Tracklist

1Hybrid SACD: The Sacred Cantatas disc 1
2Hybrid SACD: The Sacred Cantatas disc 2
3Hybrid SACD: The Sacred Cantatas disc 3
4Hybrid SACD: The Sacred Cantatas disc 4
5Hybrid SACD: The Sacred Cantatas disc 5
6Hybrid SACD: The Sacred Cantatas disc 6
7Hybrid SACD: The Sacred Cantatas disc 7
8Hybrid SACD: The Sacred Cantatas disc 8
9Hybrid SACD: The Sacred Cantatas disc 9
10Hybrid SACD: The Sacred Cantatas disc 10
11Hybrid SACD: The Sacred Cantatas disc 11
12Hybrid SACD: The Sacred Cantatas disc 12
13Hybrid SACD: The Sacred Cantatas disc 13
14Hybrid SACD: The Sacred Cantatas disc 14
15Hybrid SACD: The Sacred Cantatas disc 15
16Hybrid SACD: The Sacred Cantatas disc 16
17Hybrid SACD: The Sacred Cantatas disc 17
18Hybrid SACD: The Sacred Cantatas disc 18
19Hybrid SACD: The Sacred Cantatas disc 19
20Hybrid SACD: The Sacred Cantatas disc 20
21Hybrid SACD: The Sacred Cantatas disc 21
22Hybrid SACD: The Sacred Cantatas disc 22
23Hybrid SACD: The Sacred Cantatas disc 23
24Hybrid SACD: The Sacred Cantatas disc 24
25Hybrid SACD: The Sacred Cantatas disc 25
26Hybrid SACD: The Sacred Cantatas disc 26
27Hybrid SACD: The Sacred Cantatas disc 27
28Hybrid SACD: The Sacred Cantatas disc 28
29Hybrid SACD: The Sacred Cantatas disc 29
30Hybrid SACD: The Sacred Cantatas disc 30
31Hybrid SACD: The Sacred Cantatas disc 31
32Hybrid SACD: The Sacred Cantatas disc 32
33Hybrid SACD: The Sacred Cantatas disc 33
34Hybrid SACD: The Sacred Cantatas disc 34
35Hybrid SACD: The Sacred Cantatas disc 35
36Hybrid SACD: The Sacred Cantatas disc 36
37Hybrid SACD: The Sacred Cantatas disc 37
38Hybrid SACD: The Sacred Cantatas disc 38
39Hybrid SACD: The Sacred Cantatas disc 39
40Hybrid SACD: The Sacred Cantatas disc 40
41Hybrid SACD: The Sacred Cantatas disc 41
42Hybrid SACD: The Sacred Cantatas disc 42
43Hybrid SACD: The Sacred Cantatas disc 43
44Hybrid SACD: The Sacred Cantatas disc 44
45Hybrid SACD: The Sacred Cantatas disc 45
46Hybrid SACD: The Sacred Cantatas disc 46
47Hybrid SACD: The Sacred Cantatas disc 47
48Hybrid SACD: The Sacred Cantatas disc 48
49Hybrid SACD: The Sacred Cantatas disc 49
#TitleArtistRatingLength
1Ich habe meine Zuversicht, BWV 188: I. Sinfonia
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": I. Sinfonia (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach7:54
2Ich habe meine Zuversicht, BWV 188: II. Aria "Ich habe meine Zuversicht " (Tenore)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
tenor vocals:
Gerd Türk (German tenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": II. Aria (Tenor) "Ich habe meine Zuversicht" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach6:42
3Ich habe meine Zuversicht, BWV 188: III. Recitativo "Gott meint es gut mit jedermann" (Basso)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": III. Recitativo (Bass) "Gott meint es gut mit jedermann" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach2:01
4Ich habe meine Zuversicht, BWV 188: IV. Aria "Unerforschlich ist die Weise" (Alto)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
countertenor vocals:
Robin Blaze (countertenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": IV. Aria (Alt) "Unerforschlich ist die Weise" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach6:08
5Ich habe meine Zuversicht, BWV 188: V. Recitativo "Die Macht der Welt verlieret sich" (Soprano)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
soprano vocals:
Rachel Nicholls (soprano) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": V. Recitativo (Sopran) "Die Macht der Welt verlieret sich" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach0:46
6Ich habe meine Zuversicht, BWV 188: VI. Choral "Auf meinen lieben Gott "
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": VI. Choral "Auf meinen lieben Gott" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 25)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach1:03
7Ich steh mit einem Fuß im Grabe, BWV 156: I. Sinfonia
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
oboe:
Masamitsu San'nomiya (in 2010-09)
orchestra:
Bach Collegium Japan (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach2:50
8Ich steh mit einem Fuß im Grabe, BWV 156: II. Aria "Ich steh mit einem Fuß im Grabe" (Tenore, Soprano)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
soprano vocals:
Rachel Nicholls (soprano) (in 2010-09)
tenor vocals:
Gerd Türk (German tenor) (in 2010-09)
orchestra:
Bach Collegium Japan (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": II. Aria (Tenor) con Choral (Sopran) "Ich steh mit einem Fuß im Grabe" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johann Hermann Schein (composer) (in 1628)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach6:14
9Ich steh mit einem Fuß im Grabe, BWV 156: III. Recitativo "Mein Angst und Not" (Basso)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": III. Recitativo (Bass) "Mein Angst und Not" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach1:34
10Ich steh mit einem Fuß im Grabe, BWV 156: IV. Aria "Herr, was du willt, soll mir gefallen" (Alto)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
countertenor vocals:
