The Most Relaxing Classical Album in the World… Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Wachet Auf, Ruft Uns Die Stimme, BWV 140: Zion Hört Die Wächter Singen
Chorgesang:
South German Madrigal Choir (von 1967-07-15 bis 1967-07-20)
Orchester:
Consortium Musicum (von 1967-07-15 bis 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (von 1967-07-15 bis 1967-07-20)
Bearbeitung von:
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" von South German Madrigal Choir, Theo Altmeyer (German tenor), Consortium Musicum, Wolfgang Gönnenwein (conductor)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (von 1967-07-15 bis 1967-07-20)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:30
2Adagio for Organ and Strings in G minor
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
teilweise recording of:
Adagio for Strings and Organ in G minor
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni5:53
3Quintet for 2 Violins, Viola and 2 Cellos in E major, op. 11 no. 5/G 27
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (in 1986)
conductor:
Sir Neville Marriner (conductor) (in 1986)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse) (in 1986)
Orchestrator(in):
Charles Woodhouse (violinist, arranger, composer)
Komponist(in):
Luigi Boccherini (Italian composer) (in 1771)
Orchestrierung von:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (Streichquintett Nr. 11 E-Dur, op. 11. Nr. 5, G. 275: III. Minuetto - Trio)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
Komponist(in):
Luigi Boccherini (Italian composer)
Arrangement von:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (Streichquintett Nr. 11 E-Dur, op. 11. Nr. 5, G. 275: III. Minuetto - Trio)
Luigi Boccherini3:58
4Concerto for Harpsichord in F minor, BWV 1056: II. Largo
Produzent(in):
John Fraser (UK producer)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist) (in 1986-04)
Orchester:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
Tonmeister(in):
Mark Vigars (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:29
5Thaïs: Meditation
Produzent(in):
Gerd Berg (producer) und Dietmar Wolf (Classical Music Producer)
Geige / Violine:
Hans Kalafusz (violinist)
Solo-Geige / Violine:
Hans Kalafusz (violinist) (von 1987-03-09 bis 1987-03-12)
Orchester:
Radio‐Sinfonieorchester Stuttgart (Radio-Sinfonieorchester Stuttgart des SWR) (von 1987-03-09 bis 1987-03-12)
conductor:
Sir Neville Marriner (conductor) (von 1987-03-09 bis 1987-03-12)
Tonmeister(in):
Franck Richter (engineer)
aufgenommen bei:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Deutschland (von 1987-03-09 bis 1987-03-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (von 1987-03-09 bis 1987-03-12)
Komponist(in):
Jules Massenet (French Romantic composer) (in 1894)
Teil von:
Classic 100: Music of France (2012) (Nummer: 14)
Teil von:
Thaïs: Acte II
Jules Massenet5:07
6Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Klavier:
Dame Moura Lympany (British pianist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
teilweise recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Ludwig van Beethoven4:00
7Les Contes d’Hoffmann: Barcarolle
Chorgesang:
René Duclos Chorus (von 1964-09-01 bis 1965-05-27)
contralto vocals [une voix] und Mezzosoprangesang [Nicklausse]:
Jeannine Collard (mezzo-soprano / contralto) (von 1964-09-01 bis 1965-05-27)
Soprangesang [Giulietta]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (von 1964-09-01 bis 1965-05-27)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (von 1964-09-01 bis 1965-05-27)
conductor:
André Cluytens (Belgian-born French conductor) (von 1964-09-01 bis 1965-05-27)
chorus master:
Jean Laforge (choral conductor) (von 1964-09-01 bis 1965-05-27)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1965-05-26 bis 1965-05-27)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur) (von 1964-09-01 bis 1965-05-27)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (von 1964-09-01 bis 1965-05-27)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:53
8Prayer From “Coppelia”
Orchester:
Paris Opera Orchestra
conductor:
Jean-Baptiste Mari (conductor)
recording of:
Coppélia : Tableau III, No. 20c. La Prière
Komponist(in):
