| # | Title | Artist | Rating | Length |
|---|
| 1 | Crush | Jennifer Paige | | 3:21 |
| 2 | Baby Baby | Amy Grant | 5 | 3:56 |
| 3 | Don’t Stop- assistant engineer:
- Chris Morris
- engineer:
- Ken Caillat and Richard Dashut
- additional producer:
- Ken Caillat and Richard Dashut
- producer:
- Ken Caillat, Richard Dashut and Fleetwood Mac
- bass guitar:
- John McVie
- drums (drum set) and percussion:
- Mick Fleetwood
- guitar:
- Lindsey Buckingham
- keyboard and synthesizer:
- Christine McVie
- vocals:
- Lindsey Buckingham , Christine McVie and Stevie Nicks
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1977), WEA International Inc. (in 1977) and Warner Bros. (in 2004)
- mixed at:
- Producer’s Workshop in Hollywood, Los Angeles, California, United States
- recording of:
- Don’t Stop
- lyricist and composer:
- Christine McVie
- publisher:
- BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music , Universal Music Publishing and Gentoo Music, Inc. (in 1977)
| Fleetwood Mac | 4.2 | 3:13 |
| 4 | Black Velvet | Alannah Myles | 4.5 | 4:45 |
| 5 | True Colours- engineer and mixer:
- Bryan McGee
- lead vocals:
- Cyndi Lauper
- phonographic copyright (℗) by:
- CBS, Inc. (in 1986), Epic Records (in 1986) and Sony Music Entertainment Inc. (in 1986)
- recording of:
- True Colors
- writer:
- Billy Steinberg and Tom Kelly
- publisher:
- Sony Tunes, Inc. (ended), Brain Drain Music , Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC and Tennman Tunes
- live recording of:
- True Colors
- writer:
- Billy Steinberg and Tom Kelly
- publisher:
- Sony Tunes, Inc. (ended), Brain Drain Music , Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC and Tennman Tunes
| Cyndi Lauper | 4.65 | 3:47 |
| 6 | Eternal Flame- recording engineer:
- John Beverly Jones
- additional engineer:
- Ken Felton
- producer:
- Davitt Sigerson
- mixer:
- Frank Filipetti
- drums (drum set):
- Debbi Peterson
- electric bass guitar [bass]:
- Michael Steele
- guitar [lead guitar]:
- Vicki Peterson
- guitar [rhythm guitar]:
- Susanna Hoffs
- phonographic copyright (℗) by:
- The Bangles (in 1988)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1988), Sony BMG Music Entertainment (in 1988), Sony BMG Music Entertainment (UK) Ltd. (in 1988), Sony BMG Music Entertainment Inc. (in 1988) and Sony Music Entertainment (in 1988)
- mixed at:
- Studio 55 in Los Angeles, California, United States
- music videos:
- Eternal Flame by Bangles
- recording of:
- Eternal Flame
- writer:
- Susanna Hoffs, Tom Kelly and Billy Steinberg
- publisher:
- Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. , Denise Barry Music, EMI Songs, Mushroom Music , SBK Blackwood Music Inc. , Songs of Universal, Inc. , Sony Music Publishing , Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC and Universal/MCA Music Ltd.
- sub-publisher:
- EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. , Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan and Warner Chappell Music Ltd.
| The Bangles | 3.75 | 3:56 |
| 7 | A Thousand Miles | Vanessa Carlton | 3.7 | 3:57 |
| 8 | One of Us | Joan Osborne | 4 | 4:16 |
| 9 | Love Is a Battlefield- assistant engineer:
- Dave Hernandez
- producer and mixer:
- Pete Coleman and Neil Giraldo
- assistant mixer:
- Murray Dvorkin and Bino Espinoza
- bass guitar:
- Roger Capps and Donnie Nossov
- drums (drum set):
- Myron Grombacher
- guitar and harmonica:
- Neil Giraldo
- keyboard:
- Charles Giordano
- percussion:
- Charles Giordano , Neil Giraldo and Myron Grombacher
- lead vocals:
- Pat Benatar
- mixed at:
- Soundcastle in Santa Monica, California, United States and The Complex Studios in Los Angeles, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 30)
- recording of:
- Love Is a Battlefield
- writer:
- Mike Chapman and Holly Knight
- publisher:
- BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control , EMI Music Publishing Ltd. , Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. , Zomba Music Publishers Ltd. and Zomba Music Publishing Ltd.
