| # | Title | Artist | Rating | Length |
|---|
| 1 | Heaven- assistant engineer:
- Mike Fraser , Bruce Lampcov and Michael Sauvage
- engineer:
- Bob Clearmountain (from 1983-06-06 until 1983-06-07)
- associate producer:
- Jim Vallance
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (on 1983-06-16)
- drums (drum set) [drums]:
- Steve Smith (from 1983-06-06 until 1983-06-07)
- electric bass guitar [bass]:
- Dave (from 1983-06-06 until 1983-06-07)
- guitar:
- Keith (from 1983-06-06 until 1983-06-07)
- keyboard [keyboards]:
- Rob Sabino (from 1983-06-06 until 1983-06-07)
- percussion, piano and lead vocals:
- BA (from 1983-06-06 until 1983-06-07)
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1983, in 1984, in 1985) and UMG Recordings, Inc. (in 1983)
- recorded at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1983-06-06 until 1983-06-07)
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (on 1983-06-16)
- part of:
- The Downloader’s Music Source Book (number: 166)
- recording of:
- Heaven (from 1983-06-06 until 1983-06-07)
- written in:
- West Vancouver, Vancouver, British Columbia, Canada (in 1983)
- writer:
- Bryan Adams (in 1983) and Jim Vallance (in 1983)
- publisher:
- Adams Communications Inc. (in 1983, in 1984), Almo Music Corp. (in 1983), Irving Music, Inc. (in 1983), Testatyme Music (in 1983), Calypso Toonz (in 1984) and Rondor Music (London) Ltd. (in 1984)
| Bryan Adams | 4.2 | 4:05 |
| 2 | When You Say Nothing at All | Ronan Keating | 2.75 | 4:06 |
| 3 | You Are the Reason (duet version)- miscellaneous support:
- Tobi Oyenrinde (task: music director)
- programming:
- Ash Howes and Fraser T. Smith
- engineer:
- Brandon Buttner (other vocals [vocals])
- producer:
- Fraser T. Smith and Chris Spilfogel (other vocals [vocal])
- mixer:
- Ash Howes
- cello:
- Ian Burge and Chris Worsey
- double bass:
- Richard Pryce
- keyboard [keyboards]:
- Dion Wardle
- piano:
- Reuben James
- viola:
- Reiad Chibah , Clare Orsler and Rachel Robson
- violin:
- Natalia Bonner , Jayando Cole , Alison Dods , Louisa Fuller , Richard George , Rick Koster , Oli Langford , Nicky Sweeney and Lucy Wilkins
- background vocals:
- Calum Scott
- choir vocals [choir]:
- Kwaku Agyemang , Simone Brown, Nathan J. Gardner , Shola Graham , Dawn Connie Morton-Young, Isaac Opoku-Kyerematen , Rebecca Thomas and Keshia Smith
- guest vocals:
- Leona Lewis
- vocals:
- Calum Scott
- conductor:
- Sally Herbert (strings [string]) and Tobi Oyenrinde (choir vocals [choir])
- strings [string arranger] arranger:
- Sally Herbert
- choir vocals [choir] arranger:
- Tobi Oyenrinde
- phonographic copyright (℗) by:
- Capitol Records (in 2018)
- recorded at:
- Blue Room Studios West in Woodland Hills, California, United States (other vocals [vocals]) and TempleBase Studios in Hollywood, Los Angeles, California, United States (other vocals [vocals])
- mixed at:
- Echo Beach Management in London , England, United Kingdom
- recording of:
- You Are the Reason (in 2018)
- writer:
- Corey James Sanders, Jon Maguire and Calum Scott
- publisher:
- BMG Gold Songs, Crown Songs Ltd and Spirit B-Unique JV S A R L
| Calum Scott & Leona Lewis | 3 | 3:11 |
| 4 | Need You Now- edit of:
- Need You Now by Lady Antebellum
- part of:
- Billboard Decade End Chart: Adult Contemporary Songs (number: 10), Holler's Best 2000s Country Songs (number: 27), Billboard Year-End Hot Country Songs of 2009 (number: 48), Grammy Award: Best Country Performance by a Duo or Group nominees (number: 2011 winner) and Billboard: The 500 Best Pop Songs (number: 325)
- recording of:
- Need You Now
- writer:
- Dave Haywood, Josh Kear, Charles Kelley and Hillary Scott
- publisher:
- Darth Buddha Music, DWHaywood Music, EMI Foray Music, Hillary Down Songs, RADIOBULLETSPUBLISHING, Round Hill Songs Josh Kear, Warner–Tamerlane Publishing Corp. and Year of the Dog Music
| Lady Antebellum | 3.9 | 3:55 |
| 5 | I Won’t Let You Go | James Morrison | 3 | 3:49 |
| 6 | Bubbly | Colbie Caillat | 4.45 | 3:19 |
| 7 | Right Here Waiting | Richard Marx | 3.75 | 4:27 |
