Universal Music Presents The Ultimate Movie Album

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Cosmic Dancer (“Billy Elliot”)
engineer:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen and Martin Rushent
producer:
Tony Visconti
drums (drum set):
Bill Legend (from 1971-03 until 1971-06)
electric bass guitar:
Steve Currie (from 1971-03 until 1971-06)
electric guitar and lead vocals:
Marc Bolan (from 1971-03 until 1971-06)
percussion:
Mickey Finn (musician and T. Rex member) (from 1971-03 until 1971-06)
background vocals:
Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
vocals:
Marc Bolan (from 1971-03 until 1971-06)
phonographic copyright (℗) by:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 445)
recording of:
Cosmic Dancer (from 1971-03 until 1971-06)
lyricist and composer:
Marc Bolan
T. Rex44:30
2Pelagia’s Song (“Captain Corelli’s Mandolin”)
recording engineer and mixer:
Chris Dibble (engineer)
producer:
Stephen Warbeck
editor:
Andy Glen
tenor vocals:
Russell Watson (tenor)
conductor:
Nick Ingman
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recording of:
Ricordo ancor (Il mandolino del capitano Corelli - “Pelagia’s Song”)
orchestrator and composer:
Stephen Warbeck
lyricist:
Paco Reconti
Russell Watson3:46
3Love Is All Around (“Four Weddings and a Funeral”)
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1994) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.854:00
4Maid Marian at the Waterfall / Everything I Do (“Robin Hood: Prince of Thieves”)
orchestra:
Michael Kamen Symphony Orchestra
conductor:
Michael Kamen (American score composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1998)
recording of:
Maid Marian at the Waterfall / Everything I Do
medley of:
Marian at the Waterfall (Robin Hood: Prince of Thieves)
medley of:
(Everything I Do) I Do It for You
Michael Kamen4:31
5John Dunbar Theme (“Dances With Wolves”)
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1991) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
John Dunbar Theme (Dances With Wolves) (in 1991-02)
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) and EMI Virgin Music Publishing
part of:
Dances With Wolves
Hollywood Bowl Orchestra, John Mauceri2:29
6Any Other Name (“American Beauty”)
recording engineer:
Dennis Sands (American sound engineer)
assistant engineer:
Tom Hardisty (film score engineer) and David Marquette
producer:
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) and Thomas Newman (American score composer)
mixer:
Tom Hardisty (film score engineer) and Dennis Sands (American sound engineer)
assistant editor:
Jordan Corngold
editor:
Bill Bernstein
performer:
Nikolaj Bloch and Sally Herbert (violinist, composer, and conductor)
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000)
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Any Other Name
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
publisher:
Cherry Lane Music and Cherry Lane Music Publishing Company Inc.
part of:
American Beauty (1999)
Thomas Newman34:10
7The Battle (“Gladiator”)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
partial recording of:
The Battle (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
The Lyndhurst Orchestra, Gavin Greenaway8:50
8Goldberg Variations (“The Silence of the Lambs”)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
sound engineer:
Andrew Wedman (producer and engineer)
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1992-09)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Andrei Gavrilov4:49
9She (“Notting Hill”)
recording engineer:
Gareth Cousins and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Paul Hicks
producer:
Trevor Jones (South African score composer)
mixer:
Gareth Cousins
bass guitar:
Trevor Barry
drums (drum set):
Paul Clarvis (percussionist)
instruments:
Clem Clempson
piano:
Dave Hartley (pianist)
vibraphone:
Frank Ricotti (percussionist)
vocals:
Elvis Costello
orchestra:
London Symphony Orchestra
conductor:
Geoffrey Alexander
arranger:
Julian Kershaw
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1999)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
cover recording of:
She (Seven Faces of Woman)
lyricist:
Herbert Kretzmer
composer:
Charles Aznavour
publisher:
Essex Music International, Inc. and Standard Music Publishing Ltd.
translated version of:
Tous les visages de l’amour
Elvis Costello2.53:08
10Son of a Preacher Man (“Pulp Fiction”)
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:28
11Main Theme (“Mission Impossible”)
performer:
Artie Kane
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1996)
recording of:
Mission: Impossible
composer:
Lalo Schifrin (pianist & composer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
Mission: Impossible III (2006 film soundtrack)
Artie Kane, Orchestra1:05
12Let the Draw Begin (“Waking Ned”)
conductor:
Fiachra Trench
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1998)
The Irish Film Orchestra, Fiachra Trench4:01
13Love Theme (“Out of Africa”)
producer:
Job Maarse
orchestra:
Boston Pops Orchestra (in 1988-05, on 1988-06-04)
conductor:
John Williams (American score composer) (in 1988-05, on 1988-06-04)
arranger:
Joseph Reisman
balance engineer:
John McClure (recording engineer and record producer) (in 1988-05)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1988-05-18, on 1988-06-04)
instrumental recording of:
The Music of Goodbye (Love Theme from “Out of Africa” introduced in 1987) (from 1988-05-18 until 1988-06-04)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
John Barry (English score composer)
part of:
Out of Africa (soundtrack of the 1985 film)
Boston Pops Orchestra, John Williams2:57
14Piano Concerto no. 3 (“Shine”)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Bernard Haitink (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1987)
partial recording of:
Piano Concerto no. 3 in D minor, op. 30
composed in:
Dresden, Sachsen (Saxony), Germany (until 1909-09-23)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1909 until 1909-09-23)
dedicated to:
Józef Hofmann
premiered at:
[concert] (1909-11-28)
publisher:
A. Gutheil (in 1910)
part of:
Classic 100: Piano (2025) (number: 21) and Works of Sergei Rachmaninoff by opus number (number: op. 30)
Vladimir Ashkenazy, Royal Concertgebouw Orchestra, Bernard Haitink3:27
15Cavalleria rusticana: Intermezzo (“The Godfather, Part III”)
recording engineer:
Colin Moorfoot (engineer)
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1976-06-10 until 1976-06-16)
conductor:
Gianandrea Gavazzeni (conductor) (from 1976-06-10 until 1976-06-16)
balance engineer:
Kenneth Wilkinson (engineer) (in 1976-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-06-10 until 1976-06-16)
recording of:
Cavalleria rusticana: Intermezzo (from 1976-06-10 until 1976-06-16)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
National Philharmonic Orchestra, Gianandrea Gavazzeni3:12
16End credits medley (“The Mexican”)
performer:
Hollywood Film Chorale
phonographic copyright (℗) by:
Universal Classics (in 2001)
The Hollywood Film Chorale5:03
17Main Theme (“Body Heat”)
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1994)
recording of:
Main Title (Body Heat)
composer:
John Barry (English score composer)
part of:
Body Heat
Hollywood Bowl Orchestra, John Williams4:09
18The Ride of the Valkyries (“Apocalypse Now”)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
partial recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Chicago Symphony Orchestra, Sir Georg Solti3:04
19Main Theme / March of the Klingons (“Star Trek V: The Final Frontier”)
orchestra:
Hollywood Bowl Orchestra (in 1994-09)
conductor:
John Mauceri (conductor) (in 1994-09)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1995)
recording of:
Main Theme (Star Trek V: The Final Frontier) (in 1994-09)
composer:
Jerry Goldsmith (American score composer)
part of:
Star Trek V: The Final Frontier
recording of:
March of the Klingons (Star Trek V: The Final Frontier) (in 1994-09)
composer:
Jerry Goldsmith (American score composer)
part of:
Star Trek V: The Final Frontier
Hollywood Bowl Orchestra, John Williams4:09