The Complete Harry Belafonte, Volume 1: 1950 - 1958

~ Release by Harry Belafonte (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleRatingLength

This medium has too many tracks to load at once, so it’s been paginated.

1Venezuela
2:42
2Simple Simple
3:06
3Annabelle Lee
2:41
4Only One Like Me
2:42
5The Night Has a Thousand Eyes
2:50
6Hold Em (Joe)
recording of:
Hold ’em Joe
lyricist and composer:
Harry Thomas
2:35
7Scarlet Ribbons (for her Hair)
vocals:
Harry Belafonte (on 1952-08-01)
recording of:
Scarlet Ribbons (for Her Hair) (on 1952-08-01)
lyricist:
Jack O. Segal (US songwriter) (in 1949)
composer:
Evelyn Danzig (in 1949)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Helton Music and Mills Music Limited
3:11
8Gomen Nasai (Forgive Me)
2:29
9John Henry
guitar:
Millard Thomas (on 1954-04-29)
vocals:
Harry Belafonte (on 1954-04-29)
recording of:
John Henry (on 1954-04-29)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Paul Campbell (songwriting pseudonym used by The Weavers)
3:27
10Acorn in the Meadow
2:41
11Pretty as in Raibow
2:20
12I'm Just a Country Boy3:02
13Suzanne (Every Night When the Sun Goes Down)3:10
14Matilda
2:27
15Springfield Mountain (To-Roo-Dee-Nya)
2:29
16Shenandoah
3:16
17Jerry (This Timber Go to Roll)2:16
18Man Smart Woman Smarter
recording of:
Man Smart, Woman Smarter
lyricist and composer:
Norman Span
publisher:
Clara Music Publ. Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal Music Corp. (USA, affiliated with ASCAP) and Valentine Music Group Ltd.
2:30
19Chimney Smoke
2:02
20A-Roving
3:20
21Annabelle Lee
producer:
Jack Rollins (songwriter)
lead vocals:
Harry Belafonte
vocals:
The Belafonte Singers
arranger:
Fred Norman
recording of:
Annabelle Lee
additional lyricist:
Edgar Allan Poe (American writer)
lyricist and composer:
Jack Segal (US songwriter)
is based on:
Annabel Lee
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte)
additional lyricist:
William Attaway (in 1955) and Irving Burgie (in 1955)
composer:
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) and Reservoir Media Music
version of:
Day‐O (The Banana Boat Song) (original folk song)
2:36
22Venezuela2:55
23Hello Everybody
2:13
24Mark Twain
guitar:
Millard Thomas (on 1954-04-29)
vocals:
Harry Belafonte (on 1954-04-29)
recording of:
Mark Twain (on 1954-04-29)
lyricist and composer:
Harry Belafonte
3:46
25Man Piaba
guitar:
Millard Thomas (on 1954-04-29)
vocals:
Harry Belafonte (on 1954-04-29)
recording of:
Man Piaba (on 1954-04-29)
writer:
Harry Belafonte and Walter E. Rollins (songwriter)
3:33
26John Henry
guitar:
Millard Thomas (on 1954-04-29)
vocals:
Harry Belafonte (on 1954-04-29)
recording of:
John Henry (on 1954-04-29)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Paul Campbell (songwriting pseudonym used by The Weavers)
3:31
27Tol' My Captain
guitar:
Millard Thomas (on 1954-04-29)
vocals:
Harry Belafonte (on 1954-04-29)
recording of:
Told My Captain (on 1954-04-29)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Paul Campbell (songwriting pseudonym used by The Weavers)
2:49
28Kalenda Rock
guitar:
Millard Thomas (on 1954-04-29)
vocals:
Harry Belafonte (on 1954-04-29)
recording of:
Kalenda Rock (on 1954-04-29)
writer:
[traditional] (special purpose artist), Lionel Belasco (Trinidadian-Venezuelan calypso pianist, composer and bandleader), Massie Patterson and Olga Paul (singer, translator)
3:27
29The Drummer and the Cook
guitar:
Millard Thomas (in 1954)
vocals:
Harry Belafonte (in 1954)
recording of:
The Drummer and the Cook (in 1954)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Paul Campbell (songwriting pseudonym used by The Weavers)
version of:
The Drummer and the Cook
2:06
30The Fox
guitar:
Millard Thomas (on 1954-04-22)
vocals:
Harry Belafonte (on 1954-04-22)
recording of:
The Fox (on 1954-04-22)
lyricist and composer:
Paul Campbell (songwriting pseudonym used by The Weavers)
2:48
31Soldier, Soldier
guitar:
Millard Thomas (in 1954)
vocals:
Harry Belafonte (in 1954)
recording of:
Soldier, Soldier (in 1954)
lyricist and composer:
Paul Campbell (songwriting pseudonym used by The Weavers)
1:39
32The Next Big River
guitar:
Millard Thomas (on 1954-04-29)
vocals:
Harry Belafonte (on 1954-04-29)
recording of:
The Next Big River (on 1954-04-29)
lyricist and composer:
Paul Campbell (songwriting pseudonym used by The Weavers)
0:23
33Delia
guitar:
Millard Thomas (in 1954)
vocals:
Harry Belafonte (in 1954)
recording of:
Delia (in 1954)
writer:
Fred Brooks and Lester Judson
3:02
34Mo Mary
guitar:
Millard Thomas (in 1954)
vocals:
Harry Belafonte (in 1954)
recording of:
Mo Mary (in 1954)
lyricist and composer:
Richard Dyer-Bennet (folk singer)
2:17
35Lord Randall
guitar:
Millard Thomas (in 1954)
vocals:
Harry Belafonte (in 1954)
recording of:
Lord Randall (in 1954)
lyricist and composer:
Paul Campbell (songwriting pseudonym used by The Weavers)
4:14
36Water Boy
guitar:
Millard J. Thomas (on 1955-08-18)
vocals:
Harry Belafonte (on 1955-08-18)
recording of:
Water Boy (Avery Robinson arrangement) (on 1955-08-18)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Avery Robinson
arrangement of:
Waterboy
3:40
37Troubles
vocals:
Harry Belafonte (on 1955-08-18)
orchestra:
Tony Scott and His Orchestra (on 1955-08-18)
recording of:
Troubles (on 1955-08-18)
lyricist and composer:
Harry Belafonte
3:32
38Suzanne (Every Night When the Sun Goes Down)
vocals:
Harry Belafonte (on 1955-10-28)
recording of:
Suzanne (Every Night When the Sun Does Down) (on 1955-10-28)
writer:
Harry Belafonte and Harry Thomas
3:18
39Matilda
vocals:
Harry Belafonte (on 1955-08-17)
orchestra:
Tony Scott and His Orchestra (on 1955-08-17)
arranger:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
recording of:
Matilda (on 1955-08-17)
lyricist and composer:
Norman Span
arranger:
Harry Thomas
publisher:
Budde (publisher) (in 1968) and Edition Primus (in 1968)
53:14
40Take My Mother Home
vocals:
Harry Belafonte (in 1955)
recording of:
Take My Mother Home (in 1955)
lyricist and composer:
Hall Johnson (American composer)
5:54
41Noah
choir vocals:
The Norman Luboff Choir (on 1955-08-10)
vocals:
Harry Belafonte (on 1955-08-10)
recording of:
Noah (on 1955-08-10)
writer:
William Attaway and Harry Belafonte
4:50
42Scarlet Ribbons
producer:
Henri René (producer, composer, conductor and arranger)
bongos:
Carlos Vidal (Cuban percussionist) (on 1955-08-18)
congas:
Modesto Doran Martinez (on 1955-08-18)
double bass:
Eugene Wright (bass) (on 1955-08-18)
drums (drum set):
Irv Kluger (on 1955-08-18)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1955-08-18) and Millard J. Thomas (on 1955-08-18)
piano:
John F. Williams Jr. (50s US soul/jazz pianist) (on 1955-08-18)
saxophone:
Buddy Collette (on 1955-08-18), Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1955-08-18), Harry Klee (on 1955-08-18), Bud Shank (on 1955-08-18) and Herbert Stewart (on 1955-08-18)
timbales:
Frank Guerrero (on 1955-08-18)
trombone:
John Haliburton (on 1955-08-18), Ed Kusby (on 1955-08-18) and Si Zentner (on 1955-08-18)
trumpet:
Conte Candoli (on 1955-08-18), Buddy Childers (American jazz trumpeter & composer) (on 1955-08-18) and Maynard Ferguson (on 1955-08-18)
lead vocals:
Harry Belafonte (on 1955-08-18)
vocals:
Harry Belafonte (on 1955-08-18)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-08-18)
performer:
David Klein (on 1955-08-18)
recording of:
Scarlet Ribbons (for Her Hair) (on 1955-08-18)
lyricist:
Jack O. Segal (US songwriter) (in 1949)
composer:
Evelyn Danzig (in 1949)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Helton Music and Mills Music Limited
3:17
43In He Great Gettin' up in the Mornin'
choir vocals:
The Norman Luboff Choir (on 1955-08-19)
lead vocals:
Harry Belafonte
vocals:
Harry Belafonte (on 1955-08-19)
recording of:
In That Great Gettin’ Up Mornin’ (on 1955-08-19)
writer:
Harry Belafonte and Norman Luboff
3:18
44Unchained Melody
vocals:
Harry Belafonte (on 1955-10-28)
recording of:
Unchained Melody (on 1955-10-28)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
3:19
45Jump Down, Spin Around
choir vocals:
The Norman Luboff Choir (on 1955-08-19)
vocals:
Harry Belafonte (on 1955-08-19)
recording of:
Jump Down, Spin Around (on 1955-08-19)
writer:
William Attaway and Harry Belafonte
52:00
46Sylvie
choir vocals:
The Norman Luboff Choir (in 1955)
vocals:
Harry Belafonte (in 1955)
recording of:
Sylvie (in 1955)
writer:
Leadbetter
5:16
47Day O (Banana Boat Song)
producer:
Herman Diaz, Jr.
congas:
Alexander Cambrelen (on 1955-10-20) and Mario Castillo (on 1955-10-20)
double bass:
Milt Hinton (on 1955-10-20)
drums (drum set):
Osie Johnson (on 1955-10-20)
flute:
Herbert Levy (on 1955-10-20)
guitar:
Millard Thomas (on 1955-10-20)
choir vocals:
Charles Colman (on 1955-10-20), J. Hamilton Grandison (on 1955-10-20), Herbert L. Stubbs (on 1955-10-20), Joseph Lewis (on 1955-10-20), Lord Burgess (on 1955-10-20), Brock Peters (on 1955-10-20), Sherman Sneed (on 1955-10-20), John White (50s US vocalist) (on 1955-10-20) and Gloria Wynder (on 1955-10-20)
lead vocals:
Harry Belafonte (on 1955-10-20)
vocals:
Harry Belafonte
orchestra:
Tony Scott's Orchestra & Chorus (on 1955-10-20)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-10-20)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1955-10-20)
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte) (on 1955-10-20)
additional lyricist:
William Attaway (in 1955) and Irving Burgie (in 1955)
composer:
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) and Reservoir Media Music
version of:
Day‐O (The Banana Boat Song) (original folk song)
4.653:05
48I Do Adore Her
vocals:
Harry Belafonte
recording of:
Don’t Ever Love Me (on 1957-01-27)
lyricist and composer:
Lord Burgess
2:50
49Jamaica Farewell
producer:
Edward O. Welker
double bass:
Al Hall (on 1955-11-09) and Norman Keenan (on 1955-11-09)
drums (drum set):
Kelly Martin (US jazz drummer) (on 1955-11-09)
guitar:
Frantz Casséus (on 1955-11-09), Lord Burgess (on 1955-11-09) and Millard Thomas (on 1955-11-09)
vocals:
Harry Belafonte (on 1955-11-09)
recording of:
Jamaica Farewell (on 1955-11-09)
lyricist and composer:
Irving Burgie
publisher:
Cherry Lane Music Ltd.
4.753:05
50Will His Loved Be Like His Rum2:35
51Dolly Dawn
vocals:
Harry Belafonte
recording of:
Dolly Dawn (on 1955-11-09)
lyricist and composer:
Lord Burgess
3:16
52Star-O
vocals:
Harry Belafonte
arranger:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
recording of:
Star‐o (on 1955-10-20)
writer:
William Attaway, Harry Belafonte and Lord Burgess
2:05
53The Jack-Ass Song
vocals:
Harry Belafonte
recording of:
The Jack‐Ass Song (on 1955-10-20)
writer:
William Attaway and Lord Burgess
52:54
54Hosanna
vocals:
Harry Belafonte
recording of:
Hosanna (on 1955-10-19)
writer:
William Attaway and Lord Burgess
52:40
55Come Back Liza4.53:07
56Brown Skin Girl
vocals:
Harry Belafonte
recording of:
Brown Skin Girl (on 1955-11-09)
lyricist and composer:
Norman Span
52:45
57Man Smart (Women Smarter)
vocals:
Harry Belafonte
recording of:
Man Smart, Woman Smarter (on 1955-08-18)
lyricist and composer:
Norman Span
publisher:
Clara Music Publ. Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal Music Corp. (USA, affiliated with ASCAP) and Valentine Music Group Ltd.