Robin Blaze (countertenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": IV. Aria (Alt) "Herr, was du willst, soll mir gefallen" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach4:02
11Ich steh mit einem Fuß im Grabe, BWV 156: V. Recitativo "Und willst du, dass ich nicht soll kranken" (Basso)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": V. Recitativo (Bass) "Und willst du, daß ich nicht soll kranken" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach1:06
12Ich steh mit einem Fuß im Grabe, BWV 156: VI. Choral "Herr, wie du willt, so schicks mit mir"
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": VI. Choral "Herr, wie du willst, so schicks mir mit" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Kaspar Bienemann (in 1582)
part of:
Breitkopf 389 Choralgesänge (number: 150)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach1:14
13Sehet, wir gehn hinauf gen Jerusalem, BWV 159: I. Arioso e Recitativo "Sehet / Komm, schaue doch" (Basso, Alto)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-09)
countertenor vocals:
Robin Blaze (countertenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso e recitativo (Alt, Bass) "Sehet, wir gehn hinauf gen Jerusalem" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach2:37
14Sehet, wir gehn hinauf gen Jerusalem, BWV 159: II. Duetto "Ich folge dir nach" (Alto, Soprano)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
countertenor vocals:
Robin Blaze (countertenor) (in 2010-09)
soprano vocals:
Rachel Nicholls (soprano) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1656)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach4:19
15Sehet, wir gehn hinauf gen Jerusalem, BWV 159: III. Recitativo "Nun will ich mich" (Tenore)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
tenor vocals:
Gerd Türk (German tenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach0:58
16Sehet, wir gehn hinauf gen Jerusalem, BWV 159: IV. Aria "Es ist vollbracht" (Basso)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach5:52
17Sehet, wir gehn hinauf gen Jerusalem, BWV 159: V. Choral "Jesu, deine Passion"
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Stockmann (in 1633)
part of:
Breitkopf 389 Choralgesänge (number: 194)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach1:29
18Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: I. Chorus "Gott, wie dein Name"
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach2:00
19Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: II. Aria "Herr, so weit die Wolken gehen" (Tenore)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
tenor vocals:
Gerd Türk (German tenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenor) "Herr, so weit die Wolken gehen" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach3:55
20Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: III. Recitativo "Du süßer Jesus-Name du" (Alto)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
countertenor vocals:
Robin Blaze (countertenor) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": III. Recitativo (Alt) "Du süßer Jesus-Name du" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:02
21Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: IV. Aria "Jesus soll mein erstes Wort" (Soprano)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
soprano vocals:
Rachel Nicholls (soprano) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach4:08
22Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: V. Recitativo "Und da du, Herr, gesagt" (Basso)
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:45
23Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: VI. Choral "Lass uns das Jahr vollbringen"
sound engineer:
Andreas Ruge (in 2010-09)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-09)
performer:
Bach Collegium Japan (in 2010-09)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-09)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": VI. Choral "Laß uns das Jahr vollbringen" (in 2010-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johannes Herman (in 1593)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach2:29
50Hybrid SACD: The Sacred Cantatas disc 50
51Hybrid SACD: The Sacred Cantatas disc 51
52Hybrid SACD: The Sacred Cantatas disc 52
53Hybrid SACD: The Sacred Cantatas disc 53
54Hybrid SACD: The Sacred Cantatas disc 54
55Hybrid SACD: The Sacred Cantatas disc 55
56Hybrid SACD: The Secular Cantatas disc 1
57Hybrid SACD: The Secular Cantatas disc 2
58Hybrid SACD: The Secular Cantatas disc 3
59Hybrid SACD: The Secular Cantatas disc 4
60Hybrid SACD: The Secular Cantatas disc 5
61Hybrid SACD: The Secular Cantatas disc 6
62Hybrid SACD: The Secular Cantatas disc 7
63Hybrid SACD: The Secular Cantatas disc 8
64Hybrid SACD: The Secular Cantatas disc 9
65Hybrid SACD: The Secular Cantatas disc 10
66Hybrid SACD: St. John Passion
67Hybrid SACD: St. John Passion
68Hybrid SACD: St. Matthew Passion
69Hybrid SACD: St. Matthew Passion
70Hybrid SACD: Weihnachts-Oratorium
71Hybrid SACD: Weihnachts-Oratorium
72Hybrid SACD: Mass in B minor
73Hybrid SACD: Mass in B minor
74Hybrid SACD: Lutheran Masses I
75Hybrid SACD: Lutheran Masses II
76Hybrid SACD: Easter Oratorio / Ascension Oratorio
77Hybrid SACD: Motets
78Hybrid SACD: Various Vocal Works

Credits