Tracklist

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1Mass in B Minor, BWV 232: II. Credo ("Symbolum Nicenum"): I. Credo in unum Deum
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:10
2Mass in B Minor, BWV 232: II. Credo ("Symbolum Nicenum"): II. Credo in unum Deum, Patrem omnipotentem
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:09
3Mass in B Minor, BWV 232: II. Credo ("Symbolum Nicenum"): III. Et in unum Dominum
alto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-07)
soprano vocals [Sop: I]:
Jennifer Hill (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:43
4Mass in B Minor, BWV 232: II. Credo ("Symbolum Nicenum"): IV. Et incarnatus es
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:30
5Mass in B Minor, BWV 232: II. Credo ("Symbolum Nicenum"): V. Crucifixus
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:42
6Mass in B Minor, BWV 232: II. Credo ("Symbolum Nicenum"): VI. Et resurrexit
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:19
7Mass in B Minor, BWV 232: II. Credo ("Symbolum Nicenum"): VII. Et in Spiritum Sanctum Dominum
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:53
8Mass in B Minor, BWV 232: II. Credo ("Symbolum Nicenum"): VIII. Confiteor unum baptisma
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:49
9Mass in B Minor, BWV 232: II. Credo ("Symbolum Nicenum"): IX. Et expecto resurrectionem mortuorum
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:21
10Mass in B Minor, BWV 232: III. Sanctus: I. Sanctus
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:08
11Mass in B Minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: I. Osanna
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:52
12Mass in B Minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: II. Benedictus
tenor vocals:
Peter Pears (tenor) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:01
13Mass in B Minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: III. Osanna
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:46
14Mass in B Minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: IV. Agnus Dei
alto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:58
15Mass in B Minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: V. Dona nobis pacem
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1972-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972-07)
conductor:
Carlo Maria Giulini (conductor) (in 1972-07)
recorded at:
St Paul’s Cathedral in London (Greater London), England, United Kingdom (in 1972-07)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1972-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:25
16Carlo Maria Giulini in Conversation with John Amis
spoken vocals:
Carlo Maria Giulini (conductor)
[dialogue]17:06

Credits

Release

part of:BBC Legends (great performers of the twentieth century) (number: 4062) (order: 59)
ASIN:US: B00005A3MG [info]
discography entry:http://www.bach-cantatas.com/Vocal/BWV232-Giulini.htm#V1 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002684265 [info]