Universal Music Presents The Ultimate Movie Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Cosmic Dancer (“Billy Elliot”)
Techniker(in):
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen und Martin Rushent
Produzent(in):
Tony Visconti
E-Bass:
Steve Currie (von 1971-03 bis 1971-06)
E-Gitarre und Sologesang:
Marc Bolan (von 1971-03 bis 1971-06)
Perkussion:
Mickey Finn (musician and T. Rex member) (von 1971-03 bis 1971-06)
Schlagzeug:
Bill Legend (von 1971-03 bis 1971-06)
Hintergrundgesang:
Howard Kaylan (von 1971-03 bis 1971-06) und Mark Volman (von 1971-03 bis 1971-06)
vocals:
Marc Bolan (von 1971-03 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) und Tarantula Productions (in 1971)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 445)
recording of:
Cosmic Dancer (von 1971-03 bis 1971-06)
Texter und Komponist(in):
Marc Bolan
T. Rex44:30
2Pelagia’s Song (“Captain Corelli’s Mandolin”)
recording engineer und Mix:
Chris Dibble (engineer)
Produzent(in):
Stephen Warbeck
Editing:
Andy Glen
Tenor-Gesang:
Russell Watson (tenor)
conductor:
Nick Ingman
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recording of:
Ricordo ancor (Il mandolino del capitano Corelli - “Pelagia’s Song”)
Orchestrator(in) und Komponist(in):
Stephen Warbeck
Texter:
Paco Reconti
Russell Watson3:46
3Love Is All Around (“Four Weddings and a Funeral”)
Koproduzent(in):
Graeme Duffin
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.854:00
4Maid Marian at the Waterfall / Everything I Do (“Robin Hood: Prince of Thieves”)
Orchester:
Michael Kamen Symphony Orchestra
conductor:
Michael Kamen (American score composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1998)
recording of:
Maid Marian at the Waterfall / Everything I Do
Medley von:
Marian at the Waterfall (Robin Hood: Prince of Thieves)
Medley von:
(Everything I Do) I Do It for You
Michael Kamen4:31
5John Dunbar Theme (“Dances With Wolves”)
recorded in:
Culver City, California (Kalifornien), Vereinigte Staaten (in 1991-02)
Techniker(in):
Joel Moss (in 1991-02)
Produzent(in):
Michael Gore (producer)
Orchester:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1991) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
John Dunbar Theme (Dances With Wolves) (in 1991-02)
Komponist(in):
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) und EMI Virgin Music Publishing
Teil von:
Dances With Wolves
Hollywood Bowl Orchestra, John Mauceri2:29
6Any Other Name (“American Beauty”)
recording engineer:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Tom Hardisty (film score engineer) und David Marquette
Produzent(in):
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) und Thomas Newman (American score composer)
Mix:
Tom Hardisty (film score engineer) und Dennis Sands (American sound engineer)
assistierendes Editing:
Jordan Corngold
Editing:
Bill Bernstein
Interpret(in):
Nikolaj Bloch und Sally Herbert (violinist, composer, and conductor)
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000)
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Any Other Name
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
publisher:
Cherry Lane Music und Cherry Lane Music Publishing Company Inc.
Teil von:
American Beauty (1999)
Thomas Newman34:10
7The Battle (“Gladiator”)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
teilweise recording of:
The Battle (Gladiator)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Gladiator
The Lyndhurst Orchestra, Gavin Greenaway8:50
8Goldberg Variations (“The Silence of the Lambs”)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) und Stefan Flock
Sound-Engineering:
Andrew Wedman (producer and engineer)
Produzent(in):
Dr. Peter Czornyj und Werner Mayer (classical producer)
Editing:
Mark Buecker (engineer of classical recordings)
Klavier:
Андрей Гаврилов (Andrei Gawrilow, pianist) (in 1992-09)
Solo-Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist) (in 1992-09)
Tonmeister(in):
Andrew Wedman (producer and engineer) (in 1992-09)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
aufgenommen bei:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen, Deutschland (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Andrei Gavrilov4:49
9She (“Notting Hill”)
recording engineer:
Gareth Cousins und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Paul Hicks
Produzent(in):
Trevor Jones (South African score composer)
Mix:
Gareth Cousins
Bassgitarre:
Trevor Barry
Instrumente:
Clem Clempson
Klavier:
Dave Hartley (pianist)
Schlagzeug:
Paul Clarvis (percussionist)
Vibraphon:
Frank Ricotti (percussionist)
vocals:
Elvis Costello
Orchester:
London Symphony Orchestra