53:35
58Merci Bon Dieu
2:57
59Once Was
2:59
60Hava Nageela
recording of:
הבה נגילה (Hava Nagila, traditional Jewish folk song)
lyricist:
אברהם צבי אידלסון (Abraham Idelsohn)
composer:
[traditional] (special purpose artist)
3:10
61Danny Boy
cover recording of:
Danny Boy
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
5:27
62Come O My Love
4:27
63Shenandoah
recording of:
Shenandoah
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 324)
3:48
64Mary's Boy Child
vocals:
Harry Belafonte
recording of:
Mary’s Boy Child (on 1956-07-20)
lyricist and composer:
Jester Hairston
publisher:
Bourne Music Ltd. and J. Albert & Son Pty. Ltd.
54:22
65Cu Cu Ru Cu Cu Paloma
5:29
66Eden Was Just Like This
producer:
Dennis Farnon and Henri René (producer, composer, conductor and arranger)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1956-07-26)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-07-26)
clarinet:
Antonio Villa (on 1956-07-26)
French horn:
Attilo DePalma (on 1956-07-26)
guitar:
Frantz Casséus (on 1956-07-26) and Millard Thomas (on 1956-07-26)
harp:
Marjorie Call (on 1956-07-26)
percussion:
Arnold Manchester (on 1956-07-26) and Louis Singer (percussionist) (on 1956-07-26)
piano:
Hal Hidey (on 1956-07-26)
saxophone:
Herman Berardinelli (on 1956-07-26), Sal Franzella (on 1956-07-26), Victor Garber (50s US saxophonist) (on 1956-07-26), Dale Isenhuth (on 1956-07-26), Paul McLarand (on 1956-07-26) and Wilbur Schwartz (on 1956-07-26)
trombone:
Dick DeMaio (on 1956-07-26) and Si Zentner (on 1956-07-26)
trumpet:
Harry “Sweets” Edison (on 1956-07-26), Uan Rasey (on 1956-07-26) and Joseph Triscari (on 1956-07-26)
viola:
Joseph Reilich (on 1956-07-26)
violin:
Israel Baker (American violinist) (on 1956-07-26), Jerome G. Kasin (on 1956-07-26), Sol Kindler (on 1956-07-26), Robert Levine (violist, violinist) (on 1956-07-26), Gustave Rosseels (on 1956-07-26) and Albert Saparoff (on 1956-07-26)
lead vocals:
Harry Belafonte (on 1956-07-26)
conductor:
Will Lorin (on 1956-07-26)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-07-26)
recording of:
Eden Was Just Like This (on 1956-07-26)
composer:
Jay Richard Kennedy and Lord Burgess
3:01
67When the Saints Go Marching In
recording of:
When the Saints Go Marching In (in 1956)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
3:41
68Scratch, Scratch
vocals:
Harry Belafonte
recording of:
Scratch Scratch (on 1957-01-27)
writer:
Harry Belafonte and Lord Burgess
2:45
69Lucy's Door
vocals:
Harry Belafonte
recording of:
Lucy's Door (on 1957-06-02)
lyricist and composer:
Lord Burgess
3:45
70Cordelia Brown
vocals:
Harry Belafonte
recording of:
Cordelia Brown
lyricist and composer:
Irving Burgie
2:56
71Don't Ever Love Me
vocals:
Harry Belafonte
recording of:
Don’t Ever Love Me (on 1957-01-27)
lyricist and composer:
Lord Burgess
2:49
72Love, Love Alone
vocals:
Harry Belafonte
recording of:
Love, Love Alone (on 1957-06-02)
lyricist and composer:
John Hardy ("Love, Love Alone")
3:21
73Cocoanut Women
producer:
Joe Carlton
bongos:
Noah Rodriguez (on 1957-01-27)
congas:
Daniel Barrajanos (on 1957-01-27)
double bass:
Norman Keenan (on 1957-01-27)
flute:
James N. DeMeo (on 1957-01-27) and Harold M. Jones (50s US flautist) (on 1957-01-27)
guitar:
Frantz Casséus (on 1957-01-27), Victor Messer (on 1957-01-27) and Millard Thomas (on 1957-01-27)
marimba:
Joe Venuto (on 1957-01-27)
trumpet:
Joseph B. Wilder (on 1957-01-27)
