| # | Title | Artist | Rating | Length |
|---|
| 1 | Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum" | Johann Sebastian Bach | | 1:54 |
| 2 | Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem"- vocals:
- Taverner Consort
- orchestra:
- Taverner Players
- conductor:
- Andrew Parrott
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1984-09)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 1:55 |
| 3 | Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum" | Johann Sebastian Bach | | 4:21 |
| 4 | Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est" | Johann Sebastian Bach | | 3:04 |
| 5 | Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus"- vocals:
- Taverner Consort
- orchestra:
- Taverner Players
- conductor:
- Andrew Parrott
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1984-09)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:22 |
| 6 | Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit" | Johann Sebastian Bach | | 4:05 |
| 7 | Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum" | Johann Sebastian Bach | | 5:58 |
| 8 | Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor" | Johann Sebastian Bach | | 3:53 |
| 9 | Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto"- vocals:
- Taverner Consort
- orchestra:
- Taverner Players
- conductor:
- Andrew Parrott
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1984-09)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:17 |
| 10 | Mass in B minor, BWV 232: IVa. Chorus "Sanctus" | Johann Sebastian Bach | | 5:19 |
| 11 | Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis"- vocals:
- Taverner Consort
- orchestra:
- Taverner Players
- conductor:
- Andrew Parrott
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1984-09)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:50 |
| 12 | Mass in B minor, BWV 232: IVc. Aria "Benedictus"- tenor vocals:
- Rogers Covey‐Crump
- orchestra:
- Taverner Players
- conductor:
- Andrew Parrott
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1984-09)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:26 |
| 13 | Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis"- vocals:
- Taverner Consort
- orchestra:
- Taverner Players
- conductor:
- Andrew Parrott
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1984-09)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:52 |
| 14 | Mass in B minor, BWV 232: IVe. Aria "Agnus Dei"- orchestra:
- Taverner Players
- conductor:
- Andrew Parrott
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1984-09)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 4:34 |
| 15 | Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem"- vocals:
- Taverner Consort
- orchestra:
- Taverner Players
- conductor:
- Andrew Parrott
- recorded at:
- St John’s, Smith Square in London , England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1984-09)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Dona nobis pacem
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:02 |
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