Wiener Philharmoniker Symphony Edition

~ Uitgave van Wiener Philharmoniker (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Aantekening

CD 38 & 39 (Mahler 2): fig. Universal Edition A. G. Vienna/Internationale Gustav Mahler Gesellschaft, Vienna

CD 40 & 41 (Mahler 3): fig. Kritische Gesamtausgabe, Universal Edition, Vienna/Philharmonia

Aantekening het laatst bewerkt op 2015-08-13 07:37 UTC.

Nummerlijst

1▶cd: Mozart: Symphonies Nos. 1, 4 & 5, K. Anh. 223 & 221
2▶cd: Mozart: Symphonies Nos. 6-9
3▶cd: Mozart: Symphonies Nos. 10-13
4▶cd: Mozart: Symphonies Nos. 14-17
5▶cd: Mozart: Symphonies Nos. 18-20
6▶cd: Mozart: Symphonies Nos. 21-25
7▶cd: Mozart: Symphonies Nos. 27-29
8▶cd: Mozart: Symphonies Nos. 26, 30, 31 “Paris” & 39
9▶cd: Mozart: Symphonies Nos. 32-34 & 35 “Haffner”
10▶cd: Mozart: Symphonies Nos. 36 “Linz” & 38 “Prague”
11▶cd: Symphonies Nos. 40 & 41 “Jupiter”
12▶cd: Haydn: Symphonies Nos. 88-90
13▶cd: Haydn: Symphonies Nos. 91, 92 “Oxford” & 105
14▶cd: Beethoven: Symphonies Nos. 1 & 3 “Eroica”
15▶cd: Beethoven: Symphonies Nos. 2 & 4
16▶cd: Beethoven: Symphonies Nos. 5 & 7
17▶cd: Beethoven: Symphonies Nos. 6 “Pastoral” & 8
18▶cd: Beethoven: Symphony No. 9 “Choral”
19▶cd: Schubert: Symphonies Nos. 3 & 8 “Unfinished” & 5
20▶cd: Schubert: Gesang der Geister über den Wassern, Symphony No. 9 “Great”
21▶cd: Mendelssohn: Symphonies Nos. 4 “Italien” & 5 “Reformation”
22▶cd: Schumann: Symphonies Nos. 1 “Spring” & 2
23▶cd: Schumann: Symphonies Nos. 3 “Rhenish” & 4
24▶cd: Brahms: Symphony No. 1
25▶cd: Brahms: Symphony No. 2 · Academic Festival Overture
26▶cd: Brahms: Symphonies Nos. 3 & 4
27▶cd: Bruckner: Symphony No. 1
28▶cd: Bruckner: Symphony No. 4 “Romantic”
29▶cd: Bruckner: Symphony No. 5
30▶cd: Bruckner: Symphony No. 7
31▶cd: Bruckner: Symphony No. 8
32▶cd: Bruckner: Symphony No. 9
33▶cd: Tchaikovsky: Symphony No. 4
34▶cd: Tchaikovsky: Symphony No. 5
35▶cd: Tchaikovsky: Symphony No. 6
36▶cd: Dvořák: Symphony Nos. 6 & 7
37▶cd: Dvořák: Symphony Nos. 8 & 9 “From the New World”
38▶cd: Mahler: Symphony No. 2 “Resurrection” (I)
39▶cd: Mahler: Symphony No. 2 “Resurrection” (II)
40▶cd: Mahler: Symphony No. 3 (I)
41▶cd: Mahler: Symphony No. 3 (II)
42▶cd: Mahler: Symphony No. 4
43▶cd: Mahler: Symphony No. 5
44▶cd: Mahler: Symphony No. 6
45▶cd: Mahler: Symphony No. 10 / Symphony No. 8 “Symphony of a Thousand” (I)
46▼cd: Mahler: Symphony No. 8 “Symphony of a Thousand” (II)
#TitelArtiestWaarderingDuur
1Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: I. Poco adagio
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:26
2Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: II. Più mosso. (Allegro moderato)
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:05
3Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: III. Wieder langsam - Chor und Echo: “Waldung, sie schwankt heran”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
koor:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (op 1975-08-30) en Wiener Singverein (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
was koorleider:
Helmuth Froschauer (conductor and chorus master) (op 1975-08-30) en Walter Hagen-Groll (chorus master) (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:32
4Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: IV. Moderato. Pater ecstaticus: “Ewiger Wonnebrand”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
solobaritonvocalen [Pater Ecstaticus]:
Hermann Prey (baritone) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:36
5Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: V. Allegro - (Allegro appassionato). Pater profundus: “Wie Felsenabgrund mir zu Füßen”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
solobasvocalen [Pater Profundus]:
José van Dam (Belgian operatic bass-baritone) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:30
6Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: VI. Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel: “Gerettet ist das edle Glied” - Chor seliger Knaben: “Hände verschlinget euch”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
koor:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (op 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (op 1975-08-30) en Wiener Singverein (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
was koorleider:
Helmuth Froschauer (conductor and chorus master) (op 1975-08-30), Walter Hagen-Groll (chorus master) (op 1975-08-30) en Uwe Theimer (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:06
7Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: VII. Molto leggeiro. Chor der jüngeren Engel: “Jene Rosen aus den Händen”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
koor:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
was koorleider:
Walter Hagen-Groll (chorus master) (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (op 1975-08-30)
componist:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:50
8Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: VIII. Schon etwas langsamer und immer noch mäßiger. Die vollendeteren Engel: “Uns bleibt ein Erdenrest”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
koor:
Wiener Singverein (op 1975-08-30)
soloaltvocalen:
Trudeliese Schmidt (mezzo-soprano) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
was koorleider:
Helmuth Froschauer (conductor and chorus master) (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:23
9Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: IX. Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür'soeben, nebelnd um Felsenhöh'” - Chor seliger Knaben: “Freudig empfangen wir” - Doctor Marianus: “Hier ist die Aussicht frei”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
koor:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (op 1975-08-30) en Wiener Sängerknaben (The Vienna Boys Choir) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
