Greatest Hits (Deluxe)

~ Release by Bob Seger & the Silver Bullet Band (see all versions of this release, 2 available)

Annotation

℗ «2021 Hideout Records & Distributors, Inc., under exclusive license to Capitol Records, LLC»

Countries excluded (Deezer)

(As of 2022-01-15).

  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
Annotation last modified on 2022-01-15 20:16 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Roll Me Away
engineer:
Shelly Yakus
producer:
Jimmy Iovine
mixer:
Greg Edward, Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set):
Russ Kunkel (session drummer)
guitar:
Waddy Wachtel
organ:
Craig Frost
percussion:
Bobbye Hall
piano:
Roy Bittan
synthesizer:
Michael Boddicker
vocals:
Bob Seger
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Hideout Records & Distributors, Inc. (in 1982)
recorded at:
Studio 55 in Los Angeles, California, United States
mixed at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
recording of:
Roll Me Away
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1982)
3.654:40
2Night Moves
engineer:
Brian Christian
producer:
Jack Richardson and Bob Seger
mixer:
Jim Bruzzese
acoustic guitar:
Bob Seger
bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set):
Charlie Allen Martin
guitar:
Drew Abbott and Joe Miquelon
organ and piano:
Doug Riley
saxophone:
Alto Reed
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1976)
recorded at:
Nimbus Nine Studios in Toronto, Ontario, Canada
mixed at:
Pampa Studios in Warren, Michigan, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 290) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 301)
recording of:
Night Moves
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 1976)
4.155:25
3Turn the Page (live)
live recording of:
Turn the Page
lyricist:
Bob Seger
composer:
Bob Seger (in 1972)
publisher:
Gear Publishing and Gear Publishing Co (in 1973)
5:03
4You’ll Accomp’ny Me
recording engineer and engineer:
John Arrias (engineer)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
acoustic guitar and lead vocals:
Bob Seger
bass and bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and drums (drum set) and percussion:
David Teegarden
guest organ, piano and synthesizer, organ, piano and synthesizer:
Bill Payne
guest percussion and percussion:
Sam Clayton
guitar:
Drew Abbott and Bob Seger
saxophone:
Alto Reed
background vocals and guest background vocals:
Ginger Blake, Laura Creamer and Linda Dillard
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1980)
recorded at:
Criteria Studios in Miami, Florida, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
You’ll Accomp’ny Me
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1979)
4.54:01
5Hollywood Nights
engineer:
John Arrias (engineer)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and percussion:
David Teegarden
guitar:
Bob Seger
organ and piano:
Bill Payne
background vocals:
Julia Waters, Luther Waters, Maxine Waters and Oren Waters
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1978)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 99)
recording of:
Hollywood Nights
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1978)
4.355:03
6Still the Same
recording of:
Still the Same
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) (ended) and Gear Publishing Co. (in 1977)
3:23
7Old Time Rock & Roll
engineer:
Greg Hamm (US engineer)
producer:
The Muscle Shoals Rhythm Section and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
David Hood
drums (drum set) and percussion:
Roger Hawkins
guitar:
Ken Bell and Howie McDonald
piano:
Randy McCormick (session musician and songwriter)
saxophone:
Alto Reed
background vocals:
Stanley Carter, George Jackson (US soul songwriter/vocalist) and James Lavell Easley (Blues harmonica player)
vocals:
Bob Seger
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Hideout Records & Distributors, Inc. (in 1978)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
Old Time Rock & Roll
writer:
George Jackson (US soul songwriter/vocalist) and Thomas Jones, III (Songwriter)
publisher:
Muscle Shoals Sound Publishing, Peermusic (UK) Limited and Peermusic III, Ltd. (BMI)
part of:
Risky Business (film soundtrack)
4.53:15
8We’ve Got Tonight
engineer:
Steve Melton (engineer)
producer:
The Muscle Shoals Rhythm Section and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
David Hood
drums (drum set) and percussion:
Roger Hawkins
guitar:
Pete Carr (US guitarist) and Jimmie Johnson (guitar, producer, Muscle Shoals rhythm section)
keyboard:
Barry Beckett
background vocals:
Venetta Fields, Clydie King and Shirley Mathews (US vocalist)
vocals:
Bob Seger
conductor:
Jim Ed Norman
strings arranger:
Jim Ed Norman
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1978)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
We’ve Got Tonite (in 1976)
lyricist and composer:
Bob Seger
publisher:
Hideout Records & Distributors, Inc., 大洋音楽 (Taiyō Music) and Gear Publishing Co (in 1976)
3.354:42
9Against the Wind
recording engineer, engineer, producer and mixer:
Bill Szymczyk
acoustic guitar, guitar and lead vocals:
Bob Seger
bass and bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and drums (drum set) and percussion:
David Teegarden
electric guitar and solo guitar:
Drew Abbott
guest organ, organ, piano and solo piano:
Paul Harris (American keyboardist/pianist session player)
saxophone:
Alto Reed
background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Bob Seger
guest background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1980)
recorded at and mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States
recording of:
Against the Wind
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1980)
3.255:35
10Mainstreet
engineer:
Jerry Masters (US bassist & engineer, in The Hombres) and Steve Melton (engineer)
producer:
M. S. R. S. and Bob Seger
mixer:
Jim Bruzzese
bass guitar:
David Hood
drums (drum set):
Roger Hawkins
guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
organ and piano:
Barry Beckett
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1976)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
mixed at:
Pampa Studios in Warren, Michigan, United States
recording of:
Mainstreet
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 1976)
43:43
11The Fire Inside
5:56
12Like a Rock
assistant engineer:
David Axelbaum and Bob Castle
engineer:
Shelly Yakus
co-producer:
David Cole (American recording engineer and producer)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
David Cole (American recording engineer and producer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
acoustic guitar:
Dawayne Bailey
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set):
Russ Kunkel (session drummer)
organ:
Craig Frost
piano:
Bill Payne
slide guitar:
Rick Vito
background vocals:
Izora Armstead, Douglas Kibble and Martha Wash
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1986)
recorded at and engineered at:
Criteria Studios in Miami, Florida, United States
recording of:
Like a Rock
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 1985)
live recording of:
Like a Rock
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 1985)
55:58
2▶Digital Media