choir vocals:
Gilbert E. Adkins (on 1957-01-27), Irving D. Barnes (on 1957-01-27), Leon Bibb (on 1957-01-27), Charles Colman (on 1957-01-27), Stephen Harbachick (baritone) (on 1957-01-27), Marvin Hayes (bass-baritone) (on 1957-01-27), Herbert L. Stubbs (on 1957-01-27), Irving Burgie (on 1957-01-27), Joe N. Kenyon (on 1957-01-27), Leroy B. Thompson (on 1957-01-27), Samuel R. McCurry (on 1957-01-27), John Nielsen (on 1957-01-27), Brock Peters (on 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-27), Rodester Timmons (on 1957-01-27) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-27)
lead vocals:
Harry Belafonte (on 1957-01-27)
conductor:
Robert DeCormier (American composer and conductor) (on 1957-01-27)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1957-01-27)
recording of:
Cocoanut Woman (on 1957-01-27)
writer:
Harry Belafonte and Irving Burgie
publisher:
Caribe Music Corp., Clara Music Publ. Corp. and Reservoir Media Music
3:19
74Haiti Cherie
producer:
Joe Carlton
bongos:
Noah Rodriguez (on 1957-01-27)
congas:
Daniel Barrajanos (on 1957-01-27)
double bass:
Norman Keenan (on 1957-01-27)
flute:
James N. DeMeo (on 1957-01-27) and Harold M. Jones (50s US flautist) (on 1957-01-27)
guitar:
Frantz Casséus (on 1957-01-27), Victor Messer (on 1957-01-27) and Millard Thomas (on 1957-01-27)
marimba:
Joe Venuto (on 1957-01-27)
trumpet:
Joseph B. Wilder (on 1957-01-27)
choir vocals:
Gilbert E. Adkins (on 1957-01-27), Irving D. Barnes (on 1957-01-27), Leon Bibb (on 1957-01-27), Charles Colman (on 1957-01-27), Stephen Harbachick (baritone) (on 1957-01-27), Marvin Hayes (bass-baritone) (on 1957-01-27), Herbert L. Stubbs (on 1957-01-27), Irving Burgie (on 1957-01-27), Joe N. Kenyon (on 1957-01-27), Leroy B. Thompson (on 1957-01-27), Samuel R. McCurry (on 1957-01-27), John Nielsen (on 1957-01-27), Brock Peters (on 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-27), Rodester Timmons (on 1957-01-27) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-27)
lead vocals:
Harry Belafonte (on 1957-01-27)
conductor:
Robert DeCormier (American composer and conductor) (on 1957-01-27)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1957-01-27)
recording of:
Haiti Cherie (on 1957-01-27)
lyricist and composer:
Harry Belafonte and Lord Burgess
3:20
75Judy Drowned
producer:
Edward O. Welker
congas:
Daniel Barrajanos (on 1957-06-02)
double bass:
Norman Keenan (on 1957-06-02)
drums (drum set):
George Guadagno (on 1957-06-02)
flute:
Harold M. Jones (50s US flautist) (on 1957-06-02)
guitar:
Victor Messer (on 1957-06-02) and Millard Thomas (on 1957-06-02)
percussion:
Robert Haring (on 1957-06-02)
choir vocals:
Joseph Crawford (50s US vocalist) (on 1957-06-02), James Eby (on 1957-06-02), Jack Eddleman (on 1957-06-02), Ken Emery (on 1957-06-02), John Gonsalves (on 1957-06-02), George Goodman (1960s Soul singer from Pittsburgh) (on 1957-06-02), John Nielsen (on 1957-06-02), Sherman Sneed (on 1957-06-02), Arman Stephanian (on 1957-06-02), Paul Westbrook (on 1957-06-02), William H. Stewart (choral vocals in Harry Belafonte recordings) (on 1957-06-02) and Ned Wright (on 1957-06-02)
lead vocals:
Harry Belafonte (on 1957-06-02)
conductor:
Robert DeCormier (American composer and conductor) (on 1957-06-02)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1957-06-02)
recording of:
Judy Drownded (on 1957-06-02)
lyricist and composer:
Lord Burgess
3:28
76Island in the Sun
