Blowing the Fuse: 31 R&B Classics That Rocked the Jukebox in 1957

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Blue Monday
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Frank Music (in 1956), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 12)
recording of:
Blue Monday (am 1955-03-30)
Verfasser(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
Chappell Music (UK) und Chappell Music Ltd.
Fats Domino52:16
2Jim Dandy
recorded in:
New York, New York, Vereinigte Staaten (am 1955-12-21)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
Hintergrundgesang:
The Gliders (UK rock trio) (am 1955-12-21)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1955-12-21)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 344)
recording of:
Jim Dandy (am 1955-12-21)
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation und Unichappell Music, Inc.
LaVern Baker & The Gliders4.52:12
3Love Is Strange
vocals:
Mickey Baker und Sylvia Robinson
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (in 1987)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 7)
recording of:
Love Is Strange (am 1956-10-17)
Texter:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) und Sylvia Robinson
Verfasser(in):
Ethel Smith
Komponist(in):
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. und Ben Ghazi Music, Inc. (publisher) (in 1956)
Mickey & Sylvia4.52:55
4Ain’t Got No Home
recording engineer:
Cosimo Matassa (in 1956-09)
Produzent(in):
Paul Gayten (US R&B)
Gitarre:
Walter “Papoose” Nelson (guitarist in Fats Domino's band) (in 1956-09)
Klavier:
Paul Gayten (US R&B) (in 1956-09)
Kontrabass [bass]:
Frank Fields (in 1956-09)
Posaune:
Edgar Myles (in 1956-09)
Schlagzeug [drums]:
Eugene Jones (drummer) (in 1956-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (in 1956-09) und Eddie Smith (R&B tenor sax) (in 1956-09)
vocals:
Clarence “Frogman” Henry (in 1956-09)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (vom 1956 bis heute) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
J&M Studio (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten (in 1956-09)
recording of:
Ain’t Got No Home (in 1956-09)
Texter und Komponist(in):
Clarence “Frogman” Henry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Clarence “Frogman” Henry2:23
5Since I Met You Baby
Ivory Joe Hunter2:44
6Little Darling
recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
The Gladiolas2:22
7Next Time You See Me
Junior Parker2:38
8Come Go With Me
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
Texter und Komponist(in):
C.E. Quick
publisher:
Fee Bee Music Company und Gil Music Corporation
The Del‐Vikings4.52:39
9Lucky Lips
Ruth Brown2:09
10Just Because
recording of:
Just Because
Texter:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Übersetzer:
Leonard Lee und Lloyd Price (US R&B/soul singer)
übersetzte Version von:
Caro nome
Lloyd Price2:46
11Searchin’
recording of:
Searchin’
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und Tiger (publisher)
The Coasters2:43
12Lucille
recording of:
Lucille
Verfasser(in):
Albert Collins (US blues guitarist/vocalist/harmonica), Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) und Richard Wayne Penniman
publisher:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) und Venice Music
Little Richard2:25
13I’m Walking
phonographisches Urheberrecht (℗) von:
F. D. & Hunter (publisher) (in 1957)
Bearbeitung von:
I’m Walking von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 17)
recording of:
I’m Walkin’ (am 1957-01-03)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Fats Domino52:10
14Over the Mountain, Across the Sea
vocals:
Johnnie Louise Richardson (in 1957) und Joe Rivers (in 1957)
recording of:
Over the Mountain, Across the Sea (in 1957)
Texter und Komponist(in):
Rex Garvin (bis 1957)
Johnnie & Joe2:16
15C.C. Rider
recorded in:
New York, New York, Vereinigte Staaten (am 1957-01-31)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
Gitarre:
Al Caiola (am 1957-01-31) und Roy Gaines (am 1957-01-31)
Klavier:
James Harris (piano) (am 1957-01-31)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1957-01-31)
Marimba:
Phil Kraus (am 1957-01-31)
Schlagzeug [drums]:
Panama Francis (US swing jazz drummer) (am 1957-01-31)
Tenorsaxophon:
Gene Barge (am 1957-01-31) und Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1957-01-31)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-01-31)
