Classic Rock: 1966: The Beat Goes On

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#TitoloArtistaValutazioneDurata
1Eight Miles High
produttore:
Allen Stanton
chitarra a 12 corde :
Roger McGuinn (il 1966-01-25)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 150) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 181)
registrazione di:
Eight Miles High (il 1966-01-25)
autore:
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby e Roger McGuinn
editore:
Gene Clark Music, Reservoir One America, Tickson Music Co. e TRO Essex Music Ltd.
The Byrds4.23:39
2California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.42:43
3Walk Away Renee
tecnico:
Steve Jerome (US songwriter & producer, member of Hot Butter)
produttore:
Bill Jerome, Steve Jerome (US songwriter & producer, member of Hot Butter) e Harry Lookofsky
archi :
Harry Lookofsky (nel 1966)
basso :
John Abbott (member of Hot Butter) (nel 1966)
batteria :
Al Rogers (drummer) (nel 1966)
chitarra :
George "Fluffer" Hirsh (nel 1966)
clavicembalo :
Michael Brown (American singer-songwriter) (nel 1966)
flauto [flute solo played in the middle by] solista :
Jackie Kelso
voce di accompagnamento [harmony vocal]:
George Cameron (nel 1966) e Tom Finn (nel 1966)
voce principale:
Steve Martin-Caro (US singer, member of Left Banke) (nel 1966)
arrangiatore:
John Abbott (member of Hot Butter)
registrata presso:
World United Studios in Manhattan, New York, New York, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 220)
registrazione di:
Walk Away Renée (nel 1966)
autore:
Michael Brown (American singer-songwriter), Bob Calilli e Tony Sansone
editore:
Alley Music Corp., Trio Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Twin Tone (publisher) (nel 1967)
The Left Banke42:45
4Hold On! I'm Comin’
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-03-08)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Sam & Dave (il 1966-03-08)
registrazione di:
Hold On, I’m Comin’ (il 1966-03-08)
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:34
5Mellow Yellow
registrata a:
London (Greater London), England, Regno Unito (nel 1966)
produttore:
Mickie Most (English record producer)
basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (nel 1966)
batteria :
Bobby Orr (nel 1966)
chitarra acustica :
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1966)
corno [horns] :
Danny Moss (nel 1966) e Ronnie Ross (nel 1966)
voce:
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1966)
arrangiatore:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
diritti fonografici (℗) detenuti da:
Epic (US label founded by CBS in 1953, now owned by Sony) (nel 1966)
registrazione di:
Mellow Yellow (nel 1966)
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan (Music) Ltd.
Donovan43:46
6Wouldn’t It Be Nice
tecnico:
Larry Levine (il 1966-01-22) e Ralph Valentin (dal 1966-03 al 1966-04)
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico :
Carol Kaye (il 1966-01-22) e Ray Pohlman (il 1966-01-22)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1966-01-22)
chitarra :
Bill Pitman (il 1966-01-22)
chitarra a 12 corde :
Jerry Cole (il 1966-01-22)
chitarra basso :
Lyle Ritz (il 1966-01-22)
chitarra mandolino :
Barney Kessel (il 1966-01-22)
fisarmonica :
Carl Fortina (il 1966-01-22) e Frank Marocco (il 1966-01-22)
percussione :
Frank Capp (il 1966-01-22)
pianoforte :
Al De Lory (il 1966-01-22)
pianoforte [track piano] :
Larry Knechtel (il 1966-01-22)
sassofono baritono :
Jay Migliori (il 1966-01-22)
sassofono tenore :
Steve Douglas (American saxophonist, flautist and clarinetist) (il 1966-01-22) e Plas Johnson (il 1966-01-22)
tromba :
Roy Caton (trumpet player) (il 1966-01-22)
voce di accompagnamento:
Al Jardine (il 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (il 1966-01-22), Carl Wilson (Beach Boys) (il 1966-01-22) e Dennis Wilson (Beach Boys) (il 1966-01-22)
voce principale:
Mike Love (Beach Boys) (il 1966-01-22) e Brian Wilson (Beach Boys co‐founder) (il 1966-01-22)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, Stati Uniti (il 1966-01-22) e Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1966-01-22)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 297)
registrazione di:
Wouldn’t It Be Nice (il 1966-01-22)
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.42:26
7Hanky Panky
registrazione di:
Hanky Panky
autore:
Jeff Barry e Ellie Greenwich
editore:
Alley Music Corp., T. M. Music (publisher) e Trio Music Co., Inc.
