Das Cambridge Buch der Musik

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

This is a set of five Compact Discs accompanying a book that was published in 1994 (first edition) by Zweitausendeins, Frankfurt a. M.: "Das Cambridge Buch der Musik", Stanley Sadie/Alison Latham (editors).

Link to a database entry for the first CD: http://snipurl.com/ikuc

Annotation last modified on 2012-06-12 13:47 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1The Young Person’s Guide to the Orchestra, op. 34 (II. A, S. 65)
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1963-03)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
phonographic copyright (℗) by:
Decca Music Group Limited (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34 (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
part of:
Works of Benjamin Britten by opus number (number: op. 34)
Benjamin Britten16:34
2Chanterai por mon corage (IV. A, S. 107)
orchestra:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
recording of:
Chanterai por mon corage
lyricist:
Guiot de Dijon
Guiot de Dijon4:17
3Organum “Viderunt Omnes”: Beginn (IV. B, S. L 10)
orchestra:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
partial recording of:
Viderunt omnes
lyricist:
[traditional] (special purpose artist)
composer:
Pérotin (European composer, fl. c. 1200 CE)
is based on:
Viderunt omnes
Pérotin2:21
4Messe de Nostre Dame: Kyrie I (IV. C, S. L 13)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) and Kurt Widmer (operatic bass)
choir vocals:
Schola Cantorum Basiliensis
tenor vocals:
Ernst Haefliger (tenor) and Friedreich Melzer (tenor)
conductor:
August Wenzinger (Swiss viola da gamba player and conductor)
partial recording of:
Messe de Nostre Dame: I. Kyrie
lyricist:
[traditional] (special purpose artist)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut3:04
5Ecco la primavera (IV. D, S. L 15)
orchestra and performer:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
recording of:
Ecco la primavera
composer:
Francesco Landini (Italian composer, singer, organist & poet, ca. 1325-1397)
Francesco Landini1:17
6O rosa bella (IV. E, S. L 18)
choir vocals:
Purcell Consort of Voices
conductor:
Grayston Burgess (counter tenor / conductor)
recording of:
O rosa bella
composer:
John Bedingham (English Renaissance composer)
previously attributed to:
John Dunstable (English Renaissance composer)
part of:
Chansonnier Cordiforme
John Dunstable4:28
7Ce moys de may (V. A, S. 129)
orchestra:
The Medieval Ensemble of London (UK 1970/80s early music group) (from 1980-03 until 1980-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1980-03 until 1980-07)
recording of:
Ce moys de may (from 1980-03 until 1980-07)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:07
8Nymphes des bois (V. B, S. 135)
choir vocals:
Purcell Consort of Voices
conductor:
Grayston Burgess (counter tenor / conductor)
recording of:
Nymphes des boys
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:08
9Alma redemptoris mater (V. C, S. 138)
choir vocals:
Christ Church Cathedral Choir, Oxford
conductor:
Simon Preston (organist, conductor, composer)
recording of:
Alma Redemptoris mater (unspecified version)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
version of:
Alma Redemptoris mater à 5
version of:
Alma Redemptoris mater a 6, S. xiii, 108 (One of the four by Lassus)
version of:
Alma Redemptoris mater à 8
version of:
Alma Redemptoris mater I à 6
Orlande de Lassus3:54
10Missa Brevis: Kyrie (V. D, S. 140)
choir vocals:
Choir of St John’s College, Cambridge
conductor:
George Guest (organist and conductor)
recording of:
Missa Brevis: I. Kyrie
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Brevis
Giovanni Pierluigi da Palestrina3:24
11Canzon XIII septimi e octavi toni (1597) (V.E, S. 145)
orchestra:
London Cornett and Sackbut Ensemble
conductor:
Andrew Parrott (conductor)
recording of:
Canzon septimi et octavi toni a 12, Ch. 182 (Sacrae symphoniae, Liber 1)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 182)
part of:
Sacrae symphoniae, Liber 1
Giovanni Gabrieli3:00
12I Must Depart All Hapless (V. F, S. 147)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
I must depart all hapless
composer:
Luca Marenzio (Italian late Renaissance composer & singer)
Luca Marenzio2:22
13Motette “Ave verum corpus” (V. G, S. 150)
choir vocals:
Choir of King’s College, Cambridge (in 1959-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1959-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Ave verum corpus, T 92 (à 4, Gradualia I (1605)) (in 1959-07)
composer:
William Byrd (English composer)
publisher:
Oxford University Press
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 92)
part of:
Gradualia ac cantiones sacrae, Liber 1 (1605)
William Byrd4:30
14As Vesta Was From Latmos Hill Descending (V. H, S. 155)
orchestra:
The Wilbye Consort
conductor:
Peter Pears (tenor)
recording of:
As Vesta Was From Latmos Hill Descending
composer:
Thomas Weelkes (English composer & organist, c. 1576–1623)
part of:
The Triumphs of Oriana (number: 18)
Thomas Weelkes3:13
15Coranto “Alarm” (V.L.S. 158)
virginal:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Coranto: Alarm (V.L.S. 158)
composer:
John Bull (16th century composer)
John Bull1:22
16I Must Complain (V.J.S. 160)
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Consort of Musicke (British early-music group)
conductor:
Anthony Rooley (lute player / conductor)
recording of:
The Third Booke of Songs or Ayres, No. 17: "I must complain"
composer:
John Dowland (composer and lutenist) (in 1603)
part of:
The Third Booke of Songs or Ayres
John Dowland3:24
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