producer:
Joe Carlton
bongos:
Noah Rodriguez (on 1957-01-27)
congas:
Daniel Barrajanos (on 1957-01-27)
double bass:
Norman Keenan (on 1957-01-27)
flute:
James N. DeMeo (on 1957-01-27) and Harold M. Jones (50s US flautist) (on 1957-01-27)
guitar:
Frantz Casséus (on 1957-01-27), Victor Messer (on 1957-01-27) and Millard Thomas (on 1957-01-27)
marimba:
Joe Venuto (on 1957-01-27)
trumpet:
Joseph B. Wilder (on 1957-01-27)
choir vocals:
Gilbert E. Adkins (on 1957-01-27), Irving D. Barnes (on 1957-01-27), Leon Bibb (on 1957-01-27), Charles Colman (on 1957-01-27), Stephen Harbachick (baritone) (on 1957-01-27), Marvin Hayes (bass-baritone) (on 1957-01-27), Herbert L. Stubbs (on 1957-01-27), Irving Burgie (on 1957-01-27), Joe N. Kenyon (on 1957-01-27), Leroy B. Thompson (on 1957-01-27), Samuel R. McCurry (on 1957-01-27), John Nielsen (on 1957-01-27), Brock Peters (on 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-27), Rodester Timmons (on 1957-01-27) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-27)
lead vocals:
Harry Belafonte (on 1957-01-27)
vocals:
Harry Belafonte
conductor:
Robert DeCormier (American composer and conductor) (on 1957-01-27)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1957-01-27)
recording of:
Island in the Sun (on 1957-01-27)
writer:
Harry Belafonte and Lord Burgess
publisher:
Caribe Music Corp., Cherry Lane Music Publishing and Clara Music Publ. Corp.
2:49
77Angelique-O
vocals:
Harry Belafonte
recording of:
Angelique-O (on 1957-01-27)
writer:
William Attaway and Irving Burgie
2:42
78Dead Man Holler
producer:
Edward O. Welker
congas:
Daniel Barrajanos (on 1957-06-02)
double bass:
Norman Keenan (on 1957-06-02)
drums (drum set):
George Guadagno (on 1957-06-02)
flute:
Harold M. Jones (50s US flautist) (on 1957-06-02)
guitar:
Victor Messer (on 1957-06-02) and Millard Thomas (on 1957-06-02)
percussion:
Robert Haring (on 1957-06-02)
choir vocals:
Joseph Crawford (50s US vocalist) (on 1957-06-02), James Eby (on 1957-06-02), Jack Eddleman (on 1957-06-02), Ken Emery (on 1957-06-02), John Gonsalves (on 1957-06-02), George Goodman (1960s Soul singer from Pittsburgh) (on 1957-06-02), John Nielsen (on 1957-06-02), Sherman Sneed (on 1957-06-02), Arman Stephanian (on 1957-06-02), Paul Westbrook (on 1957-06-02), William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-06-02) and Ned Wright (on 1957-06-02)
lead vocals:
Harry Belafonte (on 1957-06-02)
conductor:
Robert DeCormier (American composer and conductor) (on 1957-06-02)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1957-06-02)
recording of:
Lead Man Holler (on 1957-06-02)
lyricist and composer:
Harry Belafonte and Irving Burgie
4:17
79A Star in the East
producer:
Ed Welker
conductor:
Robert DeCormier (American composer and conductor)
recording of:
A Star in the East
writer:
Robert De Cormier (American composer and conductor), Jesse Stool and Milt Okun
4:18
80The Gifts They Gave
producer:
Ed Welker
conductor:
Robert DeCormier (American composer and conductor)
recording of:
The Gifts They Gave
writer:
Robert De Cormier (American composer and conductor), Jesse Stool and Milt Okun
version of:
The Friendly Beasts
4:00
81The Son of Mary
recording of:
The Son of Mary
lyricist:
William Chatterton Dix
composer:
[traditional] (special purpose artist)
arranger:
Robert De Cormier (American composer and conductor), Jesse Stool and Milt Okun
arrangement of:
What Child Is This?
