Nathan Milstein: Aristocrat of the Violin

~ Release by Nathan Milstein (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Vocalise, op. 34 no. 14
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1962-03-29)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-03-29)
conductor:
Robert Irving (ballet conductor) (on 1962-03-29)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (on 1962-03-29)
recording of:
Vocalise, op. 34 no. 14 (catch-all for unknown arrangements) (on 1962-03-29)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninov5:38
2Sorochintshy Fair: Gopak (arr. Jones)
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1962-03-29)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-03-29)
conductor:
Robert Irving (ballet conductor) (on 1962-03-29)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (on 1962-03-29)
recording of:
The Fair at Sorochintsï: Gopak (arr. Dushkin, orch: Jones) (on 1962-03-29)
orchestrator:
Richard Jones (conductor associated with the Pittsburgh Symphony Orchestra)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
arranger:
Samuel Dushkin (American violinist and transcriber)
orchestration of:
The Fair at Sorochintsï: Hopak
Modest Mussorgsky1:56
3Meditation, op. 32
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1962-03-29)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-03-29)
conductor:
Robert Irving (ballet conductor) (on 1962-03-29)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (on 1962-03-29)
recording of:
Meditation, op. 32 (arr. for violin and orchestra) (on 1962-03-29)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936)
arrangement of:
Meditation, op. 32 (for violin and piano)
Alexander Konstantinovich Glazunov3:17
4Valse-scherzo, op. 34
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1962-03-31)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-03-31)
conductor:
Robert Irving (ballet conductor) (on 1962-03-31)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (on 1962-03-31)
recording of:
Valse-Scherzo in C major, op. 34 (for violin and orchestra) (on 1962-03-31)
premiered in:
Paris, Île-de-France, France (on 1878-09-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1877)
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 34), The Tchaikovsky Handbook (number: TH 58) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 60)
Pyotr Ilyich Tchaikovsky5:30
5Souvenir d un lieu cher, op. 42 (arr. Glazunov) - Meditation
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (from 1962-03-30 until 1962-03-31)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (from 1962-03-30 until 1962-03-31)
conductor:
Robert Irving (ballet conductor) (from 1962-03-30 until 1962-03-31)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1962-03-30 until 1962-03-31)
recording of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: I. Méditation (from 1962-03-30 until 1962-03-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1878-03 until 1878-05)
part of:
Souvenir d’un lieu cher for Violin and Piano, op. 42
Pyotr Ilyich Tchaikovsky8:19
6Souvenir d un lieu cher, op. 42 (arr. Glazunov) - Scherzo
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (from 1962-03-30 until 1962-03-31)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (from 1962-03-30 until 1962-03-31)
conductor:
Robert Irving (ballet conductor) (from 1962-03-30 until 1962-03-31)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1962-03-30 until 1962-03-31)
recording of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: II. Scherzo (from 1962-03-30 until 1962-03-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1878-03 until 1878-05)
part of:
Souvenir d’un lieu cher for Violin and Piano, op. 42
Pyotr Ilyich Tchaikovsky3:47
7Fantasia on Russian Themes, op. 33 (arr. Kreisler)
engineer:
Robert Arnold (engineer, active in the 1950s)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
violin:
Nathan Milstein (violinist) (on 1962-03-28)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-03-28)
conductor:
Robert Irving (ballet conductor) (on 1962-03-28)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (on 1962-03-28)
recording of:
Fantasy on Two Russian Themes (for violin and piano, Kreisler) (on 1962-03-28)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
Concert Fantasy on Russian Themes, op. 33
Nikolai Rimsky-Korsakov8:46
8Flight of the Bumblebee (arr. Hartmann)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1956-01-27)
violin:
Nathan Milstein (violinist) (on 1956-01-27)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1956-01-27)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements) (on 1956-01-27)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Nikolai Rimsky-Korsakov1:16
9Hungarian Dance no. 2 (arr. Joachim)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1956-02-03)
violin:
Nathan Milstein (violinist) (on 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1956-02-03)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 2 in D minor: Allegro non assai - Vivace (Hallén orchestration) (on 1956-02-03)
orchestrator:
Andreas Hallén
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 2 in D minor: Allegro non assai – Vivace
part of:
Hungarian Dances for orchestra (orchestrated by Hallén)
recording of:
Hungarian Dance no. 2 in B minor (for violin and piano, Klengel/Gingold)
composer:
Johannes Brahms (German composer)
arranger:
Josef Gingold (violinist) and Paul Klengel
