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1Piano Concerto No. 1 In B Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso (excerpt)
producer:
Ray Minshull (record producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1963-04)
orchestra:
London Symphony Orchestra (in 1963-04)
conductor:
Lorin Maazel (conductor) (in 1963-04)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1963-04)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed) (in 1963-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский59:09
2Romeo and Juliet, Fantasy Overture: Love Theme
producer:
John Culshaw (in 1960-06) and Erik Smith (British producer, pianist and harpsichordist) (in 1960-06)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
partial recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (in 1960-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский33:16
3Swan Lake Suite, Op. 20: I. Scene - Swan Theme
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight) (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:36
4Swan Lake Suite, Op. 20: II. Valse in A
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse (from 1965-03-15 until 1965-03-19)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский7:09
5Swan Lake Suite, Op. 20: III. Danse des petits cygnes
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:34
6Symphony No. 6 In B Minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo (excerpt)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский5:06
7Serenade for Strings in C, Op. 48: II. Walzer: Moderato (Tempo di valse)
producer:
Andrew Cornall (engineer / producer) (in 1996-11)
orchestra:
St. Petersburg Philharmonic Orchestra (founded in 1882; read the annotation to avoid incorrect use) (in 1996-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1996-11)
recorded at:
Big Hall, St. Petersburg Philharmonia (Saint Petersburg Philharmonia: Grand Hall) in Sankt-Peterburg (Saint Petersburg), Russia (in 1996-11)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse (in 1996-11)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Пётр Ильич Чайковский3:50
8The Sleeping Beauty Suite, Op. 66: Act I. Pas d'action (Adagio)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский6:33
9The Sleeping Beauty Suite, Op. 66: Act I. Waltz
producer:
John Culshaw (in 1965-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский4.54:11
10String Quartet No. 1 in D, Op. 11: II. Andante cantabile
producer:
Richard Beswick
cello:
Keith Harvey (cellist) (in 1976-05)
string quartet:
Gabrieli String Quartet (in 1976-05)
viola:
Ian Jewel (in 1976-05)
violin:
Brendan O’Reilly (in 1976-05) and Kenneth Sillito (violinist) (in 1976-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-05)
recording of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile (in 1976-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1871-02)
part of:
String Quartet no. 1 in D major, op. 11
Пётр Ильич Чайковский6:35
11Symphony No. 5 In E Minor, Op. 64: III. Valse (Allegro moderato)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский5:42
12Nutcracker Suite, Op. 71a: Dance of the Sugar-Plum Fairy
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1961-09-05 until 1961-09-22)
conductor:
Herbert von Karajan (conductor) (from 1961-09-05 until 1961-09-22)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1961-09-05 until 1961-09-22) and Gordon Parry (engineer) (from 1961-09-05 until 1961-09-22)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1961-09-05 until 1961-09-22)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (from 1961-09-05 until 1961-09-22)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский1:38
13Nutcracker Suite, Op. 71a: Russian Dance (Trepak)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1961-09-05 until 1961-09-22)
conductor:
Herbert von Karajan (conductor) (from 1961-09-05 until 1961-09-22)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1961-09-05 until 1961-09-22) and Gordon Parry (engineer) (from 1961-09-05 until 1961-09-22)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1961-09-05 until 1961-09-22)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace (from 1961-09-05 until 1961-09-22)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:12
14Nutcracker Suite, Op. 71a: Dance of the Reed-Pipes (Merlitons)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1961-09-05 until 1961-09-22)
conductor:
Herbert von Karajan (conductor) (from 1961-09-05 until 1961-09-22)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1961-09-05 until 1961-09-22) and Gordon Parry (engineer) (from 1961-09-05 until 1961-09-22)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1961-09-05 until 1961-09-22)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (from 1961-09-05 until 1961-09-22)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский2:35
15Nutcracker Suite, Op. 71a: Waltz of the Flowers
recording engineer:
James Brown (Decca engineer, 1960s) (from 1961-09-05 until 1961-09-22)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1961-09-05 until 1961-09-22)
conductor:
Herbert von Karajan (conductor) (from 1961-09-05 until 1961-09-22)
balance engineer:
Gordon Parry (engineer) (from 1961-09-05 until 1961-09-22)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1961-09-05 until 1961-09-22)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (from 1961-09-05 until 1961-09-22)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский5:59
16Violin Concerto in D, Op. 35: III. Finale (Allegro vivacissimo)
engineer:
Colin Moorfoot (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Rogers (engineer)
violin:
Joshua Bell (violinist) (in 1988-04)
orchestra:
The Cleveland Orchestra (in 1988-04)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1988-04)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1988-04)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo (in 1988-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Пётр Ильич Чайковский9:48
17Overture 1812, Op. 49: Finale
producer:
Ray Minshull (record producer) (in 1969-08)
orchestra:
Los Angeles Philharmonic Orchestra (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1969-08)
partial recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 1969-08)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Пётр Ильич Чайковский3:51

Credits