| Pat Benatar | 3.65 | 5:21 |
| 10 | Hold On- additional recording engineer:
- Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
- recording engineer and mixer:
- Francis Buckley
- assistant engineer:
- Dan Bosworth , Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
- producer:
- Glen Ballard
- additional guitar:
- Joe Walsh
- bass:
- Jimmy Johnson
- drums (drum set):
- John “JR” Robinson
- guitar:
- Michael Landau
- keyboard:
- Glen Ballard and Randy Kerber
- percussion:
- Paulinho da Costa
- percussion arranger:
- Glen Ballard
- vocals arranger:
- Glen Ballard and Wilson Phillips
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1990)
- part of:
- Billboard: The 500 Best Pop Songs (number: 312)
- recording of:
- Hold On
- writer:
- Glen Ballard, Chynna Phillips and Carnie Wilson
- publisher:
- Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (in 1990, in 2003), MCA Music Publishing (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (in 2003)
| Wilson Phillips | 4.5 | 4:21 |
| 11 | Because the Night | Patti Smith Group | 4.55 | 3:21 |
| 12 | Sunday Girl- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978, in 1979), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- recording of:
- Sunday Girl (from 1978-06 until 1978-07)
- lyricist and composer:
- Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , EMI Music Publishing Ltd. and Rare Blue Music Inc (in 1978)
| Blondie | 3.8 | 3:04 |
| 13 | Luka | Suzanne Vega | 4.5 | 3:51 |
| 14 | Magic Smile | Rosie Vela | | 4:14 |
| 15 | What’s Up- recording engineer:
- David Tickle (in 1992)
- mastering:
- Stephen Marcussen
- additional engineer:
- Jessie Kanner , Kent Mactke, Laurent Tardy and Paul Dieter
- engineer:
- Mark Hensley
- producer and mixer:
- David Tickle
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- vocals:
- Christa Hillhouse (in 1992) and Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992, in 1993)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation , Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC , Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
| 4 Non Blondes | 4.35 | 4:13 |
| 16 | These Are Days- recording engineer and mixer:
- Ed Thacker
- additional engineer:
- Michael Reiter and Scott Blockland
- producer:
- Paul Fox
- accordion, Hammond organ and keyboard:
- Dennis Drew
- acoustic guitar, banjo, electric guitar, electric sitar, lap steel guitar, mandocello and pedal steel guitar:
- Robert Buck
- bass guitar:
- Steven Gustafson
- drums (drum set):
- Jerome Augustyniak
- percussion:
- Jerome Augustyniak and Paulinho Da Costa
- piano:
- Dennis Drew and Natalie Merchant
- vocals:
- Natalie Merchant
- phonographic copyright (℗) by:
- Elektra Entertainment (in 1992) and WEA International Inc. (in 1992)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States
- mixed at:
- Summa Studios in Los Angeles, California, United States
- music videos:
- These Are Days by 10,000 Maniacs
- recording of:
- These Are Days
- lyricist:
- Natalie Merchant
- composer:
- Robert Buck and Natalie Merchant
- publisher:
- Christian Burial Music (in 1992)
| 10,000 Maniacs | 3 | 3:40 |
| 17 | Fallen | Lauren Wood | | 3:39 |
| 18 | Don’t Walk Away | Toni Childs | | 3:58 |
| 19 | You’re No Good- recording engineer:
- Val Garay (from 1974-06 until 1974-09) and David Hassinger (from 1974-06 until 1974-09)
- engineer:
- Val Garay
- producer:
- Peter Asher, Jay Faires and Tricia Holloway
- bass:
- Kenny Edwards (from 1974-06 until 1974-09)
- drums (drum set), electric piano and percussion:
- Andrew Gold (from 1974-06 until 1974-09)
- electric guitar:
- Ed Black (from 1974-06 until 1974-09)
- solo electric guitar:
- Andrew Gold (from 1974-04 until 1974-09)
- background vocals:
- Clydie King (from 1974-06 until 1974-09) and Shirley Matthews (from 1974-06 until 1974-09)
- strings arranger:
- Gregory Rose
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1974, in 2006) and Capitol Records, LLC (in 1974, in 2013)
- recorded at:
- Sound Factory in Los Angeles, California, United States (from 1974-06 until 1974-09)
- part of:
- New York Post: 100 Greatest Covers (2007) (number: 38)
- cover recording of:
- You’re No Good (from 1974-06 until 1974-09)
- lyricist and composer:
- Clint Ballard, Jr.
- publisher:
- Beardog Publishing, Copyright Control and Edwin H. Morris & Co.
| Linda Ronstadt | 4.75 | 3:43 |
Play on ListenBrainz