100 Essential 1980's

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Shout
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
recording of:
Shout
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears56:04
2Teardrops
Produzent(in):
Chris Blackwell (Island Records), Lee Hamblin und The Gypsy Wave Power Co.
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:51
3Song for Whoever
Techniker(in):
Ian Grimble
Produzent(in):
Mike Hedges (UK producer/recording engineer)
Akustikgitarre und E-Gitarre:
Dave Rotheray
Bassgitarre:
Sean Welch
Klavier:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Schlagzeug:
David Stead
vocals:
Paul Heaton und Dave Hemingway
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1989)
recording of:
Song for Whoever
Texter:
Paul Heaton
Komponist(in):
Paul Heaton und Dave Rotheray
publisher:
Go! Discs Music Ltd. (publisher) und Island Music Ltd.
The Beautiful South2.654:06
4Pull Up to the Bumper
Produzent(in):
Chris Blackwell (Island Records) und Alex Sadkin
remixer:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
recording of:
Pull Up to the Bumper
Verfasser(in):
Lowell “Sly” Dunbar, Grace Jones, Dana Manno und Robert “Robbie” Shakespeare
publisher:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) und Ixat Music
Grace Jones3:42
5I Think We’re Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:46
6Just Like Heaven
assistierende(r) Produzent(in):
Sean Burrows, Michel Dierickx (Belgian producer & engineer, aka ‘Shelle’) und Jacques Hermet
Produzent(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Mix:
Bob Clearmountain
E-Bass:
Simon Gallup
E-Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Porl Thompson
Keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson und Lol Tolhurst
Perkussion und Schlagzeug:
Boris Williams
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
remixer:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1987)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, ICP Recording Studios in Brussels (Region Brüssel-Hauptstadt), Belgien und Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Frankreich
Musikvideos:
Just Like Heaven von The Cure
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 11), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 22), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 108), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 231) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 483)
recording of:
Just Like Heaven
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co.
The Cure4.353:34
7Stop
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1988)
recording of:
Stop
Verfasser(in):
Bruce Brody, Sam Brown (UK singer/songwriter) und Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) und WayBlue Ltd. (publisher)
Sam Brown44:00
8In My House
recording of:
In My House
Texter und Komponist(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 13)
Mary Jane Girls4:01
9Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:36
10Follow the Leader
Produzent(in):
Eric B. und Rakim (William Michael Griffin Jr., American rapper)
phonographisches Urheberrecht (℗) von:
UNI Records, Inc. (in 1988)
Samples:
I Know You Got Soul von Eric B. & Rakim, I Wouldn’t Change a Thing von Coke Escovedo, Listen to Me von Baby Huey (US rock/soul singer James Ramey) und Nautilus von Bob James (US jazz keyboardist, arranger and producer)
recording of:
Follow the Leader
Texter:
William Griffin (William Michael Griffin Jr., American rapper)
Verfasser(in):
Eric Barrier und William Griffin (William Michael Griffin Jr., American rapper)
Eric B. & Rakim45:36
11I Can Dream About You
recording engineer:
Dan Hartman
zusätzlich recording engineer:
Shelly Yakus
zusätzliche(r) Techniker(in):
Gabe Veltri
assistierende(r) Mix:
Steve Krause (Steven A Krause)
Mix:
Humberto Gatica
E-Bass:
Eddie N. Watkins Jr.
Klavier:
Bill Payne
Perkussion:
Bobbye Hall
zusätzlich Gitarre:
Richie Zito
zusätzlich Schlagzeug:
Art Wood (US session drummer/percussionist)
Hintergrundgesang:
Winston Ford, Dan Hartman und Joe Pizzullo
Sologesang:
Dan Hartman
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984)
recording of:
I Can Dream About You
Texter und Komponist(in):
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) und Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:09
12(Do) The Hucklebuck
cover recording of:
The Hucklebuck
Texter:
Roy Alfred (Tin Pan Alley lyricist and composer)
zusätzliche(r) Verfasser(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Komponist(in):
Andy Gibson (trumpet, arranger, composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal/MCA Music Publishing Pty Ltd
Coast to Coast2:33
13Secret Lovers
recording of:
Secret Lovers
Verfasser(in):
David Lewis (member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Jodaway Music (ASCAP)
Atlantic Starr33:38
14Too Good to Be Forgotten
cover recording of:
Too Good to Be Forgotten
Verfasser(in):
Barbara Acklin und Eugene Record
Amazulu3:07
15Harvest for the World
Produzent(in):
S. & M. Young (Martyn Young & Steven Young)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1988)
Musikvideos:
Harvest for the World von The Christians
cover recording of:
Harvest for the World
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
The Christians3:56
16Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:54
17Marlene on the Wall
assistierende(r) Techniker(in):
Kurt Upper
Techniker(in):
Steve Addabbo
leitende(r) Produzent(in):
Ronald K. Fierstein
Produzent(in):
Steve Addabbo und Lenny Kaye
Editing:
Rhonda Schoen
Akustikgitarre:
Suzanne Vega (American singer-songwriter) (von 1985-01 bis 1985-03)
Bass:
Frank Gravis (von 1985-01 bis 1985-03)
E-Gitarre:
Jon Gordon (guitarist, music director, producer, composer) (von 1985-01 bis 1985-03)
Schlagzeug:
Sue Evans (von 1985-01 bis 1985-03)
Synthesizer:
C. P. Roth (von 1985-01 bis 1985-03)
vocals:
Suzanne Vega (American singer-songwriter) (von 1985-01 bis 1985-03)
aufgenommen bei:
Celestial Sound Studios in New York, New York, Vereinigte Staaten (von 1985-01 bis 1985-03)
mixed at:
Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, Vereinigte Staaten
Musikvideos:
Marlene on the Wall von Suzanne Vega (American singer-songwriter)
recording of:
Marlene on the Wall (von 1985-01 bis 1985-03)
Texter und Komponist(in):
Suzanne Vega (American singer-songwriter)
publisher:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Suzanne Vega4.23:42
18There She Goes
Techniker(in):
Dave Charles (British drummer as well as producer & engineer)
Produzent(in):
Bob Andrews (keyboardist and producer)
Mix:
Steve Lillywhite
Bassgitarre und Hintergrundgesang:
John Power (of The La’s and Cast)
E-Gitarre:
John Byrne (John 'Boo' Byrne, electric guitarist)
Schlagzeug:
Chris Sharrock
Sologesang:
Lee Mavers
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 45), TV Cream: Real 100 Best Singles Ever (Nummer: 62) und Indie 88: Top 500 Indie Rock Songs (Nummer: 418)
recording of:
There She Goes (The La’s)
Texter und Komponist(in):
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:44
19The Wanderer
Techniker(in):
Steve Churchyard, Greg Jackman und Tim Summerhayes
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1984), Mercury Records Ltd. (London) (for copyrights use only) (in 1984), Mercury Records Ltd. (UK) (in 1984) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1984)
cover recording of:
The Wanderer
Texter und Komponist(in):
Ernie Maresca
publisher:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. und Warner/Chappell North America
Status Quo33:28
20Pass the Dutchie
Produzent(in):
Peter Collins (producer)
Bassgitarre:
Patrick
Gitarre:
Kelvin
Keyboard:
Michael (Keyboard player for Musical Youth)
Schlagzeug:
Junior
vocals:
Dennis
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 25)
cover recording of:
Pass the Kouchie
Verfasser(in):
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) und Fitzroy “Bunny” Simpson
Teil von:
My Kind of People
Musical Youth43:23
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