
C8Telstar
produttore:
Joe Meek
registrazione di:
Telstar (nel 1962)
compositore:
Joe Meek
editore:
Ivy Music Ltd.
The Tornados3.35?:??
C9Nut Rocker
registrazione di:
Nut Rocker
compositore:
Kim Fowley
editore:
Kim Fowley Music
si basa su:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
B. Bumble & the Stingers3?:??
C10Cut Across Shorty
registrazione di:
Cut Across Shorty (il 1960-01-08)
autore:
Wayne Walker e Marijohn Wilkin
editore:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Eddie Cochran3?:??
C11Good Golly Miss Molly
registrazione cover di:
Good Golly Miss Molly
autore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. e Robin Hood Music Co.
The Swinging Blue Jeans3?:??
D1Dimples
registrazione cover di:
Dimples
paroliere:
John Lee Hooker (US blues singer, songwriter & guitarist) (nel 1956)
compositore:
James Bracken
editore:
Conrad Music (publisher; do NOT use as release label), Costoma Publishing Company e Tristan Music Ltd.
The Animals4?:??
D2Stop! In the Name of Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (dal 1965-01-05 al 1965-01-11)
voce di accompagnamento:
The Andantes (dal 1965-01-05 al 1965-01-11), Florence Ballard (dal 1965-01-05 al 1965-01-11) e Mary Wilson (dal 1965-01-05 al 1965-01-11)
voce principale:
Diana Ross (dal 1965-01-05 al 1965-01-11)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1965)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1965-01-05 al 1965-01-11)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 254)
registrazione di:
Stop! In the Name of Love (dal 1965-01-05 al 1965-01-11)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes4.15?:??
D3In the Middle of Nowhere
registrazione di:
In the Middle of Nowhere
compositore:
Buddy Kaye e Beatrice Verdi
Dusty Springfield3?:??
D4Out of Time
registrazione cover di:
Out of Time
autore:
Mick Jagger e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cromwell Music, Cromwell Music Australia e EMI Music Publishing (do not use as a release label!)
Chris Farlowe3?:??
D5Brown Eyed Girl
registrazione di:
Brown Eyed Girl
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison4?:??
D6Si Tu Dois Partir
tecnico:
John Wood (US sound engineer and producer)
produttore:
Joe Boyd (US producer, founder of Hannibal Records), Fairport Convention (English folk rock band) e Simon Nicol (singer, multi-instrumentalist and producer from England)
basso e chitarra basso :
Ashley Hutchings
batteria :
Martin Lamble
chitarra :
Simon Nicol (singer, multi-instrumentalist and producer from England) e Richard Thompson (UK folk rock singer/songwriter/guitarist)
triangolo :
Trevor Lucas
violino folk :
Dave Swarbrick
voce:
Sandy Denny, Ashley Hutchings, Simon Nicol (singer, multi-instrumentalist and producer from England) e Richard Thompson (UK folk rock singer/songwriter/guitarist)
diritti fonografici (℗) detenuti da:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 2003)
registrazione cover di:
Si tu dois partir
paroliere e compositore:
Bob Dylan (nel 1965)
traduttore:
Fairport Convention (English folk rock band)
editore:
Special Rider Music
versione tradotta di:
If You Gotta Go, Go Now (or Else You Got to Stay All Night)
Fairport Convention3?:??
D7March of the Mods
registrazione di:
March of the Mods
autore:
Tony Carr
Joe Loss3?:??
D8Gimme Some Lovin'
produttore:
Chris Blackwell (Island Records) e Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 244)
registrazione di:
Gimme Some Lovin’
autore:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) e Steve Winwood
editore:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) e Island Music Ltd. (dal 1966 al ????)
The Spencer Davis Group4.15?:??
D9I Can't Let Go
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966, nel 2011)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1966-01-13, il 1966-01-18)
registrazione cover di:
I Can't Let Go (dal 1966-01-13 al 1966-01-18)
autore:
Al Gorgoni e Chip Taylor (US singer/songwriter)
editore:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music e WB Music Corp. (1929–2019)
registrazione di:
I Can't Let Go
autore:
Al Gorgoni e Chip Taylor (US singer/songwriter)
editore:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music e WB Music Corp. (1929–2019)
The Hollies4?:??
D10The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.15?:??
D111-2-3
registrazione di:
1‐2‐3
autore:
Leonard Borisoff, John Madara e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
autore aggiunto:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Mijac Double Diamond Music, Songs of Universal, Inc. (BMI), Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Welbeck Music Ltd.
Len Barry3?:??
D12Heartbeat
produttore:
Norman Petty
basso :
George Atwood (dal 1958-05-25 al 1958-05-26)
batteria :
Jerry Allison (dal 1958-05-25 al 1958-05-26)
chitarra :
Tommy Allsup (dal 1958-05-25 al 1958-05-26) e Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1958-05-25 al 1958-05-26)
registrazione di:
Heartbeat (dal 1958-05-25 al 1958-05-26)
autore:
Bob Montgomery (USA) e Norman Petty
editore:
Melody Lane Publications Inc. e Peermusic (UK) Limited
Buddy Holly4.65?:??

Accreditamenti