was koorleider:
Walter Hagen-Groll (chorus master) (op 1975-08-30) en Uwe Theimer (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (op 1975-08-30)
componist:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:22
10Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: X. Sempre l'istesso tempo. Doctor Marianus: “Höchste Herrscherin der Welt”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
koor:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (op 1975-08-30) en Wiener Singverein (op 1975-08-30)
solotenorvocalen [Doctor Marianus]:
Kenneth Riegel (tenor) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
was koorleider:
Helmuth Froschauer (conductor and chorus master) (op 1975-08-30) en Walter Hagen-Groll (chorus master) (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:24
11Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XI. Äußerst langsam. Adagissimo. Chor I/II: “Dir, der Unberührbaren” - Chor der BuBerinnen und Una poenitentium: “Du schwebst zu Höhen der ewigen Reiche”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
koor:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (op 1975-08-30) en Wiener Singverein (op 1975-08-30)
solosopraanvocalen [Una Poenitentium]:
Judith Blegen (soprano) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
was koorleider:
Helmuth Froschauer (conductor and chorus master) (op 1975-08-30) en Walter Hagen-Groll (chorus master) (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:56
12Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XII. Fließend. Magna Peccatrix: “Bei der Liebe, die den Füßen” - Mulier Samaritana: “Bei dem Bronn, zu dem schon weiland” - Maria Aegyptiaca: “Bei dem hochgeweihten Orte”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
solocontraltovocalen [Maria Aegyptiaca]:
Agnes Baltsa (mezzo-soprano) (op 1975-08-30)
solocontraltovocalen [Mulier Samaritana]:
Trudeliese Schmidt (mezzo-soprano) (op 1975-08-30)
solosopraanvocalen [Magna Peccatrix]:
Margaret Price (soprano) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:50
13Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XIII. Una poenitentium: “Neige, du Ohnegleiche”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
solosopraanvocalen [Una Poenitentium]:
Judith Blegen (soprano) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:13
14Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XIV. Unmerklich frischer. Selige Knaben: “Er überwächst uns schon” - Una poenitentium: “Vom edlen Geisterchor umgeben”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
koor:
Wiener Sängerknaben (The Vienna Boys Choir) (op 1975-08-30) en Wiener Singverein (op 1975-08-30)
solosopraanvocalen [Una Poenitentium]:
Judith Blegen (soprano) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
was koorleider:
Helmuth Froschauer (conductor and chorus master) (op 1975-08-30) en Uwe Theimer (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (op 1975-08-30)
componist:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:57
15Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XV. Mater gloriosa: “Komm! hebe dich zu höher'n Sphären”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
vocalen:
Gerti Zeumer (soprano) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (op 1975-08-30)
componist:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:23
16Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XVI. Doctor Marianus: “Blicket auf zum Retterblick alle reuig Zarten”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
koor:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (op 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (op 1975-08-30) en Wiener Singverein (op 1975-08-30)
tenorvocalen:
Kenneth Riegel (tenor) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
was koorleider:
Helmuth Froschauer (conductor and chorus master) (op 1975-08-30), Walter Hagen-Groll (chorus master) (op 1975-08-30) en Uwe Theimer (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:01
17Symphony no. 8 “Symphony of a Thousand”: Part II, Schlussszene aus “Faust”: XVII. Sehr langsam beginnend. Chorus mysticus: “Alles Vergängliche ist nur ein Gleichnis”
producent:
Gottfried Kraus (writer, critic, producer, radio host)
orgel:
Rudolf Scholz (organist) (op 1975-08-30)
koor:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (op 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (op 1975-08-30) en Wiener Singverein (op 1975-08-30)
solobaritonvocalen:
Hermann Prey (baritone) (op 1975-08-30)
solobasvocalen:
José van Dam (Belgian operatic bass-baritone) (op 1975-08-30)
solocontraltovocalen [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (op 1975-08-30)
solocontraltovocalen [Alto II]:
Agnes Baltsa (mezzo-soprano) (op 1975-08-30)
solosopraanvocalen [Soprano I]:
Margaret Price (soprano) (op 1975-08-30)
solosopraanvocalen [Soprano II]:
Judith Blegen (soprano) (op 1975-08-30)
solotenorvocalen:
Kenneth Riegel (tenor) (op 1975-08-30)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (op 1975-08-30)
was dirigent:
Leonard Bernstein (American conductor, composer, pianist) (op 1975-08-30)
was koorleider:
Helmuth Froschauer (conductor and chorus master) (op 1975-08-30), Walter Hagen-Groll (chorus master) (op 1975-08-30) en Uwe Theimer (op 1975-08-30)
balanstechnicus:
Josef Slatko (engineer)
opgenomen bij:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
opgenomen bij:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Oostenrijk (op 1975-08-30)
is een live-opname van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (op 1975-08-30)
componist:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
deel van:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:28
47▶cd: Mahler: Symphony No. 9
48▶cd: Sibelius: Symphonies Nos. 1 & 5
49▶cd: Sibelius: Symphonies Nos. 2 & 7
50▶cd: Shostakovich: Symphonies Nos. 6 & 9