| 8 | How Long Will I Love You | Ellie Goulding | 2 | 2:34 |
| 9 | She Will Be Loved | Maroon 5 | 3.35 | 4:17 |
| 10 | You and Me | Lifehouse | 3.75 | 3:16 |
| 11 | Somewhere Only We Know | Keane | 4.5 | 3:57 |
| 12 | Over and Over Again | Nathan Sykes & Ariana Grande | | 4:07 |
| 13 | This Town- recording engineer:
- Julian Burg, Greg Kurstin and Alex Pasco
- producer:
- Greg Kurstin
- assistant mixer:
- Michael Freeman
- mixer:
- Mark “Spike” Stent
- acoustic guitar:
- Greg Kurstin and Greg Leisz
- bass, drums (drum set) [drums], guitar and piano:
- Greg Kurstin
- cello:
- Irina Chirkova
- viola:
- Ilona Geller
- violin:
- Ann Marie Calhoun and Leah Zeger
- vocals:
- Niall Horan
- strings arranger:
- Greg Kurstin
- phonographic copyright (℗) by:
- Neon Haze Music Ltd. (in 2017)
- recorded at:
- EastWest Studios in Hollywood, Los Angeles, California, United States and Echo Studio in Los Feliz, Los Angeles, California, United States
- mixed at:
- The Mixsuite in Los Angeles, California, United States
- recording of:
- This Town
- writer:
- Daniel Bryer, Niall Horan, Mike Needle and Jamie Scott
- publisher:
- NJH Publishing Ltd., RRWP Ltd., Songs of Kobalt Music Publishing and Sony/ATV Music Publishing
| Niall Horan | 3 | 3:54 |
| 14 | I Just Called to Say I Love You (single version) | Stevie Wonder | 4.35 | 4:23 |
| 15 | Back at One- recording engineer:
- Tommy Vicari (other instruments [orchestra])
- drums (drum set) [drum] programming:
- Brian McKnight
- assistant executive producer:
- Damien Smith
- executive producer:
- Bruce Carbone, Kedar Massenburg and Herb Trawick
- producer:
- Brian McKnight
- assistant mixer:
- Tom Bender
- mixer:
- Mick Guzauski
- bass, keyboard, background vocals and background vocals and lead vocals:
- Brian McKnight
- arranger:
- Brian McKnight
- orchestrator:
- Bill K. Meyers
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (other instruments [orchestra])
- mixed at:
- Barking Doctor Recording in Mount Kisco, New York, United States
- recording of:
- Back at One
- lyricist, writer and composer:
- Brian McKnight
- publisher:
- Cancelled Lunch Music, PolyGram International Publishing, Inc. and Universal PolyGram International Publishing, Inc.
| Brian McKnight | 3 | 4:23 |
| 16 | Turn Me On- assistant engineer:
- Mark Birkey
- engineer:
- Jay Newland
- additional producer:
- Arif Mardin
- producer:
- Norah Jones and Jay Newland
- mixer:
- Arif Mardin and Jay Newland
- bass guitar:
- Lee Alexander
- drums (drum set):
- Dan Rieser
- guitar:
- Adam Rogers
- Hammond organ [Hammond B-3]:
- Sam Yahel
- piano and lead vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 2002)
- recorded at:
- Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- cover recording of:
- Turn Me On
- lyricist and composer:
- John D. Loudermilk
- publisher:
- Loudermilk Music, Sony/ATV Acuff Rose Music , ソニー・ミュージックパブリッシング A事業部 and Acuff-Rose Publications, Inc. (on 1961-08-09)
| Norah Jones | 4.2 | 2:33 |
| 17 | Every Breath You Take- engineer:
- Hugh Padgham
- producer:
- Hugh Padgham and The Police
- drums (drum set):
- Stewart Copeland (in 1983)
- electric bass guitar and lead vocals:
- Sting (in 1983)
- electric guitar:
- Andy Summers (in 1983)
- phonographic copyright (℗) by:
- A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (in 1983) and A&M Records, Inc. (in 1997)
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom (in 1983) and Le Studio in Morin‐Heights, Québec , Canada (in 1983)
- music videos:
- Every Breath You Take by The Police
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 35), VH1: 100 Greatest Songs of the 80’s (number: 46), Rolling Stone: 500 Greatest Songs of All Time (number: 84), Billboard: The 500 Best Pop Songs (number: 287) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 305)
- recording of:
- Every Breath You Take (in 1983)
- lyricist and composer:
- Sting
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd , GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. and Virgin Music (Publishers) Ltd.
