The World's Best Ever Beer Songs: 10th Anniversary

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Paradise by the Dashboard Light
tecnico, produttore e tecnico di missaggio:
Todd Rundgren
basso :
Kasim Sultan
batteria :
Max Weinberg
chitarra :
Todd Rundgren
sassofono :
Edgar Winter
sintetizzatore :
Roger Powell (US musician, programmer, and columnist, band "Utopia")
tastiera e altra voce [lascivious effects]:
Jim Steinman
tastiera e pianoforte :
Roy Bittan
voce di accompagnamento:
Rory Dodd, Marvin Lee e Todd Rundgren
voce di accompagnamento e voce principale [featured female vocal]:
Ellen Foley
voce parlata [baseball play-by-play]:
Phil Rizzuto
voce principale:
Meat Loaf
esecutore:
Ellen Foley
arrangiatore:
Todd Rundgren e Jim Steinman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977)
registrazione di:
Paradise by the Dashboard Light
paroliere e compositore:
Jim Steinman
Meat Loaf4.28:24
2The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.24:22
3Ballroom Blitz
tecnico:
Peter Coleman (British engineer & producer)
produttore:
Phil Wainman
arrangiatore:
Sweet (UK glam rock band)
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1974, nel 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso e lavorazione tecnica effettuata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
The Ballroom Blitz
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing Ltd. e Universal Music Publishing MGB Australia
The Sweet4.64:00
4Barracuda
produttore:
Mike Flicker
batteria :
Michael Derosier (dal 1977-02 al 1977-04)
chitarra acustica :
Nancy Wilson (guitarist/singer of “Heart”) (dal 1977-02 al 1977-04)
chitarra basso :
Steve Fossen (dal 1977-02 al 1977-04)
chitarra e mellotron :
Howard Leese (dal 1977-02 al 1977-04)
chitarra elettrica :
Roger Fisher (US rock guitarist) (dal 1977-02 al 1977-04)
voce principale:
Ann Wilson (lead singer of Heart) (dal 1977-02 al 1977-04)
arrangiatore:
Heart (rock band, Ann and Nancy Wilson)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1977-02 al 1977-04)
mixata presso:
Royaltone Studios in North Hollywood, Los Angeles, California, Stati Uniti e Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1977-02 al 1977-04)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 34)
registrazione di:
Barracuda (dal 1977-02 al 1977-04)
autore:
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
editore:
BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. (not for release label use!) e Wilsongs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Heart4.24:21
5Black Betty
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Schallplatten GmbH (nel 1990)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam3.853:56
6Bad Boys for Love
produttore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
basso :
Ian Riland
batteria :
Dallas Royal (Digger)
chitarra :
Michael Cocks e Peter Wells (Rose Tattoo guitarist)
voce:
Angry Anderson
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1977, nel 1978) e J. Albert & Son Pty. Ltd. (nel 1977)
registrazione di:
Bad Boy for Love
paroliere e compositore:
Ian Rilen
editore:
J. Albert & Son e J. Albert & Son Pty. Ltd.
Rose Tattoo3:02
7We're Not Gonna Take It
registrazione di:
We’re Not Gonna Take It
paroliere e compositore:
Dee Snider
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Tunes
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 7)
Twisted Sister53:31
8Rocks
tecnico:
David Bianco (American engineer and record producer) e Jeff Powell (engineer)
tecnico aggiunto:
David Bianco (American engineer and record producer) e Jeffrey Reed
co-produttore:
David Bianco (American engineer and record producer)
produttore:
Tom Dowd
produttore aggiunto:
George Drakoulias
remixer:
George Drakoulias
diritti fonografici (℗) detenuti da:
Creation Records Ltd. (nel 1994) e Sire Records Company (not for release label use!) (nel 1994)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti e Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Rocks
autore:
Bobby Gillespie, Andrew Innes e Robert Young (British guitarist, of Primal Scream)
editore:
Complete Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:32
9Place Your Hands
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1996)
registrazione di:
Place Your Hands
autore:
John Bessant, Dominic Greensmith, Kenwyn House e Gary Stringer (Reef, StringerBessant, Them Is Me lead singer)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Reef43:37
10Blister in the Sun
tecnico di registrazione:
Glenn Lorbiecki (nel 1982-07)
tecnico e tecnico di missaggio:
John Tanner
produttore:
Mark Van Hecke
basso :
Brian Ritchie (nel 1982-07)
batteria e percussione :
Victor DeLorenzo (nel 1982-07)
chitarra e voce principale:
Gordon Gano (nel 1982-07)
voce:
Victor DeLorenzo (nel 1982-07) e Brian Ritchie (nel 1982-07)
registrata presso:
Castle Productions in Lake Geneva, Wisconsin, Stati Uniti (nel 1982-07)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 17)
registrazione di:
Blister in the Sun (nel 1982-07)
paroliere e compositore:
Gordon Gano
editore:
Gorno Music Publishing, Gorno Music (nel 1980) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1982)
Violent Femmes4.452:23
11Prisoner of Society
assistente tecnico di registrazione e assistente tecnico:
Matt Voight
tecnico di registrazione e tecnico:
Lindsay Gravina (engineer & guitarist)
produttore:
Lindsay Gravina (engineer & guitarist) e The Living End (Australian punk band)
tecnico di missaggio:
Jerry Finn
diritti fonografici (℗) detenuti da:
The Living End Pty. Ltd. (nel 1997, nel 1998)
registrata presso:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia
mixata presso:
Conway Studios in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Prisoner of Society (US version) (film clip) di The Living End (Australian punk band)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 41) e Triple J’s Hottest 100: Twenty Years (2013) (numero: 20)
registrazione di:
Prisoner of Society
paroliere e compositore:
Chris Cheney (The Living End frontman)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. e EMI Music Publishing (do not use as a release label!)