Tommy James & the Shondells2:56
8Lies
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 36)
registrazione di:
Lies
autore:
Beau Charles e Buddy Randell
The Knickerbockers42:46
9My World Is Empty Without You
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
My World Is Empty Without You
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music Co., Inc. e Stone Agate Music Division
The Supremes52:37
10Lightnin’ Strikes
registrazione di:
Lightnin’ Strikes
autore:
Lou Christie e Twyla Herbert
editore:
Lightning Strikes Music, Songs of Universal, Inc. (BMI) e Spirit One Music
Lou Christie3:03
11Daydream
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) e Kama Sutra (nel 1966)
registrazione di:
Daydream (nel 1966-02)
paroliere e compositore:
John B. Sebastian
editore:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:22
12Hungry
registrazione di:
Hungry
autore:
Barry Mann e Cynthia Weil
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paul Revere and the Raiders3:02
13Cool Jerk
The Capitols2:28
14Devil With a Blue Dress On/Good Golly Miss Molly
Mitch Ryder3:06
15Last Train to Clarksville
produttore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
basso :
Larry Taylor (US bassist) (il 1966-07-25)
batteria :
Billy Lewis (drummer) (il 1966-07-25)
chitarra acustica :
Tommy Boyce (US songwriter of Boyce and Hart) (il 1966-07-25)
chitarra elettrica :
Wayne Erwin (il 1966-07-25), Gerry McGee (il 1966-07-25) e Louie Shelton (il 1966-07-25)
percussione :
Gene Estes (il 1966-07-25) e David Walters (session musician for The Monkees) (il 1966-07-25)
tamburello :
Gene Estes (il 1966-07-25)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1966-07-25)
voce principale:
Micky Dolenz (il 1966-07-25)
registrata presso:
RCA Studio A (Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (il 1966-07-25)
registrazione di:
Last Train to Clarksville (il 1966-07-25)
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.62:45
16Going to a Go-Go
produttore:
Bill “Smokey” Robinson
registrazione di:
Going to a Go‐Go
autore:
Warren “Pete” Moore, Smokey Robinson, Bobby Rogers e Marvin Tarplin
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
The Miracles42:49
17Time Won’t Let Me
registrazione di:
Time Won’t Let Me
autore:
Chet Kelley e Tom King (guitarist for The Starfires and The Outsiders)
The Outsiders52:49
18Uptight (Everything’s Alright)
produttore:
Henry Cosby e William Stevenson (Motown songwriter)
voce principale:
Stevie Wonder (nel 1965)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1965)
registrazione di:
Uptight (Everything’s Alright) (nel 1965)
paroliere e compositore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music e Stone Agate Music
Stevie Wonder4.652:57
19Black Is Black
registrazione di:
Black Is Black (nel 1966)
autore:
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) e Steve Wadey (UK songwriter, co-wrote “Black is Black”)
editore:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos43:00
20Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. e Tune-Kel
registrazione di:
Land of 1000 Dances
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. e Tune-Kel
Wilson Pickett42:28
21Along Comes Mary
registrata presso:
Monterey International Pop Music Festival (1967-06-16 – 1967-06-18)
registrata presso:
Monterey County Fairgrounds in Monterey, California, Stati Uniti (il 1967-06-16)
registrazione dal vivo di:
Along Comes Mary (il 1967-06-16)
paroliere e compositore:
Tandyn Almer
The Association2:52
22Over Under Sideways Down
tecnico:
Roger Cameron
produttore:
Simon Napier-Bell e Paul Samwell-Smith
basso e chitarra :
Jeff Beck (English rock guitarist) (dal 1966-04-19 al 1966-04-20)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito (dal 1966-04-19 al 1966-04-20)
registrazione di:
Over Under Sideways Down (dal 1966-04-19 al 1966-04-20)
autore:
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer, Yardbirds member), Keith Relf e Paul Samwell-Smith
editore:
Glenwood Music Corp. e Henrees Music co.
The Yardbirds52:21

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parte di:Classic Rock (Time-Life Music) (numero: 7) (ordine: 7)