- sub-publisher:
- Universal Music Publishing France , シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Police | 4.1 | 4:14 |
| 18 | Hello | Lionel Richie | 3.85 | 4:08 |
| 19 | Please Keep Loving Me | James TW | | 3:16 |
| 20 | She | Elvis Costello | 2.5 | 3:06 |
| 21 | The Way You Look Tonight (remastered 2008)- recorded in:
- Los Angeles, California, United States (on 1964-01-27)
- vocals:
- Frank Sinatra (on 1964-01-27)
- conductor:
- Nelson Riddle (on 1964-01-27)
- arranger:
- Nelson Riddle
- cover recording of:
- The Way You Look Tonight (on 1964-01-27)
- publisher:
- Jerome Kern (on 1936-07-24)
- lyricist:
- Dorothy Fields (in 1936)
- composer:
- Jerome Kern (in 1936)
- publisher:
- Aldi Music Company, Chappell & Co., Inc. , Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
- part of:
- Swing Time
| Frank Sinatra | 3.15 | 3:21 |
| 22 | You’re Still the One | Shania Twain | | 3:15 |
| 23 | I’ll Make Love to You- drums (drum set) programming:
- Rayford Griffin
- assistant engineer:
- David Betancourt , Milton Chan , Marty Hornburg and Jamie Seyberth
- engineer:
- Brad Gilderman
- producer:
- Babyface
- mixer:
- Mick Guzauski
- bass:
- Reggie Hamilton
- synthesizer:
- Babyface
- produced for:
- ECAF Productions, Inc.
- recorded at:
- Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and The Enterprise in Burbank, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 185)
- recording of:
- I’ll Make Love to You
- lyricist and composer:
- Kenny Edmonds
| Boyz II Men | 4.65 | 3:59 |
| 24 | My Girl- producer:
- Smokey Robinson and Ronald White
- bass:
- James Jamerson (from 1964-09-25 until 1964-11-17)
- drums (drum set):
- Benny Benjamin (from 1964-09-25 until 1964-11-17)
- guitar:
- Robert White (from 1964-09-25 until 1964-11-17)
- instruments:
- The Funk Brothers (from 1964-09-25 until 1964-11-17)
- strings:
- Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
- background vocals:
- Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (from 1964-09-25 until 1964-11-17) and Paul Williams (from 1964-09-25 until 1964-11-17)
- lead vocals:
- David Ruffin (from 1964-09-25 until 1964-11-17)
- performer:
- The Temptations (from 1964-09-25 until 1964-11-17)
- strings arranger:
- Paul Riser
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1964)
- recorded at:
- Hitsville in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
- part of:
- Billboard: The 500 Best Pop Songs (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (number: 88)
- recording of:
- My Girl (from 1964-09-25 until 1964-11-17)
- lyricist:
- Smokey Robinson
- composer:
- Smokey Robinson and Ronald White
- publisher:
- Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa , Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Temptations | 4.5 | 2:43 |
| 25 | Wonderful Tonight | Eric Clapton | 4.3 | 3:43 |
| 26 | She Is Love | Parachute | | 2:26 |
| 27 | Hey There Delilah | Plain White T’s | 3.8 | 3:53 |
| 28 | This Will Be (an Everlasting Love) | Natalie Cole | 3.5 | 2:52 |
| 29 | Golden Hour- assistant recording engineer:
- Zack Pancoast and Alberto Vaz
- recording engineer:
- Craig Alvin
- producer:
- Ian Fitchuk, Kacey Musgraves and Daniel Tashian
- assistant mixer:
- Ivan Wayman
- mixer:
- Shawn Everett
- editor:
- Jordan Lehning
- acoustic guitar:
- Todd Lombardo and Kacey Musgraves
- baritone guitar:
- Todd Lombardo and Daniel Tashian
- bass and background vocals:
- Daniel Tashian
- drums (drum set), keyboard and piano:
- Ian Fitchuk
- electric guitar:
- Todd Lombardo
