Mafia II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Framed
recording of:
Framed
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC und Southern Music Pub. Co. Ltd.
The Coasters2:43
2Got My Mojo Working
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1984)
recording of:
Got My Mojo Working (Muddy Waters arrangement)
zusätzliche(r) Verfasser(in):
Morgan Field (blues musician)
arranger:
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Dare Music Co.
Version von:
Got My Mojo Working (original version)
Muddy Waters52:46
3Honey Love
recording of:
Honey Love
Verfasser(in):
Clyde McPhatter und Jerry Wexler
publisher:
P.M.P.C. Inc.
The Drifters2:22
4I Put a Spell on You
vocals:
Screamin’ Jay Hawkins
Teil von:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 299) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 313)
recording of:
I Put a Spell on You (am 1956-09-12)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
Jalacy Hawkins3.32:25
5In the Still of the Night
Produzent(in):
Marty Kugell
Klavier:
Curlee Glover (in 1956-02)
Kontrabass:
Doug Murray (double bassist) (in 1956-02)
Schlagzeug [drums]:
Bobby Mapp (in 1956-02)
Solo-Saxophon:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (American singer and songwriter) (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) und Fred Parris (in 1956-02)
phonographisches Urheberrecht (℗) von:
Standard Records (in 1956)
aufgenommen bei:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Vereinigte Staaten (in 1956-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956)
Texter und Komponist(in):
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Llee Corp. (LLEE Corporation) (in 1956)
The Five Satins4.52:59
6Keep a‐Knockin’
Bearbeitung von:
Keep A Knockin’ von Little Richard
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 9)
recording of:
Keep a Knockin’ (Little Richard’s version)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
Version von:
Keep a‐Knockin’ an You Can’t Get In
Little Richard52:15
7Ling, Ting, Tong
The Five Keys52:07
8Long Tall Sally
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-07)
Bassgitarre:
Frank Fields (am 1956-02-07)
Gitarre:
Edgar Blanchard (am 1956-02-07)
Klavier und Sologesang:
Little Richard (am 1956-02-07)
Schlagzeug:
Earl Palmer (am 1956-02-07)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-07)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-02-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 13) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 56)
recording of:
Long Tall Sally (am 1956-02-07)
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
Little Richard42:07
9Lucille
recording of:
Lucille
Verfasser(in):
Albert Collins (US blues guitarist/vocalist/harmonica), Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) und Richard Wayne Penniman
publisher:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) und Venice Music
Little Richard2:23
10Mannish Boy
recording of:
Mannish Boy
Verfasser(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer), Mel London und McKinley Morganfield (blues musician)
publisher:
Bug Music Ltd. und Tristan Music Ltd.
Teil von:
Risky Business (film soundtrack)
Muddy Waters2:54
11Nadine
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
E-Bass:
Louis Satterfield (von 1964-01-07 bis 1964-01-09)
Gitarre und Sologesang:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1964-01-07 bis 1964-01-09)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (von 1964-01-07 bis 1964-01-09)
Tenorsaxophon:
Rubin Cooper (von 1964-01-07 bis 1964-01-09) und George Patterson (von 1964-01-07 bis 1964-01-09)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (von 1964-01-07 bis 1964-01-09)
recording of:
Nadine (Is It You?) (von 1964-01-07 bis 1964-01-09)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Limited
Chuck Berry2:31
12No Particular Place to Go
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1964-03-26)
Klavier:
Paul Williams (Pianist, played with Chuck Berry) (am 1964-03-26)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (am 1964-03-26)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (am 1964-03-26)
recording of:
No Particular Place to Go (am 1964-03-26)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:41
13One Kiss Led to Another
The Coasters2:19
14Rags to Riches
cover recording of:
Rags to Riches
Verfasser(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (von 1953 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
Jack Wilson2:38
15Smokestack Lightning
recording of:
Smokestack Lightning
Texter und Komponist(in):
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher)
Chester Burnett3:03
16Speedo
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 3)
recording of:
Speedoo (in 1955-09)
Texter und Komponist(in):
Esther Navarro
The Cadillacs32:17
17Who Do You Love
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1956-05-24) und Jody Williams (blues guitarist/singer) (am 1956-05-24)
Maracas / Rumba-Rasseln:
Jerome Green (am 1956-05-24)
Schlagzeug:
Clifton James (am 1956-05-24)
Hintergrundgesang:
The Moonglows (1950s Cleveland R&B group)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1956-05-24)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (vom 1956 bis heute)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 132)
recording of:
Who Do You Love? (am 1956-05-24)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Ltd.
Bo Diddley3.52:27
18All I Have to Do Is Dream
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 390)
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers52:18
19At the Hop
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 28)
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Danny & the Juniors3.52:36
20C’mon Everybody
E-Bass:
Connie “Guybo” Smith (bass player) (am 1958-10-10)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-10-10)
Klavier:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (am 1958-10-10)
Schlagzeug:
Earl Palmer (am 1958-10-10)
Tamburin:
Jerry Capehart (am 1958-10-10)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-10-10)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-10-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 403)
recording of:
C’mon Everybody (am 1958-10-09)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Edward Cochran and Jerry Capehart41:53
21Cannonball
Duane Eddy1:53
22Come On, Let’s Go
recording of:
Come On, Let’s Go
Texter und Komponist(in):
Ritchie Valens
publisher:
Tro-Essex Music Ltd.
