Pop Classics: 28 Classic Tracks

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Child in Time
Techniker(in):
Andy Knight (UK engineer)
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (von 1969-10 bis 1970-04)
E-Gitarre:
Ritchie Blackmore (von 1969-10 bis 1970-04)
Hammond-Orgel:
Jon Lord (von 1969-10 bis 1970-04)
Schlagzeug:
Ian Paice (von 1969-10 bis 1970-04)
Sologesang:
Ian Gillan (von 1969-10 bis 1970-04)
phonographisches Urheberrecht (℗) von:
HEC Enterprises Ltd. (in 1995)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (von 1969-10 bis 1970-04)
Teil von:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 4), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2018 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2021 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 3) und SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 3)
recording of:
Child in Time (von 1969-10 bis 1970-04)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (bis 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Bombay Calling
Deep Purple4.5510:18
2I Don’t Like Mondays
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979)
recording of:
I Don’t Like Mondays
Texter und Komponist(in):
Johnnie Fingers und Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. und Zomba Music Publishing Ltd.
The Boomtown Rats4.53:45
3Make Me Smile (Come Up and See Me)
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:59
4You Wear It Well
recording of:
You Wear It Well
Verfasser(in):
Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Windswept Pacific Music Ltd. (publishing company)
Rod Stewart4:10
5Whisky in the Jar
Thin Lizzy3:40
6More Than a Feeling
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge (engineer and producer)
Akustikgitarre, Bassgitarre, Gitarre [lead guitar] und Gitarre [rhythm guitar]:
Tom Scholz (von 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (von 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (von 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
früheste Veröffentlichung:
More Than a Feeling von Boston (US rock band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 39), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 500)
recording of:
More Than a Feeling (von 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston3.94:43
7Jane
recording of:
Jane (Jefferson Starship song)
Texter:
David Freiberg und Jim McPherson (singer/songwriter)
Komponist(in):
Craig Chaquico, David Freiberg, Paul Kantner und Jim McPherson (singer/songwriter)
publisher:
Carlin Music Corp.
Jefferson Starship3.754:00
8Airport
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 19)
recording of:
Airport
Verfasser(in):
Andy McMaster
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Island Music Ltd. (vom 1978 bis heute)
The Motors3.354:23
9Heart of Glass
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1978, in 1979)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie3:18
10Cool for Cats
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 81)
recording of:
Cool for Cats
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3.53:11
11Crocodile Rock
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
E-Gitarre:
Davey Johnstone
Farfisa-Orgel und Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1972, in 1973) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Crocodile Rock
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.453:56
12Show Me the Way
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1976)
recording of:
Show Me the Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und United Artists Music Co., Inc.
Peter Frampton3:58
13I Want You to Want Me
recording of:
I Want You to Want Me
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
Teil von:
10 Things I Hate About You
Cheap Trick3:38
14Bat Out of Hell
recording of:
Bat out of Hell
Texter und Komponist(in):
Jim Steinman
publisher:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music und Peg Music Co.
Meat Loaf4:49

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