- pedal steel guitar:
- Russ Pahl
- lead vocals:
- Kacey Musgraves
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 2018)
- recorded at:
- Big Green Barn in Nashville, Tennessee, United States, House of Blues Studios in Nashville, Tennessee, United States, Royal Plum in Nashville, Tennessee, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Great Gazoo Reading Room in Nashville, Tennessee, United States
- mixed at:
- Subtle McNugget in Los Angeles, California, United States
- recording of:
- Golden Hour
- writer:
- Ian Fitchuk, Kacey Musgraves and Daniel Tashian
| Kacey Musgraves | 4 | 3:18 |
| 30 | At Last | Etta James | 4.5 | 3:01 |
| 31 | Unchained Melody (single version)- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3 | 3:37 |
| 32 | You Can’t Hurry Love- recording engineer:
- Russ Terrana
- engineer:
- Lamont Dozier
- producer:
- Lamont Dozier and Brian Holland
- bass:
- James Jamerson (on 1966-06-11)
- brass [horns]:
- Detroit Symphony Orchestra (on 1966-06-11)
- drums (drum set):
- Benny Benjamin (on 1966-06-11)
- guitar [Gibson L-5]:
- Robert White (on 1966-06-11)
- instruments:
- The Funk Brothers (on 1966-06-11)
- piano:
- Earl Van Dyke (on 1966-06-11)
- tambourine:
- Jack Ashford (on 1966-06-11)
- background vocals:
- Florence Ballard (on 1966-07-05) and Mary Wilson (on 1966-07-05)
- lead vocals:
- Diana Ross (on 1966-07-05)
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1966) and Motown Records (in 2015, in 2017)
- recorded at:
- Hitsville in Detroit, Michigan, United States (from 1966-06-11 until 1966-07-05)
- part of:
- Billboard: The 500 Best Pop Songs (number: 280)
- recording of:
- You Can’t Hurry Love (from 1966-06-11 until 1966-07-05)
- writer:
- Lamont Dozier, Brian Holland and Eddie Holland
- publisher:
- EMI Music Publishing Ltd. , Jobete , Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Supremes | 4.75 | 2:45 |
| 33 | It Had to Be You (2009 remaster) | Frank Sinatra | | 3:53 |
| 34 | Let’s Get It On | Marvin Gaye | 4 | 3:57 |
| 35 | Wouldn’t It Be Nice (remastered) | The Beach Boys | | 2:34 |
| 36 | Accidentally in Love | Counting Crows | 3.7 | 3:09 |
| 37 | Dream a Little Dream of Me (single version)- lead vocals:
- Louis Armstrong
- vocals:
- Louis Armstrong (on 1950-08-25) and Ella Fitzgerald (on 1950-08-25)
- orchestra:
- Sy Oliver and His Orchestra (on 1950-08-25)
- conductor:
- Sy Oliver (on 1950-08-25)
- cover recording of:
- Dream a Little Dream of Me (on 1950-08-25)
- lyricist:
- Gus Kahn (in 1931)
- composer:
- Fabian André (in 1931) and Wilbur Schwandt (in 1931)
- publisher:
- EMI Music Publishing Ltd. , Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. and ティー・アール・オー・エセックス・ジャパン A事業部
- part of:
- The Real Book
- recording of:
- Dream a Little Dream of Me
- lyricist:
- Gus Kahn (in 1931)
- composer:
- Fabian André (in 1931) and Wilbur Schwandt (in 1931)
- publisher:
- EMI Music Publishing Ltd. , Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. and ティー・アール・オー・エセックス・ジャパン A事業部
- part of:
- The Real Book
| Ella Fitzgerald & Louis Armstrong | 5 | 3:08 |
| 38 | Save the Best for Last- producer:
- Keith Thomas
- additional arranger:
- Vanessa Williams
- arranger:
- Keith Thomas
- recording of:
- Save the Best for Last
- writer:
- Phil Galdston, Jon Lind and Wendy Waldman
- publisher:
- Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. , Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
| Vanessa Williams | 3.35 | 3:41 |
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