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 2 in D minor: Allegro non assai – Vivace
Johannes Brahms3:10
10Thais - Meditation (arr. Marsick)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1956-02-03)
violin:
Nathan Milstein (violinist) (on 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1956-02-03)
recording of:
Meditation from Thaïs (for violin and piano, arr. Marsick) (on 1956-02-03)
composer:
Jules Massenet (French Romantic composer)
piano arranger and violin arranger:
Martin-Pierre Marsick (Belgian 19/20th century violinist & composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet4:05
11Orchestral Suite no. 3 in D, BWV1068 - Air (arr. Wilhelm)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1957-04-24)
violin:
Nathan Milstein (violinist) (on 1957-04-24)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-24)
recording of:
Air on the G String (for violin & piano, Wilhelmj) (on 1957-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
August Wilhelmj
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach4:42
12Orfeo ad Euridice - Dance of the blessed Spirits (arr. Kreisler)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (from 1956-01-27 until 1956-02-03)
composer:
Christoph Willibald Gluck (composer) (in 1774)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1913)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck2:48
13Nocturne no. 20 in C sharp minor (arr. Milnstein)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (from 1956-01-27 until 1956-02-03)
violin:
Nathan Milstein (violinist) (from 1956-01-27 until 1956-02-03)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1956-01-27 until 1956-02-03)
recording of:
Nocturne no. 20 in C‐sharp minor, op. posth. (for violin and piano, arr. Milstein) (from 1956-01-27 until 1956-02-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
piano and violin arranger:
Nathan Milstein (violinist)
arrangement of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16
Fryderyk Chopin3:42
14Siete canciones populares espanolas-Jota (arr. Kochanski)
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1957-04-24)
violin:
Nathan Milstein (violinist) (on 1957-04-24)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-24)
recording of:
Suite populaire espagnole: VI. Jota (for violin and piano, arr. Kochanski) (on 1957-04-24)
composer:
Manuel de Falla (Spanish composer) (in 1914)
piano and violin arranger:
Paweł Kochański (violinist)
arrangement of:
Siete canciones populares españolas, G. 40, nº 4: Jota
part of:
Suite populaire espagnole (for violin and piano, arr. Kochanski)
recording of:
Siete canciones populares españolas, G. 40, nº 4: Jota (catch-all for arrangements)
composer:
Manuel de Falla (Spanish composer) (in 1914)
arrangement of:
Siete canciones populares españolas, G. 40, nº 4: Jota
Manuel de Falla2:46
15Scherzo - Tarantella, op. 16
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1957-04-22)
violin:
Nathan Milstein (violinist) (on 1957-04-22)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-22)
recording of:
Scherzo-tarantelle, op. 16 (on 1957-04-22)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1855)
part of:
Works of Henryk Wieniawski by opus number (number: op. 16)
Henryk Wieniawski3:46
16Preludes, Livre I-Minstrels (arr. Hartmann)
piano:
Leon Pommers (on 1959-04-18)
violin:
Nathan Milstein (violinist) (on 1959-04-18)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1959-04-18)
recording of:
Préludes, Livre I, L. 117: XII. Minstrels (catch-all for arrangements) (on 1959-04-18)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
arrangement of:
Préludes, Livre I, L. 117, CD 125: XII. Minstrels. Modéré
Claude Debussy2:09
17Introduction and Tarantella, op. 43
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (from 1959-03-30 until 1959-04-18)
violin:
Nathan Milstein (violinist) (from 1959-03-30 until 1959-04-18)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1959-03-30 until 1959-04-18)
recording of:
Introduction et tarantelle, op. 43 (from 1959-03-30 until 1959-04-18)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Works of Pablo de Sarasate by opus number (number: op. 43)
Pablo de Sarasate4:29
18Perpetuum mobile
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (on 1957-04-27)
violin:
Nathan Milstein (violinist) (on 1957-04-27)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (on 1957-04-27)
recording of:
Perpetuum mobile, op. 5 no. 4 (catch-all for arrangements) (on 1957-04-27)
composer:
Ottokar Nováček (Violinist, composer)
arrangement of:
Perpetuum mobile, op. 5 no. 4 (for violin and piano)
recording of:
Perpetuum mobile, op. 5 no. 4 (for violin and piano)
composer:
Ottokar Nováček (Violinist, composer)
part of:
8 Concert Caprices, op. 5
Ottokar Nováček2:39
19Praeludium and Allegro in the Style of Pugnani
engineer:
Frank Abbey (engineer / producer)
producer:
Richard Jones (1940s–50s producer/A&R for Columbia/Capitol)
piano:
Leon Pommers (from 1959-03-30 until 1959-04-18)
violin:
Nathan Milstein (violinist) (from 1959-03-30 until 1959-04-18)
recorded at:
Capitol 46th Street Studios in New York, New York, United States (from 1959-03-30 until 1959-04-18)
recording of:
Prélude et Allegro dans le style de Pugnani (from 1959-03-30 until 1959-04-18)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler4:55

Credits

Release

part of:ICON (EMI Classics/Warner Classics compilations) (order: 5)
ASIN:US: B00FZ0SKHU [info]