3:23
82The Twelve Days of Christmas
producer:
Ed Welker
conductor:
Robert DeCormier (American composer and conductor)
arranger:
C.C. Carter, Robert De Cormier (American composer and conductor) and Milt Okun
recording of:
The Twelve Days of Christmas
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Frederic Austin (English baritone and composer) (in 1909)
publisher:
Shawnee Press Inc.
3:50
83Where the Little Jesus Sleeps
producer:
Ed Welker
conductor:
Robert DeCormier (American composer and conductor)
recording of:
Where the Little Jesus Sleeps
writer:
Robert De Cormier (American composer and conductor), Jesse Stool and Milt Okun
2:08
84Medley: The Joys of Christmas/Oh Little Town of Bethlehem/Deck the Halls/The First Noël
producer:
Ed Welker
medley including a recording of:
Deck the Halls
lyricist:
Thomas Oliphant (musician, artist and author)
composer:
[traditional] (special purpose artist)
is based on:
Nos Galan (Talhaiarn, “Goreu pleser ar Nos Galan”)
medley including a recording of:
O Little Town of Bethlehem (traditional carol with the tune “St. Louis”, as commonly sung in the U.S.)
lyricist:
Phillips Brooks (in 1868)
composer:
Lewis Henry Redner (in 1868)
is based on:
St. Louis (hymn tune)
medley including a recording of:
The First Noel (Gordon Jenkins arr.)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Gordon Jenkins
arrangement of:
The First Noël
5:25
85Mary Mary
recording of:
Mary, Mary
writer:
Dave Barnes (cowrote Mary, Mary) and Robert Corman (American composer and conductor)
3:24
86Jehova the Lord Will Provide
cover recording of:
Jehovah the Lord Will Provide
writer:
Robert De Cormier (American composer and conductor), Jesse Stool and Milt Okun
2:58
87Silent Night
producer:
Ed Welker
conductor:
Robert DeCormier (American composer and conductor)
arranger:
Robert De Cormier (American composer and conductor) and Jesse Stool
recording of:
Silent Night (Christmas carol, English translation)
lyricist:
Josef Mohr (in 1816)
composer:
Franz Xaver Gruber (in 1818)
translator:
John Freeman Young (in 1859)
part of:
Roud Folk Song Index (number: 27088)
translated version of:
Stille Nacht, heilige Nacht
3:37
88Christmas Is Coming
vocals:
Harry Belafonte
phonographic copyright (℗) by:
BMG Music (in 1958)
recording of:
Christmas Is Coming
lyricist:
[traditional] (special purpose artist)
arranger:
Robert De Cormier (American composer and conductor), Jesse Stool and Milton T. Okun
publisher:
EMI Songs Ltd.
arrangement of:
Christmas Is Coming
1:41
89Medley: We Wish You a Merry Christmas/God Rest Ye Merry/Gentlemen/O Come All Ye Faithful/Joy to the World
4:30
90I Heard the Bells on Christmas Day
producer:
Ed Welker
arranger:
Robert De Cormier (American composer and conductor)
recording of:
I Heard the Bells on Christmas Day
lyricist:
Henry Wadsworth Longfellow (American poet)
composer:
John Baptiste Calkin (composer)
is based on:
Christmas Bells
3:02
91A Fool for You
cover recording of:
A Fool for You
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
3:42
92Losing Hard
recording of:
Losing Hand
lyricist and composer:
Charles Calhoun
4:20
93One for My Baby
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
4:38
94In the Evenin' Mama
cover recording of:
In the Evenin' Mama
lyricist and composer:
C. C. Carter
3:32
95Hallelujah I Love Her So
vocals:
Harry Belafonte
cover recording of:
Hallelujah, I Love Her So (in 1958)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music and Unichappell Music, Inc.
2:56
96The Way I Feel
cover recording of:
The Way That I Feel
lyricist and composer:
Fred Brooks
4:34
97Cotton Fields
recording of:
Cotton Fields
lyricist and composer:
Huddie William Ledbetter
5:20
98God Bless the Child
5:07
99Mary Ann
cover recording of:
Mary Ann
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Progressive Music (publisher) and Unichappell Music, Inc.
2:39
100Sinner's Prayer3:43
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