Léo Delibes (French composer) (in 1870)
Teil von:
Coppélia : Tableau III
Léo Delibes3:45
9Concerto for Clarinet in A major, K. 622: II. Adagio
Klarinette:
Jack Brymer (clarinettist)
Orchester:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
teilweise recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Konzert für Klarinette und Orchester A-Dur, KV 622: II. Adagio)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1791-09-28 bis 1791-10-07)
Teil von:
Concerto for Clarinet in A major, K. 622 (Konzert für Klarinette und Orchester A-Dur, KV 622)
Wolfgang Amadeus Mozart4:42
10Cavalleria Rusticana: Intermezzo
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:44
11Serenade for Strings in E major, op. 22: I. Moderato
Orchester:
London Chamber Orchestra
conductor:
Christopher Warren‐Green (violinist and conductor)
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
Komponist(in):
Antonín Dvořák (composer) (von 1875-05-03 bis 1875-05-14)
überarbeitet von:
Antonín Dvořák (composer) (in 1878)
Teil von:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade für Streichorchester E-Dur, op. 22, B. 52)
Antonín Dvořák4:44
12Gianni Schicchi: O Mio Babbino Caro
Produzent(in):
Christopher Bishop (conductor/producer)
Soprangesang [Lauretta]:
Montserrat Caballé (soprano) (von 1970-03-31 bis 1970-04-10)
Orchester:
London Symphony Orchestra (von 1970-03-31 bis 1970-04-10)
conductor:
Charles Mackerras (Australian conductor) (von 1970-03-31 bis 1970-04-10)
Tonmeister(in):
Neville Boyling (engineer) (von 1970-03-31 bis 1970-04-10)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-03-31 bis 1970-04-10)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (von 1970-03-31 bis 1970-04-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:45
13Fantasia on “Greensleeves”
Produzent(in):
Victor Olof
Orchester:
Sinfonia of London (original Gordon Walker formed orchestra) und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
arranger:
Ralph Greaves (in 1934)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Fantasia on “Greensleeves” (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Ralph Vaughan Williams (English composer) (von 1924 bis 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
basiert auf:
Greensleeves (generic entry for traditional and unknown arrangements)
basiert auf:
Lovely Joan (traditional English folk song)
basiert auf:
Sir John in Love
Ralph Vaughan Williams4:42
14Concerto for Piano no. 2 in C minor, op. 18: II. Adagio sostenuto
Klavier:
Cécile Ousset (French pianist)
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
teilweise recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Premiere in:
Moscow (Moskau), Russland (am 1900-12-15)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1900 bis 1901-04)
Teil von:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninoff4:35
15Quartet for Strings no. 2 in D major: III. Andante “Nocturne”
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
String Quartet no. 2 in D major: III. Notturno (catch-all for arrangements)
Komponist(in):
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
Arrangement von:
String Quartet no. 2 in D major: III. Notturno. Andante
Alexander Borodin4:01
16Concierto de Aranjuez for Guitar: II. Adagio
Gitarre und klassiche Gitarre:
Julian Bream
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
teilweise recording of:
Concierto de Aranjuez: II. Adagio
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo54:49
17Adagio for Strings, op. 11
Orchester:
The Philadelphia Orchestra (in 1957, in 1985)
conductor:
Eugene Ormandy (conductor) (in 1957, in 1985)
recording of:
Adagio for Strings (in 1957)
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
teilweise recording of:
Adagio for Strings
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber36:25
18Carmen: Act 3 Prelude “Intermezzo”
Orchester:
Orchestre national de France (Französisches Nationalorchester, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte III
Teil von:
Carmen: Act III (english lyrics)
Teil von:
Carmen: Akt 3 (German translation, Julius Hopp)
Teil von:
Carmen: Atto III (italian lyrics)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
Teil von:
Carmen Suite no. 1
Georges Bizet2:32