20th Century Masters: The Millennium Collection: The Best of John Williams & The Boston Pops

~ Release by John Williams & The Boston Pops (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Main Title from Star Wars
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Title (Star Wars) (in 1980-06)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams5:42
2Princess Leia’s Theme
recorded in:
Boston, Massachusetts, United States (in 1980-06)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (in 1980-06)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:09
3March from Raiders of the Lost Ark
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
The Raiders March (Raiders of the Lost Ark) (in 1982)
composer:
John Williams (American score composer)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams5:32
4March from Superman
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Theme (Superman: The Movie) (in 1980-06)
composer:
John Williams (American score composer)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams4:29
5Love Theme from Superman
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Can You Read My Mind (Superman: The Movie, love theme) (in 1980-06)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
Flying Part III (Superman: The Movie)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams4:51
6Theme from Jaws
recording engineer:
Erdo Groot (sound engineer for recordings of classical music)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-05)
conductor:
John Williams (American score composer) (in 1987-05)
balance engineer:
Onno Scholtze (sound engineer)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-05)
recording of:
Main Theme (Jaws) (in 1987-05)
composer:
John Williams (American score composer)
included in:
Trail Mix‐Up
part of:
Jaws (1975 film score)
John Williams2:55
7March from 1941
recording engineer:
Erdo Groot (sound engineer for recordings of classical music)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-05)
conductor:
John Williams (American score composer) (in 1987-05)
balance engineer:
Onno Scholtze (sound engineer)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-05)
recording of:
The March (1941) (in 1987-05)
composer:
John Williams (American score composer)
part of:
1941
John Williams4:28
8March from Midway
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Midway March (in 1980-06)
composer:
John Williams (American score composer) (in 1976)
part of:
Midway (1976 film score)
John Williams4:15
9Adventures on Earth from E.T.
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (in 1983-06)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams9:18
10Flying Theme from E.T.
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1982)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams3:48
11Close Encounters of the Third Kind Suite
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Close Encounters of the Third Kind: Suite (in 1980-06)
composer:
John Williams (American score composer)
publisher:
EMI Music Publishing (do not use as a release label!)
John Williams10:09

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (in 2006)
Discogs:https://www.discogs.com/release/10081482 [info]
ASIN:US: B000EMGALM [info]