vocals:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (am 1957-01-31)
conductor:
Jesse Stone (am 1957-01-31)
arranger:
Jesse Stone
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 12) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
C. C. Rider (Chuck Willis version) (am 1957-01-31)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Co., Tideland Music Publishing Corporation und Unichappell Music, Inc.
Version von:
See See Rider Blues
Chuck Willis42:29
16Short Fat Fannie
Bass:
Ted Brinson (am 1957-04-26)
Gitarre:
Rene Hall (am 1957-04-26)
Klavier:
Leon M. Silby (am 1957-04-26)
Schlagzeug:
Earl Palmer (am 1957-04-26)
Tenorsaxophon:
Jesse James Jones (am 1957-04-26)
vocals:
Larry Williams (1950s rocker) (am 1957-04-26)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-04-26)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 39)
recording of:
Short Fat Fannie (am 1957-04-26)
Texter und Komponist(in):
Lawrence Eugene Williams (1950s rocker) (in 1957)
Larry Williams22:24
17School Day
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre:
Chuck Berry (am 1956-12-15) und Hubert Sumlin (Chicago blues guitarist and singer) (am 1956-12-15)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-12-15)
Schlagzeug:
Fred Below (am 1956-12-15)
Sologesang:
Chuck Berry (am 1956-12-15)
vocals:
Chuck Berry
phonographisches Urheberrecht (℗) von:
N2K und Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-12-15)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 3)
recording of:
School Day (Ring! Ring! Goes the Bell) (am 1956-12-15)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Nightlight Music Pty Ltd.
Chuck Berry4.252:42
18Glory of Love
recording of:
The Glory of Love
Texter und Komponist(in):
Billy Hill (US songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Velvetones2:52
19Louie Louie
Richard Berry2:12
20Mr. Lee
recorded in:
New York, New York, Vereinigte Staaten (am 1957-02-28)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer)
Gitarre:
Al Caiola (am 1957-02-28) und Allen Hanlon (jazz guitarist) (am 1957-02-28)
Klavier:
Ray Ellis (US producer, arranger and conductor) (am 1957-02-28)
Kontrabass [bass]:
Milt Hinton (am 1957-02-28)
Schlagzeug [drums]:
Joe Marshall (jazz drummer) (am 1957-02-28)
Tenorsaxophon:
Jesse Powell (US jazz saxophonist) (am 1957-02-28)
vocals:
The Bobbettes (am 1957-02-28)
conductor:
Reggie Obrecht (am 1957-02-28)
arranger:
Reggie Obrecht
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 36)
recording of:
Mr. Lee (am 1957-02-28)
Verfasser(in):
Reather Dixon, Emma Ruth Pought, Helen Gathers, Jannie Pought und Laura Webb
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Bobbettes42:12
21Think
recording of:
Think
Texter und Komponist(in):
Lowman Pauling
publisher:
Fort Knox Music Inc. (in 1957) und Trio Music Co., Inc. (in 1957)
The “5” Royales2:35
22Let the Four Winds Blow
Bassgitarre:
Frank Fields (in 1957-01)
Gitarre:
Justin Adams (1950s session guitarist) (in 1957-01)
Klavier:
Edward Frank (pianist) (in 1957-01)
Saxophon:
Lee Allen (US jazz tenor saxophonist) (in 1957-01), Clarence Hall (in 1957-01) und Herb Hardesty (in 1957-01)
Schlagzeug:
Charles Williams (1950s US drummer) (in 1957-01)
vocals:
Roy Brown (blues musician)
cover recording of:
Let the Four Winds Blow (in 1957-01)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Verfasser(in):
Dave Bartholomew und Fats Domino
Roy Brown22:03
23Happy, Happy Birthday Baby
The Tune Weavers2:19
24I’m a King Bee
recording of:
I’m a King Bee
Texter und Komponist(in):
James H. Moore (aka Slim Harpo)
publisher:
Campbell Connelly & Co. und Embassy Music Corporation
Slim Harpo3:01
25Rockin’ Pneumonia & The Boogie Woogie Flu
recording of:
Rockin’ Pneumonia and the Boogie Woogie Flu
Texter und Komponist(in):
Huey “Piano” Smith
Huey “Piano” Smith2:15
26Little Bitty Pritty One
Thurston Harris2:23
27Jailbait
recording of:
Jail Bait
Texter und Komponist(in):
Andre Williams (US RnB vocalist/musician/producer/songwriter)
publisher:
Trianon Publications
Andre Williams3:23
28Flat Foot Sam
Oscar “TV Slim” Wills2:11
29Farther Up the Road
Bobby “Blue” Bland2:59
30Raunchy
The Ernie Freeman Combo2:16
31Reet Petite
recording of:
Reet Petite (The Sweetest Girl in Town) (in 1957)
Verfasser(in):
Tyran Carlo und Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson42:44

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Veröffentlichungsgruppe

Teil von:Blowing the Fuse (Nummer: 1957) (Reihenfolge: 13)