conductor:
Geoffrey Alexander
arranger:
Julian Kershaw
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1999)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
She (Seven Faces of Woman)
Texter:
Herbert Kretzmer
Komponist(in):
Charles Aznavour
publisher:
Essex Music International, Inc. und Standard Music Publishing Ltd.
übersetzte Version von:
Tous les visages de l’amour
Elvis Costello2.53:08
10Son of a Preacher Man (“Pulp Fiction”)
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:28
11Main Theme (“Mission Impossible”)
Interpret(in):
Artie Kane
phonographisches Urheberrecht (℗) von:
Philips Classics (See annotation to check it's really this label.) (in 1996)
recording of:
Mission: Impossible
Komponist(in):
Lalo Schifrin (pianist & composer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
Mission: Impossible III (2006 film soundtrack)
Artie Kane, Orchestra1:05
12Let the Draw Begin (“Waking Ned”)
conductor:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1998)
The Irish Film Orchestra, Fiachra Trench4:01
13Love Theme (“Out of Africa”)
Produzent(in):
Job Maarse
Orchester:
Boston Pops Orchestra (in 1988-05, am 1988-06-04)
conductor:
John Williams (American score composer) (in 1988-05, am 1988-06-04)
arranger:
Joseph Reisman
Tonmeister(in):
John McClure (recording engineer and record producer) (in 1988-05)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1988-05-18, am 1988-06-04)
instrumental recording of:
The Music of Goodbye (Love Theme from “Out of Africa” introduced in 1987) (von 1988-05-18 bis 1988-06-04)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
John Barry (English score composer)
Teil von:
Out of Africa (soundtrack of the 1985 film)
Boston Pops Orchestra, John Williams2:57
14Piano Concerto no. 3 (“Shine”)
Klavier:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
Orchester:
Concertgebouw Orchestra (Concertgebouworkest Amsterdam)
conductor:
Bernard Haitink (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1987)
teilweise recording of:
Piano Concerto no. 3 in D minor, op. 30 (Konzert für Klavier und Orchester Nr. 3 D-Moll, Op. 30)
komponiert in:
Dresden, Sachsen, Deutschland (bis 1909-09-23)
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (von 1909 bis 1909-09-23)
gewidmet:
Józef Hofmann
Premiere bei:
[concert] (1909-11-28)
publisher:
A. Gutheil (in 1910)
Teil von:
Classic 100: Piano (2025) (Nummer: 21) und Works of Sergei Rachmaninoff by opus number (Nummer: op. 30)
Vladimir Ashkenazy, Royal Concertgebouw Orchestra, Bernard Haitink3:27
15Cavalleria rusticana: Intermezzo (“The Godfather, Part III”)
recording engineer:
Colin Moorfoot (engineer)
Produzent(in):
Michael Woolcock (producer)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (von 1976-06-10 bis 1976-06-16)
conductor:
Gianandrea Gavazzeni (conductor) (von 1976-06-10 bis 1976-06-16)
Tonmeister(in):
Kenneth Wilkinson (engineer) (in 1976-06)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1976-06-10 bis 1976-06-16)
recording of:
Cavalleria rusticana: Intermezzo (von 1976-06-10 bis 1976-06-16)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
National Philharmonic Orchestra, Gianandrea Gavazzeni3:12
16End credits medley (“The Mexican”)
Interpret(in):
Hollywood Film Chorale
phonographisches Urheberrecht (℗) von:
Universal Classics (in 2001)
The Hollywood Film Chorale5:03
17Main Theme (“Body Heat”)
Orchester:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics (See annotation to check it's really this label.) (in 1994)
recording of:
Main Title (Body Heat)
Komponist(in):
John Barry (English score composer)
Teil von:
Body Heat
Hollywood Bowl Orchestra, John Williams4:09
18The Ride of the Valkyries (“Apocalypse Now”)
Orchester:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
teilweise recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Chicago Symphony Orchestra, Sir Georg Solti3:04
19Main Theme / March of the Klingons (“Star Trek V: The Final Frontier”)
Orchester:
Hollywood Bowl Orchestra (in 1994-09)
conductor:
John Mauceri (conductor) (in 1994-09)
phonographisches Urheberrecht (℗) von:
Philips Classics (See annotation to check it's really this label.) (in 1995)
recording of:
Main Theme (Star Trek V: The Final Frontier) (in 1994-09)
Komponist(in):
Jerry Goldsmith (American score composer)
Teil von:
Star Trek V: The Final Frontier
recording of:
March of the Klingons (Star Trek V: The Final Frontier) (in 1994-09)
Komponist(in):
Jerry Goldsmith (American score composer)
Teil von:
Star Trek V: The Final Frontier
Hollywood Bowl Orchestra, John Williams4:09

Nennungen

Veröffentlichung

ASIN:US: B00005QC28 [Info]