Ritchie Valens52:00
23Come Softly to Me
arranger:
Bonnie Guitar
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1959)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 14)
recording of:
Come Softly to Me
Verfasser(in):
Gretchen Christopher, Barbara Ellis und Gary Troxel (The Fleetwoods’ lead singer and songwriter)
publisher:
Chappell Morris, EMI Unart Catalog Inc. und Unart Music Corp. (in 1958, in 1959)
The Fleetwoods32:22
24Don’t Let Go
recording of:
Don’t Let Go
Texter und Komponist(in):
Jesse Stone
publisher:
Campbell Connelly & Co. Ltd., Scion Three Music LLC und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Roy Hamilton2:28
25Donna
recording engineer:
Larry Levine und Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Bob Keane
phonographisches Urheberrecht (℗) von:
Del-Fi Records Inc. (in 1958)
recording of:
Donna
Texter und Komponist(in):
Ritchie Valens
publisher:
Aberbach Musikverlag (German publisher) und Carlin Music Corporation
Ritchie Valens4.82:20
26Forty Miles of Bad Road
Händeklatschen und sonstiger Gesang [rebel yells]:
The Sharps (US doo wop group from Los Angeles, CA)
Saxophon:
Steve Douglas (American saxophonist, flautist and clarinetist)
recording of:
40 Miles of Bad Road (1959 instrumental) (in 1959)
Komponist(in):
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) und Duane Eddy
instrumental recording of:
40 Miles of Bad Road (1959 instrumental)
Komponist(in):
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) und Duane Eddy
Duane Eddy2:03
27Maybe
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 5)
recording of:
Maybe (am 1957-10-16)
Texter und Komponist(in):
Richard Barrett (US soul producer/singer)
publisher:
Tunecore Digital Music (publisher; not a release label. Use [no label]) und チューンコアジャパン株式会社 (TuneCore Japan, mostly a distributor; not a release label. Use [no label])
The Chantels2:34
28Money (That’s What I Want)
recording of:
Money (That’s What I Want)
Verfasser(in):
Janie Bradford und Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
Barrett Strong2:35
29Movin’ ’n’ Groovin’
Duane Eddy2:01
30Mr. Sandman
The Chordettes2:22
31Not Fade Away
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-05-27)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-27)
Gitarre [lead guitar], Gitarre [rhythm guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Kontrabass:
Joe B. Mauldin (am 1957-05-29)
Schlagzeug:
Jerry Allison (am 1957-05-27, am 1957-05-29)
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-27)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-27)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 107)
recording of:
Not Fade Away (am 1957-05-27)
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
recording of:
Not Fade Away (am 1957-05-29)
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
Charles Holley4.652:15
32Rave On
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 4)
cover recording of:
Rave On
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) und Wren Music Co.
Charles Holley1:47
33Rebel Rouser
Duane Eddy2:23
34Rock Around the Clock
E-Gitarre [lead guitar]:
Danny Cedrone (am 1954-04-12)
E-Gitarre [rhythm guitar] und Sologesang:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
phonographisches Urheberrecht (℗) von:
Sonet Music AB (in 1954) und MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:10
35Sh‐Boom
cover recording of:
Sh‐Boom
Verfasser(in):
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes und Floyd McRae
uraufgeführt von:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts52:45
36Stood Up
vocals:
Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 31)
recording of:
Stood Up
Verfasser(in):
Dub Dickerson und Erma Herrold
publisher:
Francis, Day & Hunter Ltd.
Ricky Nelson1:50
37Summertime Blues
E-Bass:
Connie “Guybo” Smith (bass player) (am 1958-03-28)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-03-28)
Schlagzeug:
Earl Palmer (am 1958-03-28)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-03-28)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1958)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-03-28)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 73) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 432)
recording of:
Summertime Blues (in 1958-05)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Edward Cochran3.751:55
38Teen Beat
recording of:
Teen Beat
Komponist(in):
Arthur Egnoian und Sandy Nelson
publisher:
Lovolar Music
Sander Nelson2:21
39Tequila
recording of:
Tequila
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
The Champs4.32:10
40That’ll Be the Day
Charles Holley32:14
41The Book of Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 12) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 29)
recording of:
Book of Love
Verfasser(in):
Warren Davis, George Malone und Charles Patrick (lead singer for The Monotones)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Nom Music, Inc.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones52:18
42Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:17
43You Can Have Her
recording of:
You Can Have Her (1961 song)
Texter und Komponist(in):
Bill Cook (American songwriter)
publisher:
Big Billy Music und Big Billy Music Co.
Roy Hamilton2:43