The Very Best of Love Legends

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1When You Tell Me That You Love Me
produttore:
Peter Asher
produttore esecutivo:
Diana Ross
registrazione di:
When You Tell Me That You Love Me
paroliere:
John Bettis
compositore:
Albert Hammond
editore:
Albert Hammond Music, John Bettis Music, WB Music Corp. (1929–2019) e Windswept Music Ltd.
Diana Ross14:13
2Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
3How Do I Live
produttore:
Mike Curb, Chuck Howard (american A&R executive, record and movie producer) e Wilbur C. Rimes
registrazione di:
How Do I Live
paroliere e compositore:
Diane Warren (US songwriter)
editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Realsongs (dal 1997 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 2)
LeAnn Rimes34:09
4One More Night
assistente tecnico:
Steve Chase
tecnico:
John Jacobs (UK producer/engineer) e Hugh Padgham
produttore:
Phil Collins (of Genesis) e Hugh Padgham
chitarra [guitars] :
Daryl Stuermer
chitarra basso [bass] :
Lee Sklar (bassist, session musician)
drum machine [Roland 808] , tastiera [keyboards] , voce di accompagnamento [backing vocals] e voce principale [vocals]:
Phil Collins (of Genesis)
sassofono [sax] solista :
Don Myrick
arrangiatore archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1985), Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (nel 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985) e Philip Collins Ltd. (nel 2016)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito, Old Croft in Surrey, England, Regno Unito e The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
mixata presso:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
One More Night di Phil Collins (of Genesis)
registrazione di:
One More Night
paroliere e compositore:
Phil Collins (of Genesis)
editore:
Hit & Run Music (Publishing) Ltd, Imagem Music, Imagem Music NL e Philip Collins Ltd.
Phil Collins3.94:52
5If Your Not the One
registrazione di:
If You’re Not the One
paroliere e compositore:
Daniel Bedingfield (singer- songwriter)
editore:
Sony/ATV Music Publishing (UK) Ltd.
versione tradotta di:
Se tu non sei lei
Daniel Bedingfield3:41
6Nine Million Bicycles
tecnico:
Steve Sale
produttore:
Mike Batt
basso :
Tim Harries
batteria [drums] :
Henry Spinetti
chitarra :
Jim Cregan (producer & member of Family), Katie Melua e Chris Spedding
flauto :
Adrian Brett
pianoforte :
Mike Batt
strumenti:
The Irish Film Orchestra
tromba :
Dominic Glover (composer, writer, trumpet, flugelhorn and brass)
violino :
Mike Darcy
voce:
Katie Melua
direttore d'orchestra:
Mike Batt
arrangiatore:
Mike Batt
diritti fonografici (℗) detenuti da:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (nel 2015)
registrazione di:
Nine Million Bicycles
paroliere e compositore:
Mike Batt
editore:
Dramatico
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Katie Melua3.23:15
7You Raise Me Up
Brian Kennedy4:08
8Songbird
Eva Cassidy3:44
9Sometimes When We Touch
diritti fonografici (℗) detenuti da:
GRT of Canada Ltd. (nel 1977), McCauley Music Ltd. (nel 1977) e McCauley Music Masters (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 33)
registrazione di:
Sometimes When We Touch
paroliere:
Dan Hill (Canadian singer/songwriter)
compositore:
Barry Mann
editore:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill34:09
10If You’re Lookin’ for a Way Out
registrazione di:
If You’re Looking for a Way Out
autore:
Ralph Kotkov e Sandy Linzer
editore:
EMI Songs Ltd.
Odyssey4:29
11Tired of Being Alone
registrata presso:
Royal Studios in Memphis, Tennessee, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 293)
registrazione di:
Tired of Being Alone
paroliere e compositore:
Al Green (US soul singer, songwriter, pastor and record producer)
editore:
Burlington Music Ltd., Irving Music, Inc. e Universal Music Publishing Group
Al Green4.452:50
12Gonna Make You an Offer You Can’t Refuse
registrazione di:
Gonna Make You an Offer You Can’t Refuse
autore:
John Worth
Jimmy Helms3:39
13Smoke Gets in Your Eyes
registrazione cover di:
Smoke Gets in Your Eyes (catch-all for arrangements)
compositore:
Jerome Kern
arrangiamento di:
Smoke Gets in Your Eyes
Bryan Ferry2:54
14Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:49
15Sway
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (nel 1952)
orchestra:
Dick Stabile and His Orchestra (nel 1952)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1952)
registrazione cover di:
Sway (nel 1952)
paroliere:
Norman Gimbel
compositore:
Pablo Beltrán Ruiz
editore:
Latin-American Music Publishing Co. Ltd.
versione di:
¿Quién será?
Dean Martin42:43
16Hey Paula
voce:
Ray Hildebrand e Jill Jackson
registrazione di:
Hey Paula (nel 1962)
paroliere e compositore:
Ray Hildebrand
editore:
Speckle Music
Paul & Paula2:29
17(Till) I Kissed
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 28)
registrazione di:
(’Til) I Kissed You (il 1959-07-07)
paroliere e compositore:
Don Everly
The Everly Brothers2:24
18I Can’t Let Maggie Go
produttore:
P. Blumsom
batteria :
Peter Kircher (English rock/pop drummer)
chitarra :
Colin Hare
chitarra basso :
Ray Cane
voce principale:
Pete Dello
registrazione di:
I Can’t Let Maggie Go
paroliere e compositore:
Pete Dello
editore:
Ambassador Music Ltd.
Honeybus2:56
19What the World Needs Now Is Love
registrazione di:
What the World Needs Now Is Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (nel 1965), Songs of Fujimusic (nel 1965, nel 1993) e BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1993)
Jackie DeShannon3.63:06
20Tonight I Celebrate My Love
tecnico di registrazione:
Alan R. Hirshberg (nel 1983)
tecnico:
Howard Wolin e Jeremy Smith (producer/engineer)
produttore:
Michael Masser
tecnico di missaggio:
Dick Bogart (Recording and mixing engineer) e Russ Terrano
batteria :
Carlos Vega (nel 1983)
chitarra :
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (nel 1983)
chitarra basso [bass] :
Nathan East (nel 1983)
pianoforte :
Randy Kerber (nel 1983)
voce:
Peabo Bryson (nel 1983) e Roberta Flack (nel 1983)
arrangiatore:
Michael Masser e Gene Page
orchestratore:
Gene Page
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
A&M Records Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983) e Studio Sound in North Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
mixata presso:
Motown Hitsville in West Hollywood, California, Stati Uniti
registrazione di:
Tonight, I Celebrate My Love (nel 1983)
paroliere:
Gerry Goffin
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-editore:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:31

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