The Living End3.653:51
12What's My Scene
armonica (a bocca) :
Brad Shepherd
basso :
Clyde Bramley
batteria :
Mark Kingsmill
chitarra :
Dave Faulkner (David Faulkner) e Brad Shepherd
tastiera :
Dave Faulkner (David Faulkner)
voce:
Dave Faulkner (David Faulkner)
diritti fonografici (℗) detenuti da:
Hoodoo Gurus Pty Ltd (nel 1987)
registrazione di:
What’s My Scene?
autore:
Dave Faulkner (David Faulkner)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Mushroom Music (Mushroom label’s publishing company) e Sony/ATV Music Publishing
Hoodoo Gurus3.353:47
13Fall of Rome
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
registrazione di:
Fall of Rome
paroliere e compositore:
James Reyne
editore:
Mushroom Music Pty. Ltd. e Mushroom Music Publishing
James Reyne4:57
14Before Too Long
diritti fonografici (℗) detenuti da:
Paul Kelly (Australian singer/songwriter) (nel 1986)
registrazione di:
Before Too Long (Paul Kelly song)
paroliere e compositore:
Paul Kelly (Australian singer/songwriter)
editore:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing e Sony/ATV Music Publishing Australia Pty Ltd.
Paul Kelly and the Coloured Girls3.53:20
15Maggie May
produttore:
Rod Stewart
celesta :
Pete Sears (nel 1971)
chitarra a 12 corde , chitarra basso e chitarra elettrica :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971)
chitarra acustica :
Martin Quittenton (guitarist for Steamhammer) (nel 1971)
mandolino :
Ray Jackson (nel 1971) e David Lindley (nel 1971)
membranofono e piatti :
Micky Waller (nel 1971)
organo Hammond :
Ian McLagan (nel 1971)
voce principale:
Rod Stewart (nel 1971)
diritti fonografici (℗) detenuti da:
Mercury Records Inc. (copyrights use only) (nel 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:10
16The Weight
tecnico:
Don Hahn (engineer) e Tony May (engineer)
produttore:
The Band (Canadian-American rock band) e John Simon (US producer, arranger, composer, songwriter and musician)
batteria :
Levon Helm (il 1968-01-12)
chitarra acustica :
Robbie Robertson (il 1968-01-12)
chitarra basso :
Rick Danko (il 1968-01-12)
pianoforte :
Garth Hudson (il 1968-01-12)
voce di accompagnamento:
Rick Danko (il 1968-01-12), Levon Helm (il 1968-01-12) e Richard Manuel (il 1968-01-12)
voce principale:
Rick Danko (il 1968-01-12) e Levon Helm (il 1968-01-12)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968, nel 2005)
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (il 1968-01-12)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 80) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
The Weight (il 1968-01-12)
paroliere e compositore:
Robbie Robertson
editore:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.14:32
17I Walk the Line
produttore:
Sam Phillips (founder of Sun Records)
chitarra acustica e voce principale:
Johnny Cash (country music legend) (il 1956-04-02)
chitarra elettrica :
Luther Perkins (il 1956-04-02)
contrabbasso :
Marshall Grant (il 1956-04-02)
diritti fonografici (℗) detenuti da:
Sun Entertainment Corporation (company credits only; do not use as release label!) (nel 1956) e Sun Record Company (nel 1956)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1956-04-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 30), Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 76)
registrazione di:
I Walk the Line (il 1956-04-02)
paroliere e compositore:
John R. Cash (country music legend) (nel 1956)
editore:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) e House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.152:43
18Thank God I'm a Country Boy
registrazione di:
Thank God I’m a Country Boy
paroliere e compositore:
John Martin Sommers
editore:
Chrysalis One Australia Pty. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music Pty. Ltd. (Mushroom label’s publishing company)
John Denver3:19
19The Gambler
tecnico:
Billy Sherrill (US songwriter/producer/arranger)
produttore:
Larry Butler (US country music producer, songwriter & pianist)
voce principale:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
diritti fonografici (℗) detenuti da:
Liberty Records, Inc. (nel 1978) e Capitol Records Nashville (nel 2006)
registrata presso:
Jack Clement Recording Studio in Nashville, Tennessee, Stati Uniti
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 21)
registrazione cover di:
The Gambler
autore e compositore:
Don Schlitz
editore:
Sony/ATV Cross Keys Publishing e Writer's Night Music
Kenny Rogers4.53:28
20Duncan
registrazione di:
Duncan
paroliere e compositore:
Pat Alexander
Slim Dusty2:33

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parte di:The World’s Best Ever Beer Songs (numero: 10th Anniversary) (ordine: 4)