Die ultimative Chart Show: Hits der 80er (Aral edition)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1The Look of Love, Part 1
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:31
2Lessons in Love
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
sassofono ospite :
Gary Barnacle
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1986) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1986)
registrazione di:
Lessons in Love
paroliere:
Boon Gould
autore:
Wally Badarou e Mark King (bass guitarist and vocalist)
editore:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Level 423.64:05
3Love Is a Shield
registrazione di:
Love Is a Shield
paroliere:
Peter Godwin, Oliver Kreyssig e Marcus Meyn
compositore:
Heiko Maile
editore:
Blue Box Publishing Promotion Karin Wirthmann
Camouflage3:58
4Fade to Grey
tecnico:
John Hudson (producer, recording and mixing engineer)
produttore:
Midge Ure e Visage (new romantic band from London)
esecutore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
arrangiatore:
Visage (new romantic band from London)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito
mixata presso:
Mayfair Sound (England) in London (Greater London), England, Regno Unito
registrazione di:
Fade to Grey
autore:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) e Midge Ure
editore:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) e Performance Music Ltd
Visage4.13:49
5Taxi nach Paris
campionamenti:
Non, je ne regrette rien di Édith Piaf
registrazione di:
Taxi nach Paris
paroliere e compositore:
Michy Reincke
Felix de Luxe3:13
6Wonderful Life
produttore:
Dave Dix (Dave Dix)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1987)
video musicali:
Wonderful Life di Black (UK indie pop musician Colin Vearncombe)
registrazione di:
Wonderful Life
paroliere e compositore:
Colin Vearncombe
editore:
Rondor Music Ltd. (publisher)
Black4.354:49
7The Lady in Red
produttore:
Paul Hardiman
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1986)
registrata presso:
RDS Arena in Dublin, County Dublin, Leinster, Irlanda (il 1988-12-07) e Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (il 2004-11-06)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 54)
registrazione di:
The Lady in Red (nel 1986)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 1988-12-07)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 2004-11-06)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
Chris de Burgh3.354:17
8Blueprint
registrazione di:
Blueprint
paroliere:
Katharina Franck
compositore:
Michael Beckmann (bassist, producer and composer), Katharina Franck e Wolfgang Glum
editore:
Edition Intro Meisel e Intro Music, Inc.
Rainbirds3:53
9You Keep Me Hangin’ On
registrata a:
England, Regno Unito
tecnico:
Peter Wade Schwier (producer, mixing and recording engineer)
produttore:
Ricky Wilde
chitarra :
Steve Byrd
tastiera :
Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1986) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001)
è stato produttore per:
Big M (Bigbeat, House label) e Big M Productions Ltd. (British record and publishing company)
registrata presso e mixata presso:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti, Select Sound Studios in Knebworth, Hertfordshire, England, Regno Unito e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
parte di:
Cachitos Nochevieja 2022 (numero: 108)
registrazione cover di:
You Keep Me Hangin’ On
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
registrazione di:
You Keep Me Hangin’ On
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kim Wilde3.454:15
10Maniac
produttore:
Phil Ramone e Michael Sembello
voce:
Michael Sembello (nel 1983)
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1983)
registrazione di:
Maniac (nel 1983)
autore:
Dennis Matkosky e Michael Sembello
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1983 nominee)
Michael Sembello4.154:09
11She Works Hard for the Money (edited single version)
edit di:
She Works Hard for the Money (album version) di Donna Summer (soul/disco diva)
registrazione di:
She Works Hard for the Money (nel 1983)
autore:
Michael Omartian e Donna Summer (soul/disco diva)
editore:
Warner Chappell, See This House Music (dal 1983 a oggi) e Sweet Summer Night Music (dal 1983 a oggi)
Donna Summer54:12
12Penny Lover
produttore:
James Anthony Carmichael e Lionel Richie
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
registrazione di:
Penny Lover
paroliere:
Brenda Harvey–Richie e Lionel Richie
compositore:
Lionel Richie
editore:
Brockman Music
Lionel Richie33:47
13Wouldn’t It Be Good (album version)
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore corno :
Jerry Hey e Nik Kershaw
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983, nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 88)
registrazione di:
Wouldn’t It Be Good (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:30
14Brand New Toy
registrazione di:
Brand New Toy
autore:
Dirk Darmstaedter e Christoph Maria Kaiser
editore:
Antenna Musik GmbH
The Jeremy Days4:01
15Under the Boardwalk (album version)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1987)
registrazione cover di:
Under the Boardwalk
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), TM Music Ltd. e Trio Music Company
Bruce Willis2.353:03
16Keine Sterne in Athen (3-4-5 x in 1 Monat)
co-produttore:
Klaus Voormann (nel 1986)
produttore:
Stephan Remmler (nel 1986)
tecnico di missaggio:
Udo Arndt (nel 1986)
diritti fonografici (℗) detenuti da:
Phonogram GmbH (nel 1986)
registrazione di:
Keine Sterne in Athen (nel 1986)
paroliere e compositore:
Stephan Remmler
editore:
George Glück Musik (nel 1986) e Hilaster Bavilario Music (publisher) (nel 1986)
cita la musica di:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Stephan Remmler3:08
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