AA302: From Composition to Performance: Musicians at Work (block 1: red)

~ Release by The Open University (see all versions of this release, 3 available)

Tracklist

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#TitleArtistRatingLength
1Mater Christi Sanctissima
choir vocals:
Christ Church Cathedral Choir, Oxford
conductor:
Stephen Darlington (conductor/organist)
recorded at:
Dorchester Abbey in Dorchester on Thames, Oxfordshire, England, United Kingdom
recording of:
Mater Christi sanctissima
composer:
John Taverner (16th century composer)
John Taverner7:11
2In jejunio et fletu
producer:
David R. Murray
choir vocals:
Taverner Consort
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
St John-at-Hackney, London in Hackney, London (Greater London), England, United Kingdom (from 1986-11 until 1987-05)
recording of:
In ieiunio et fletu (à 5, Cantiones sacrae (1575))
composer:
Thomas Tallis (composer)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis4:12
3O nata lux
producer:
David R. Murray
choir vocals:
Taverner Choir and Taverner Consort
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
St John-at-Hackney, London in Hackney, London (Greater London), England, United Kingdom (from 1986-11 until 1987-05)
recording of:
O nata lux (à 5, Cantiones sacrae (1575))
composer:
Thomas Tallis (composer)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis1:44
4Salvator mundi I
producer:
David R. Murray
choir vocals:
Taverner Consort
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
St John-at-Hackney, London in Hackney, London (Greater London), England, United Kingdom (from 1986-11 until 1987-05)
recording of:
Salvator mundi (I) (à 5, Cantiones sacrae (1575))
composer:
Thomas Tallis (composer)
part of:
Dow Partbooks (1580) (number: 20) and Peterhouse Partbooks (manuscript c. 1625-1640)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis2:33
5Spem in alium (final section)
choir vocals:
Taverner Choir
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort
recording of:
Spem in alium
composer:
Thomas Tallis (composer)
Thomas Tallis3:30
6Selva Morale e Spirituale: Kyrie I
choir vocals:
Taverner Choir
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
Claudio Monteverdi0:58
7Selva Morale e Spirituale: Gloria a 7
choir vocals:
Taverner Choir
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
Claudio Monteverdi4:34
8Lapidabunt Stephanum
alto vocals:
Gérard Lesne (countertenor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
tenor vocals:
Josep Benet (Tenor)
recording of:
Lapidabant Stephanum, SV 207
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 207)
Claudio Monteverdi1:26
9Quel augellin che canta
orchestra:
The Consort of Musicke (British early-music group) (on 1984-03-26)
conductor:
Anthony Rooley (lute player / conductor) (on 1984-03-26)
performer:
The Consort of Musicke (British early-music group)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (on 1984-03-26)
recording of:
Quel augellin che canta si dolcemente, SV 87 (on 1984-03-26)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 87)
part of:
Quarto libro de madrigali, SV 75–93
Claudio Monteverdi2:18
10Euridice, ‘Lassa che di spavento’
harpsichord:
David Rowland (chorus master)
soprano vocals:
Zoë Brown (soprano)
partial recording of:
Euridice (Peri)
composer:
Jacopo Peri (in 1600)
librettist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist) (in 1600)
premiered at:
Sala Bianca del Palazzo Pitti in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (on 1600-10-06)
Jacopo Peri1:19
11L’Orfeo, Act 2, ‘Pastor lasciate il canto’
conductor:
Charles Medlam (cellist, viol player and conductor)
partial recording of:
L’Orfeo: Atto secondo
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:20
12L’Orfeo, Act 4, ‘O dolcissimi lumi’
conductor:
Charles Medlam (cellist, viol player and conductor)
recording of:
L'Orfeo: Atto quarto. O dulcissimi lumi, io pur vi veggio (Orfeo, Spirito)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto quarto
Claudio Monteverdi0:58
13Vespro della Beata Vergine, ‘Dixit Dominus’
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Alastair Miles (operatic bass) (in 1989-05) and Bryn Terfel (bass‐baritone opera singer) (in 1989-05)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-05)
soprano vocals:
Ann Monoyios (soprano) (in 1989-05) and Marinella Pennicchi (soprano) (in 1989-05)
tenor vocals:
Nigel Robson (tenor) (in 1989-05) and Mark Tucker (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-05) and His Majestys Sagbutts and Cornetts (British early music group) (in 1989-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia (Venice), Venezia, Veneto, Italy (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: II. Psalmus I "Dixit Dominus" (in 1989-05)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi7:20
14L’Incoronazione di Poppea, Act 3, ‘Pur ti miro’
conductor:
René Jacobs (conductor) (in 1990-02)
performer:
Concerto Vocale (Belgian baroque/early music ensemble) (in 1990-02)
recorded at:
Kloster Machern (Bernkastel) in Bernkastel-Kues, Rheinland-Pfalz (Rhineland-Palatinate), Germany (in 1990-02)
recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone) (in 1990-02)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi4:20
15Duet op. 3 no. l (exposition)
piano:
David Rowland (chorus master) and Robert Philip
partial recording of:
Duetto per due piani in Do maggiore, op. 3 no. 1: I. Allegro spiritoso
composer:
Muzio Clementi (composer)
Muzio Clementi1:46
16Sonata, op. 2 no. 2: I.
piano:
David Rowland (chorus master)
recording of:
Sonata per piano in Da maggiore, op. 2 no. 2: I. Allegro quasi presto
composer:
Muzio Clementi (composer)
Muzio Clementi5:16
17Variations on the Black Joke, theme and variations 1–3
piano:
David Rowland (chorus master)
partial recording of:
The Black Joke in Sol maggiore, WoO 2
composer:
Muzio Clementi (composer)
Muzio Clementi1:58
18Symphony no. 104: IV.
orchestra:
London Classical Players
conductor:
Sir Roger Norrington (conductor)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale. Spiritoso
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn6:34
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