| # | Title | Artist | Rating | Length |
|---|
| 1 | American Idiot | Green Day | 4.1 | 2:54 |
| 2 | Take It Away | The Used | | 3:15 |
| 3 | Personal Jesus | Marilyn Manson | | 3:19 |
| 4 | Predictable | Good Charlotte | | 3:06 |
| 5 | Fall Behind Me | The Donnas | | 3:22 |
| 6 | Alt. End | The Cure | 5 | 2:58 |
| 7 | No Phone | CAKE | | 3:34 |
| 8 | We’re All to Blame | Sum 41 | 4.3 | 3:36 |
| 9 | Word Up | Korn | 3.7 | 2:48 |
| 10 | Ocean Breathes Salty | Modest Mouse | | 3:45 |
| 11 | Do You Know (Knife in Your Back) | Killradio | | 3:30 |
| 12 | Hollow | Submersed | 3.65 | 4:08 |
| 13 | Picture Perfect Wannabe | Denver Harbor | | 3:45 |
| 14 | Primitive (The Way I Treat You) | Ambulance LTD | | 3:42 |
| 15 | Freedom Fighters | The Music | | 3:42 |
| 16 | Mexican Radio | Authority Zero | | 2:54 |
| 17 | Dry Your Eyes | The Streets | | 3:14 |
| 18 | Kiss of Life | Supergrass | | 3:39 |
| 19 | Hysteria (I Want You Now) | Muse | | 3:46 |
| 20 | The Empire Strikes First | Bad Religion | | 3:15 |
| 21 | Disappear | Recover | | 3:50 |
| 22 | I’m Not Okay (I Promise) | My Chemical Romance | 3.95 | 3:07 |
| 23 | Give It All- assistant recording engineer:
- Bryan Gallant, Lee Robertson and Scott Ternan
- recording engineer:
- Dean Maher
- audio engineer:
- John O’Mahony
- producer:
- GGGarth
- assistant mixer:
- Steve Sisco
- mixer:
- Andy Wallace
- editor:
- Ben Kaplan
- bass guitar:
- Joe
- drums (drum set):
- Brandon
- guitar:
- Chris and Tim
- vocals:
- Tim
- phonographic copyright (℗) by:
- Geffen Records (in 2004)
- recorded at:
- Plumper Mountain Sound in Gibsons, British Columbia, Canada and The Warehouse Studio in Vancouver, British Columbia, Canada
- mixed at:
- Plumper Mountain Sound in Gibsons, British Columbia, Canada and Soundtrack Studios in New York, New York, United States
- music videos:
- Give It All by Rise Against
- recording of:
- Give It All
- lyricist:
- Tim McIlrath
- composer:
- Brandon Barnes , Chris Chasse, Tim McIlrath and Joe Principe
- publisher:
- Transistor Revolt
| Rise Against | 4 | 2:47 |