Handel Edition

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

1CD: Water Music
2CD: Music for the Royal Fireworks; Sinfonias
3CD: Concerti grossi Op. 3
4CD: Concerti grossi Op. 6 Nos. 1-4
5CD: Concerti grossi Op. 6 Nos. 5-8
6CD: Concerti grossi Op. 6 Nos. 9-12
7CD: Concerti a due cori
8CD: Organ Concertos I
9CD: Organ Concertos II; Harp Concerto
10CD: Organ Concertos III
11CD: Organ Concertos IV
12CD: Organ Concertos V
13CD: Oboe Concertos; Suite in G minor (ed.); Overture to Otho
14CD: Flute Sonatas
15CD: Violin and Oboe Sonatas
16CD: Trio Sonatas I - Op. 2
17CD: Trio Sonatas II - Op. 5
18CD: Trio Sonatas III
19CD: Recorder Sonatas
20CD: Suites de pièces pour le clavecin I
21CD: Suites de pièces pour le clavecin II
22CD: Suites de pièces pour le clavecin III
23CD: Suites de pièces pour le clavecin IV
24CD: Harpsichord Music I
25CD: Harpsichord Music II
26CD: Harpsichord Music III
27CD: Harpsichord Music IV
28CD: Romantic Organ Transcriptions
29CD: Nine German Arias
30CD: Cantatas for soprano solo I
31CD: Cantatas for soprano solo II
32CD: Cantatas for soprano solo III; Cantata "Arresta il passo" for two sopranos
33CD: Cantatas for soprano solo IV
34CD: Cantatas for soprano solo V
35CD: Italian Duets
36CD: The Alchemist; Apollo e Dafne
37CD: Aci, Galatea e Polifemo (beginning)
38CD: Aci, Galatea e Polifemo (conclusion)
39CD: Alexander's Feast (beginning)
40CD: Alexander's Feast (conclusion); Ode for the Birthday of Queen Anne
41CD: Coronation Anthems
42CD: Dettingen Te Deum
43CD: Friedensode; Utrechter Te Deum
44CD: Ode for St. Cecilia's Day
45CD: Messiah (beginning)
46CD: Messiah (conclusion)
47CD: La Resurrezione (beginning)
48CD: La Resurrezione (conclusion)
49CD: Jephtha (beginning)
50CD: Jephtha (continuation)
51CD: Jephtha (conclusion)
52CD: Israel in Egypt (beginning)
53CD: Israel in Egypt (conclusion)
54CD: Judas Maccabaeus (beginning)
55CD: Judas Maccabaeus (conclusion)
56CD: Samson (beginning)
57CD: Samson (conclusion)
58CD: Theodora (beginning)
59CD: Theodora (conclusion)
60CD: Saul (beginning)
61CD: Saul (conclusion)
62CD: Solomon (beginning)
#TitleRatingLength
1Solomon, HWV 67: 1. Overture
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I. Overture
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
6:31
2Solomon, HWV 67: 2. Act 1: Chorus: Your harps and cymbals sound
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I, Scene I. Chorus "Your harps and cymbals" (Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
3:37
3Solomon, HWV 67: 3. Act 1: Air: Praise ye the Lord (A Levite)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I, Scene I. Air "Praise ye the Lord" (Levite)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
5:29
4Solomon, HWV 67: 4. Act 1: Chorus: With pious heart
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I, Scene I. Chorus "With pious heart" (Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
5:19
5Solomon, HWV 67: 5. Act 1: Accompagnato: Almighty pow'r (Solomon)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I, Scene I. Accompagnato "Almighty Power" (Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
3:00
6Solomon, HWV 67: 6. Act 1: Recitative & Air: Imperial Solomon (Zadok)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I, Scene I. Recitative "Imperial Solomon" (Zadok)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
6:10
7Solomon, HWV 67: 7. Act 1: Chorus: Throughout the land
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I, Scene I. Chorus "Throughout the land" (Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
2:19
8Solomon, HWV 67: 8. Act 1: Recitative & Air: Bless'd be the Lord (Solomon)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I, Scene I. Recitative "Bless'd be the Lord" (Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
6:41
9Solomon, HWV 67: 9. Act 1: Recitative & Air: And see my queen (Solomon, Queen of Sheba)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I, Scene II. Recitative "And see my Queen" (Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
6:42
10Solomon, HWV 67: 10. Act 1: Recitative & Air: Thou fair inhabitant of Nile (Solomon)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I, Scene II. Recitative "Thou fair inhabitant of Nile" (Solomon, Queen)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
4:47
11Solomon, HWV 67: 11. Act 1: Recitative & Air: Myrtle grove (Solomon)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I, Scene II. Duet "Welcome as the dawn of day" (Solomon, Queen)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
4:08
12Solomon, HWV 67: 12. Act 1: Recitative & Air: When thou art absent (Queen of Sheba)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I, Scene II. Recitative "When thou art absent" (Queen)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
2:47
13Solomon, HWV 67: 13. Act 1: Recitative & Chorus: Search round the world (Zadok)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act I, Scene II: "Search round the world" (Zadok)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
3:54
14Solomon, HWV 67: 14. Act 2: Chorus: From the censer
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene I. Chorus "From the censer" (Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
4:59
15Solomon, HWV 67: 15. Act 2: Recitative & Air: Prais'd be the Lord (Solomon)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene I. Recitative "Prais'd be the Lord" (Solomon)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
4:44
16Solomon, HWV 67: 16. Act 2: Recitative, Air & Trio: My sovereign liege (Attendant, Solomon, 1st & 2nd Harlot)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Harold Lester (organist)
bass vocals [A Levite]:
Michael Rippon (operatic bass)
bass vocals [Solomon]:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale
soprano vocals:
Sheila Armstrong (soprano)
soprano vocals [Second Harlot]:
Felicity Palmer (mezzo-soprano)
tenor vocals [Zadok]:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1974)
recording of:
Solomon, HWV 67: Act II, Scene II. Recitative "My sovereign liege" (Solomon, 1st Harlot)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act II
6:18
63CD: Solomon (conclusion)
64CD: Semele (beginning)
65CD: Semele (conclusion)