Mad About Sopranos

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Tosca, Atto II. “Vissi d'arte”
bass-baritone vocals [Scarpia]:
Samuel Ramey (bass-baritone)
Soprangesang [Tosca]:
Mirella Freni (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:39
2La Traviata: Atto I. “Sempre libera”
Soprangesang [Violetta]:
Cheryl Studer (soprano)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:43
3Le nozze di Figaro: Atto II. “Porgi, amor”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) und Wolf‐Dieter Karwatky (in 1990-05)
Produzent(in):
Cord Garben (pianist and conductor)
Soprangesang [La Contessa]:
Kiri Te Kanawa (soprano) (in 1990-05)
Orchester:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
Tonmeister(in):
Wolfgang Mitlehner (in 1990-05)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
aufgenommen bei:
Manhattan Center in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1990-05)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:21
4Les Contes d'Hoffman: Acte II. “Les Oiseaux dans la charmille”
Chorgesang:
Chœur de Radio France
Soprangesang [Olympia]:
Edita Gruberová (soprano)
Orchester:
Orchestre national de France (Französisches Nationalorchester, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
chorus master:
Jacques Jouineau (chorus master)
recording of:
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) (Chanson d’Olympia)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:35
5Don Giovanni: Atto I. “Batti, batti, o bel Masetto”
Produzent(in):
Michel Glotz und Werner Mayer (classical producer)
Bass-Gesang [Massetto]:
Alexander Malta (operatic bass / baritone) (in 1985-01)
Soprangesang [Zerlina]:
Kathleen Battle (soprano) (in 1985-01)
Orchester:
Berliner Philharmoniker (in 1985-01)
conductor:
Herbert von Karajan (conductor) (in 1985-01)
Tonmeister(in):
Günter Hermanns (producer/engineer) (in 1985-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1986)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (in 1985-01)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1985-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:03
6Die Walküre: Erster Aufzug: “Du bist der Lenz”
Soprangesang:
Jessye Norman (soprano)
Orchester:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
teilweise recording of:
Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“
Komponist(in):
Richard Wagner (composer) (von 1854-06-28 bis 1856-03-23)
Librettist:
Richard Wagner (composer)
Teil von:
Die Walküre, WWV 86B: Akt I
Richard Wagner2:13
7Aida: Atto I. “Ritorna vincitor”
leitende(r) Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) und Renate Kupfer (artistic director)
Soprangesang [Aida, schiava etiope]:
Katia Ricciarelli (soprano) (in 1981-01)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1981-01)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto I
Giuseppe Verdi5:34
8Le nozze di Figaro: Atto II. “Venite... inginocchiatevi”
Soprangesang [Susanna]:
Dawn Upshaw (soprano)
Orchester:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:57
9Così fan tutte: Atto I. “In uomini, in soldati” (Despina's Aria)
Soprangesang:
Marie McLaughlin (soprano)
Orchester:
Wiener Philharmoniker
conductor:
James Levine (US conductor and pianist)
recording of:
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:29
10Die Zauberflöte: Akt II. “Der Hölle Rache …” (Queen of the Night's Vengeance Aria)
Soprangesang [Königin der Nacht]:
Karin Ott (soprano)
conductor:
Herbert von Karajan (conductor)
Interpret(in):
Berliner Philharmoniker
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:59
11Die Zauberflöte: Akt II. “Ach, ich fühl's …”
Soprangesang [Pamina]:
Edith Mathis (soprano)
Orchester:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:56
12Turandot: Atto I. “Signore, ascolta”
Soprangesang [Liù]:
Barbara Hendricks (soprano)
Orchester:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:50
13Madama Butterfly: Atto II. “Vedrai, piccolo amor”
Mezzosoprangesang [Suzuki]:
Teresa Berganza (mezzo-soprano)
Soprangesang [Butterfly]:
Mirella Freni (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Madama Butterfly: Atto II. “Va via! – Vedrai, piccolo amor, mia pena e mio conforto” (Butterfly, Suzuki)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:40
14Manon Lescaut: Atto II. “In quelle trine morbide”
Soprangesang [Manon]:
Mirella Freni (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
Giacomo Puccini2:24
15Manon Lescaut: Atto IV. “Sola, perduta, abbandonata”
Soprangesang [Manon]:
Mirella Freni (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto IV
Giacomo Puccini4:52
16Turandot: Atto III. “Tu che di gel sei imponenti” (Death of Liu)
Soprangesang [Liù]:
Mirella Freni (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:50
17Don Giovanni: Atto I. “Or sai chi l'onore”
Produzent(in):
Michel Glotz und Werner Mayer (classical producer)
Soprangesang [Donna Anna]:
Anna Tomowa‐Sintow (soprano) (in 1985-01)
Orchester:
Berliner Philharmoniker (in 1985-01)
conductor:
Herbert von Karajan (conductor) (in 1985-01)
Tonmeister(in):
Günter Hermanns (producer/engineer) (in 1985-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1986)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (in 1985-01)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (in 1985-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:04
18Der Rosenkavalier: Akt III. “Heut oder morgen …” (Final Trio)
Mezzosoprangesang:
Agnes Baltsa (mezzo-soprano)
Soprangesang:
Janet Perry (soprano) und Anna Tomowa‐Sintow (soprano)
Orchester:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Heut oder morgen oder den übernächsten Tag" (Marschallin, Octavian, Sophie)
Komponist(in):
Richard Strauss (German composer) (von 1909 bis 1910)
Librettist:
Hugo von Hofmannsthal
Teil von:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss5:09
19Götterdämmerung: Dritter Aufzug. “Fliegt heim, ihr Raben!” (Brunnhilde's Immolation Scene)
vocals:
Hildegard Behrens (soprano)
Orchester:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene III. Immolation Scene
Komponist(in):
Richard Wagner (composer) (von 1869 bis 1874)
Teil von:
Götterdämmerung, WWV 86D: Akt III, Scene III "War das sein Horn?"
Richard Wagner7:53

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Teil von:Mad About (Deutsche Grammophon) (Reihenfolge: 2)